[ˈkɪmɔtɑː]

Description

Cimota seeks a unique sound as an ensemble, where the focus is equally based on collective musicianship as on solo-driven performances. The music draws inspiration from the entire history of jazz, European and American free improvisation and new composed music from all corners of the world. All this is framed by compositions with occasionally complex forms, intricate themes, grooves and swing, but also not afraid to explore the quiet, with long sound-based parts. It all flows easily and frictionless from start to finish. This is jazz for our time, challenging and accessible, melodic and abstract, music that refuses to be ignored and demands that the listener give it their full attention.

“Årlig gis det ut plenty av fantastiske jazzalbum i alle former og fasonger, men få kjennes like viktig og rett på sak som [ k m t ] gjør ved inngangen til 2026. Billetten inn er ikke gratis, men den gir høy avkastning.” – Ando Woltmann / Morgenbladet

“På «Sunday Picnic» danser de fem i frilynte post-bopartede rytmer og sprudler i soli. När de samler seg mot slutten, er det som om gamle kjente har funnet sammen igjen. Praten gär som om det var den mest selvfolgelige ting I verden” – Chris Monsen / Klassekampen

“[ˈkɪmɔtɑː] is packed with eventful, curious compositions—intricate yet restrained—shaped by a fascination with all the ways one can write for a small quintet: splitting it apart and stitching it back together. The music draws inspiration from odd jazz and 100–150 years of composed music, while along the way the ensemble also finds the occasional open space to scramble around in at will. There is a tangible joy inspired by all kinds of modernists, and a playful seriousness that I, at least, very much need here and now. To be continued.” -Filip Roshauw / Now’s The Time

Label: Sonic Transmission Records

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