"Presenting Catalytic Record Club, where $30 buys your choice of three CDs from a menu of five, each month."
35 Grapes (19 Shown)
Fred Lonberg-Holm & Michael Zerang
"Like two abstract visual artists painting on the spot, these two begin with an idea of where they going and travel down some treacherous courses with little guidance. The results are uniformly stunning and enlightening. Zerang and Lonberg-Holm have done this sort of thing with others many times before, but this is clearly one of their best. -Steve Loewy, AllMusic"
50% Off Bundle: Ana & AM/FM
"This album bundle includes two CDs--Ana and AM/FM--by Large Unit and Paal Nilssen-Love & Anders Hana."
50% Off Bundle: Goofy June Bug & Live @ The Ironworks Vancouver
Ab Baars & Ig Henneman
"This album bundle includes two CDs--Goofy June Bug & Live @ The Ironworks Vancouver--by Ken Vandermark / Ab Baars and Ig Henneman Sextet."
A View of The Moon (from The Sun)
Mette Rasmussen & Chris Corsano
"Once again they share a predilection for timbral exploration laced with good old-fashioned blow outs. -John Sharpe, All About Jazz"
"It’s a treat to listen to, and there are moments where I thought “I didn’t know the human body could do that,” but this doesn’t appear to be the direction Rousay is moving towards. -Keith Prosk"
"Proceeds raised from sales of "After Gaburo" will go toward Desis Rising Up and Moving, an organization suggested by Nate (www.drumnyc.org). It is a "multigenerational, membership led organization of low-wage South Asian and Indo-Caribbean immigrant workers and youth in New York City."
"Listening at high volumes reveal Corsano playing every inch of his drum set, woody chops echo beneath splashy fills and inhuman snare hits while Haker-Flaten runs speed trials around Wooley’s in-the red-runs across a ruinous tonal field. A truly magnificent thing to behold. - Ryan Hall, Tome to The Weather Machine:"
Another Dull Dawn
"CC ... blew the 'free' into free music again, threw an energy molotov cocktail over western massachussets, and has a non-academic and unlimited interest in sounds far behind any traditional free music school! This LP is a collection of most of his different techniques that blew you away when you saw him play live. - Ultra Eczema"
Tomomi Adachi & Jaap Blonk
"It is all very vibrant and energetic as the two move quickly between sounds, textures, moods, pitches and have near perfect control over their voices and electronics. All of that makes this is forty- one minutes of very fine voice poetry. - Vital Weekly, Netherlands"
Battle Pieces 4
"The music written for Battle Pieces was the first within a system Wooley calls "social music". Each piece is constructed for a single soloist, who improvises with no score. The remaining members of the group perform an ever changing kaleidoscope of short and long pieces without verbal recourse with each other or the soloist. -Nate Wooley"
Black-and-Red Immediate Sound Poster
"Vertically-oriented poster on heavy stock, advertising an April series of Immediate Sound Wednesday concerts at the Hideout, programmed by Umbrella Music."
""It wasn’t an exercise in constraint necessarily; it was just what I was feeling. I made that record because those were the sounds I was hearing in my head. The first solo record [Young Cricketer]...it wasn’t like it changed the world, but it did change my little world. It was a first statement, and that’s a powerful thing—it gives context to everything that comes after it. Since there's no point in saying the same thing twice, I felt like the second solo record should be as far away from the first as possible, while still feeling honest to me." Chris Corsano - Bomb Magazine"
Bow Hard at the Frog
Fred Lonberg-Holm and the Amphibians of the Everglades featuring Gustavo Matamoros
"The title of this collection alludes to a direction in the score of Iannis Xanakis' "Kottos", where the cellist is instructed to "Bow Hard at the Frog", meaning quite literally to play vigorously at the frog (of the bow). In the context of this recording however the phrase becomes multifaceted, as Lonberg-Holm attempts to engage the amphibious wildlife of the Everglades in dialogue. -Nick Metzger, The Squid's Ear"
Bridges Freeze Before Roads
Fred Lonberg-Holm Quartet
"Four individual voices overlapping in convulsive fragmentations, yet never exceeding the threshold of a barely disturbed imperturbability; even if Lonberg-Holm is indicated as the “leader”, this is pure and simple “anarchic democracy”. The abundant fruits generated by the artistic sensitiveness brought in by Guillermo Gregorio on clarinet, Glenn Kotche on percussion and Jason Roebke on bass are tangible since the very first listen; the development of a common, if atypical language seems to be the only thing that matters for this quartet. -Massimo Ricci"
"Poster advertising the release of the Cinc CD on Okkadisk and the 2006 North American tour of Paul Lytton, Ken Vandermark, and Philipp Wachsmann."
Axel Dörner / Fred Lonberg-Holm / Michael Zerang
"Trumpet, cello and percussion wouldn’t seem to share many timbral effects, but it’s often difficult to figure out who’s doing what. “Kasu,” for example, is a rolling patter of metallic-sounding thwacks, taps and scrapes that evokes myriad shades of gray, yet even when Dorner offers more conventional brass tones, as on “Ranzen,” the quick-blink reflexes of Lonberg-Holm and Zerang are at once so intuitive and disorienting that the trumpeter may as well be playing a belt sander, a testament to the trio’s sense of sonic creativity. Rather than revealing pet licks and favorite gimmicks, repeated listening only delivers a greater array of clever details. -Peter Margasak, JazzTimes"
Sylvie Courvoisier / Mary Halvorson
"This debut recording between two of New York’s most idiosyncratic and distinctive improvisers reveals just what careful listeners pianist Sylvie Courvoisier and guitarist Mary Halvorson really are. Each musician contributed pieces to the album, which is deeply chamber-like in its deft, interactive intimacy. But the real action is where they take those written themes. - Peter Margasak"
"With 19 tracks covering a variety of approaches and linked by short improvisations, Cut is a cohesive and workmanlike record with minimal flair and a lot of interest. In continuous dialogue with his own ideas and limitations, as well as that of his large but well-chosen arsenal, Chris Corsano continues to display a solo language that is both rigorous and inviting. - Clifford Allen, Tiny Mix Tapes Eureka! review"
Desert Encrypts Vol. 1
"The band is seriously locked-in, particularly the drummer and bassist, who provide a springy, ever-morphing foundation for the leader’s clarion pocket trumpet excursions - Peter Margasak"
"Due to the closely interrelated interaction constitutive of a piano trio, the music is driven by a surprisingly stark rhythmic density, without falling into manifold routines or clichés. -Hennign Bolte, All About Jazz"
Either Or And
Evan Parker / Sylvie Courvoisier
""Even though the duo can get confrontational, they also know how to turn their dueling into fun and communicate the pleasure they take in playing with each other." - Alain Drouot, Down Beat"
Joe McPhee, John Heward & Joe Giardullo
"The second album in this Catalytic Artist Album fundraising series is Joe McPhee's trio album, "Erotic Winds," which also features Joe Giardullo and John Howard. All donations raised from sales of this recording will go in perpetuity to Black Girls Code, an organization recommended by Sylvie Courvoisier (https://www.blackgirlscode.com)."
Every So Often
Sylvie Courvoisier & Ellery Eskelin
"While this is indeed fully improvised music, the duo is dedicated to euphonic sound. The music is never discordant as the two blend the sometimes slippery blues of Eskelin against the proper European chamber notes of Courvoisier. Her admirable band-in-a-box approach to all parts of her piano, heard on the title track, finds her knocking on wood, plucking insides, mining the utmost from the waves of energy she creates through the palpable feeling. Eskelin comments, responds, and works the edges of her energy. Later on the more direct "Accidentals," both players step up to the front line, bouncing whole notes off each other. But mostly the music tends toward a more courteous and sympathetic tone, making it possible to hear both musicians with full clarity of sound. -Mark Corroto, All About Jazz"
Five Arias For Nalca
Benjamín Vergara / Fred Lonberg-Holm / Aaron Zarzutzki
"In all five tracks there’s never just a single idea of how the recording will proceed. They seem to decide on the spot, always ready to change direction or choose another path. This is probably the most important lesson learned in collective improvisation. -Fotis Nikolakopoulos, Free Jazz Collective"
Fluteophone and Pianoharpa
"2 short (!) solos on fluteophone and pianoharpa. perhaps the first time in the history of music that this combination of instruments are used ??!! nevertheless —- released as we breathe! -Mats Gustafsson"
Akira Sakata & Chikamorachi
"Makes the (re-)discovery of Sakata a real pleasure and joy for the ears. Let's hope it doesn't take another twenty years before his next album is available outside of Japan. -Free Jazz Collective"
Fred Lonberg-Holm’s Fast Citizens
"Fast Citizens continues to forge its own direction, reaching beyond formulaic conventions to embrace new forms. –All About Jazz"
"The Ex met Kurdish singer Brader Mûsîkî in 1991and asked him, after seeing him play, for the ‘6.Series’. Brader with The Ex as backing band became “6.2“: “Millîtan” and “Cemê Rynê”, plus a booklet with extensive Kurdish history. Between 1991-1993 they did some concerts together... Then, after more than 25 years, they met again. Socially it felt like yesterday. Eating together, telling history, listening to music. - Terrie Ex"
"Rich and explosive when it’s boiling, it’s still damn rich when it’s just wafting. – Byron Coley for The Wire"
Udo Schindler & Jaap Blonk
"As free improvisation, without any obvious signs of prior preparation or no-go areas, Hillside Talks makes fascinating listening and sheds light on the possibilities of the genre. - John Eyles, Squid's Ear"
Sylvie Courvoisier & Jacques Demierre
"Proceeds raised from sales of "Hoodoos" will go toward the Bail Project, an organization suggested by Sylvie (bailproject.org). "The Bail Project, Inc. is a non-profit organization designed to combat mass incarceration by disrupting the money bail system ‒ one person at a time."
How Thick You Think / That's Not a Virus
"Two blinking tracks by The Ex: direct, urgent, wilful and joyfully obstinate. Recorded in the rehearsal room in three hours and mixed in two: fat -free and no words wasted."
Immediate Sound "Cyclone" Poster
"Poster by Cricket Press, advertising the Immediate Sound Wednesday concert series at the Hideout, programmed by Umbrella Music."
Immediate Sound Poster
"Hand-printed poster by Dan Grzeca, advertising the March 2007 Immediate Sound residency at the Hideout, Chicago."
"It is hard to tell which are vocal sounds and which are electronic or sampled since all are strange in different ways. What is most interesting is the way that Mr. Blonk blends all of the sounds into fascinating combinations, stretching and manipulating select sound in a most focused way. It might be hard to tell that there are vocals at the center of some of these pieces yet I was still captivated throughout. - Bruce Gallanter, Downtown Music Gallery"
irrt, irrt das ohr
"Harnik's 2005 solo debut on Extraplatte, featuring microtonal improvisations for piano."
It Is Just So Much More Difficult
"Among the tiny pieces of this tangential pattern, motifs emerge, like a scrunching of heavy paper (lately, I keep ripping the pages of my diary right out) and a single booming drum hit honestly and repetitively as a kind of call to arms, ominous, for an impending doom, perhaps, and what is built using those bits post-destruction. The glass, a window, a mirror, by design. Descriptions that reject prescriptive understandings. Working towards solutions, not even methodically, but hypothetically and completely. Sounds of an involuntary faith, which is what faith is. -cookcook, Tiny Mix Tapes"
Known / Unknown
Paul Lytton / Nate Wooley
"Both musicians explore the outside possibilities of their respective instruments and both utilize electronics to further disassemble the sound. The sound tends toward small gestures, magnifying silence and echoey reverberations. -Mark Corroto, All About Jazz"
Live in Chicago
Heart of the Ghost
"Proceeds raised from sales of this recording will go in perpetuity to Black Lives Matter DC, an organization recommended by Luke (www.blacklivesmatterdmv.org). "
Live in Zurich
Joe Morris & Christian Weber
"Proceeds raised from sales of this recording will go toward the Jazz Coalition, an organization suggested by Joe that has been granting $1000 to many musicians, particularly people of color and women, during this period of limited concert possibilities (www.jazzcoalition.org/coalition). T"
Mazen Kerbaj, Ingebrigt Haker Flaten & Tony Buck
"Catalytic Sound continues its CAA fundraising program in support of social justice with Catalytic Artist Album #9, a trio recording from Ingebrigt Håker Flaten with Mazen Kerbaj and Tony Buck, entitled "MOT." Each week Catalytic will continue to reissue these digital albums, formerly member-exclusive, to help raise donations for non-profit organizations chosen by musicians from the collective."
Dave Rempis & Lasse Marhaug
"The whole thing sounds ugly, hideous, dirty and evil – yet, there is a certain beauty under the surface because the music makes you feel alive as well, it makes you feel real if you commit yourself unconditionally ….. but it is not for the faint of heart! -Martin Schray, Free Jazz Blog "
No Time Left or Sadness
Fred Lonberg-Holm & Joe McPhee
"The intimacy of the recording makes for some close encounters of the intuitive kind and both McPhee and Lonberg-Holm demonstrate an uncanny understanding of each other's presence. There is an emotional intensity to the recording too. -Sammy Stein, The Free Jazz Blog"
Tim Daisy & Frank Rosaly
"The third album in this Catalytic Artist Album fundraising series is the Tim Daisy / Frank Rosaly duo record "Northern Duets." All donations raised from sales of this recording will go in perpetuity to BYP100, an organization recommended by Ingebrigt Håker Flaten. (www.byp100.org/about)."
Zeno van den Broek & Gagi Petrovic
"In the summer of 2014 Gaudeamus brought together audio-visual artist Zeno van den Broek and composer Gagi Petrovic and commissioned a large scale composition project. The electro-acoustic piece Ob-literate is the duo's resulting work for organ, vocal ensemble, electronics and custom built performative objects."
Of Things Beyond Thule volume 1
McPhee / Rempis / Reid / Lopez / Nilssen-Love
"McPhee is the natural leader Of Things Beyond Thule, with his warm, dark tone on the pocket trumpet and tenor sax. Nilssen-Love and Lopez act here as an inventive rhythm section that hold back its endless energy and supports cleverly McPhee’s beautiful melodies. Rempis adds lush and rich harmonies while Reid deepens the intimate atmosphere of this set and drives the music forward with subtle contributions. - Eyal Hareuveni, Free Jazz Blog"
Of Things Beyond Thule volume 2
McPhee / Rempis / Reid / Lopez / Nilssen-Love
"A must-own for fans of these musicians – a telling insight into the give and take of five individuals asserting themselves as forces to be reckoned with, while never losing sight of their collective mission. A genuine understanding of how to be responsible to and for one another."
"Unbridled, unyielding fury is what matters here; and there is more than enough of it to satisfy even the most demanding free-music enthusiasts." - Troy Dostert, All About Jazz"
On the A and on the B
Per-Åke Holmlander & Tim Daisy
"Featuring solos from Holmlander on Side A and a duo with Tim Daisy on Side B."
Vandermark / Drake / Trovalusci / Ceccarelli
""Open Border is a beautiful, truly collaborative project between Ken Vandermark on reed instruments, Luigi Ceccarelli on electronics, Hamid Drake on drums and Gianni Trovalusci on flutes... Interplay between Drake and Vandermark stellar as always, as is the light and fluid section for flute and electronic sound, and graceful spoken vocalization leading everyone to come together for a elegant and memorable conclusion. This was a unique and very enjoyable album, taking three stellar instrumentalists and adding Ceccarelli to create electronic sound and process the other band members playing in real time to create a vibrant and rich performance that continuously moves in dynamic and spontaneous ways." -Tim Niland, Music and More, April 4, 2020"
Peter Brötzmann Chicago Tentet 10th Anniversary Poster
"Poster adverting 2007 concerts commemorating the 10th anniversary of the Peter Brötzmann Chicago Tentet. Two-color poster by Dan Grzeca."
"...certainly invites itself to be played again and again, which I think is what music on a physical release should be all about, so I would prefer this one over the previous. Blonk has successfully re-invented what he is doing, and explores new roads here. - Vital Weekly, Netherlands"
Powerhouse Sound at The Empty Bottle, 2008 Poster
"Two-color silkscreened print from Dan Grzeca, advertising Stop Smiling Magazine's 2008 Jazz Issue release party, featuring Powerhouse Sound at The Empty Bottle."
Paul G. Smyth & Chris Corsano
"We're up to our knees in duo and small group improv discs, so it takes something special to stand out. This one's a genuine keeper. —The Wire"
Purple Dark Opal
"As Coltrane drew from jazz, gospel, and Eastern music, Kuzu do too, updating their approach with rock, metal and the tools of free jazz. We hear Rempis' patented rip, tear, crunch sound, but also there is a tranquility about this music not found in most free jazz. - Mark Corroto, All About Jazz"
Red-and-Black Immediate Sound Poster
"Vertically-oriented poster on heavy stock, advertising a January series of Immediate Sound Wednesday concerts at the Hideout, programmed by Umbrella Music. "
"In solidarity with the Movement for Black Lives, 100% of all funds raised from sales of this album will go to the One DC organization recommended by Catalytic artist Luke Stewart. The mission of One DC is "to exercise political strength to create and preserve racial and economic equity in Shaw and the District. We seek to create a community in DC that is equitable for all." (onedconline.org)."
Paul Flaherty / Greg Kelley / Chris Corsano
"The second offering from Flaherty & Corsano is a trio disc with Boston-based trumpeter Greg Kelley. Released in July, 2002, on Flaherty's new imprint Wet Paint, with Paul's artwork gracing the front cover."
"A collection of compositions and improvisations combining recent explorations with turntable manipulation, percussion and radio static with his expanding vocabulary as both a composer and improviser on the marimba."
"Maybe I got thrown off with the whole solo percussionist thing, because I assumed there’d be a lot of to-do. (And seriously, have you seen what Neil Peart plays?) But Rousay works in miniature – they don’t bang around a massive set or even a rock set, they just work with a minimal, albeit unusual, kit. And Rousay, instead of conventional rhythmic structures, intentionally eschews them for a more abstract experience. Rousay’s percussion is the physicality of everyday life. Closing your eyes and allowing the sound to overpower you will put you in familiar situations with uncommon results. -Ryan Masteller, Tiny Mix Tape"
Silk-screened "Houses" Poster
"Created for the Vandermark 5's "Beat Reader" record release concerts at the Green Mill, 2008."
Silk-screened "Monster" Poster
"Created for the Vandermark Five's April 2007 concerts at the Green Mill, Chicago."
Silkscreened Vandermark 5 vs. Atomic Poster
"Silkscreened Vandermark 5 vs. Atomic poster from Methane Studios, 2004. "
"Six Six is the Washington, DC duo of Anthony Pirog (The Messthetics) and Luke Stewart (Irreversible Entanglements, Blacks' Myths). Their long-awaited recorded collaboration delivers two slabs of serenity and storm."
Songs of Little Sleep
"Blonk's commanding vocals are highly expressive, convincing in its inventive phrasing and committed delivery of the experience of sleepless nights, including the occasional nightmares, but with an eccentric-dadaist, dark sense of humor. . . . Blonk, surprisingly enough, succeeded in creating a coherent album out of these disturbing songs. All offer enough lively vocal adventures to keep the listener alert and regrettably, awake despite the insomnia. (All About Jazz)"
Specifically The Water
Alex Cunningham & Claire Rousay
""She and violinist Alex Cunningham make a formidable improvising duo, tactile and kinetic." -Stewart Smith, The Wire"
Studio Sessions Vol. 3
Morris / Gauci / Lane
"The sound on this disc is superb, warm, clean, intense and bristling with energy! We can tell that Mr. Gauci has worked long and hard on his great tone. Burnished and filled with passion and fury. The rhythm team is equally powerful, throttling, burning, soaring, erupting. - Bruce Lee Gallanter, Downtown Music Gallery"
Tim Daisy, Terrie Hessels & Dave Rempis
"Proceeds raised from sales of this recording will go toward a cause recommended by Dave, the "Keep Fendika Grooving" GoFundMe campaign, which is raising donations to help support the Fendika Cultural Center (fendika.org). "
Joe Morris Instantiation
"Switches is scored with invented notation that is read in line from right to left. Each player has different pages. The performer assigns value to the notation by making a sound. Players also have additional pages consisting of 13 units of traditional notation. The independent use of the score generates a natural juxtaposition of material. - Joe Morris, liner notes"
The Avondale Addition
"…this just hits like an especially robust excursion into the beauty of avant-Chicago...with stretches that roll and even groove; in terms of rhythm (movement) and foundational sturdiness, The Avondale Addition is a substantial ride (that lasts for just over an hour). Everybody plays at a high level, and this [is] splendid stuff. –Joseph Neff (The Vinyl District)"
The Beloved Music
Paul Flaherty & Chris Corsano
"Buoyed by flowing swells of tom skin, The Beloved Music is an aural analog to Clyfford Still's caked oils or Richard Serra's manhandled lead. Flaherty and Corsano make music that is here, and they don't give a shit if you're around to love it or not. -Clifford Allen, Bagatellen"
The Body Imitates the Landscape
Claudio f. Baroni
"The music on this album originates in the interactive sound installation The Body Imitates the Landscape by artist Adi Hollander: she designed a collection of ergonomic objects that are meant to transform music into vibrations felt through the entire body. Hollander was inspired by the Japanese book Karada by Michitaro Tada about the ‘school of the body’. Hollander and Claudio F. Baroni made a live version of the installation where Baroni’s music, performed by Maze, was experienced live by the public. As it was channeled through the objects, the public could at once hear the music in the space and feel it in their bodies."
The Dim Bulb
Steve Baczkowski / Chris Corsano / Paul Flaherty
"Veteran underground alto/tenor saxophonist Paul Flaherty and his much-younger compadre, drummer Chris Corsano, have a bond. As a duo, they most often sound like a thundering herd of elephants, with Corsano cast as the thundering herd and Flaherty as the elephants, or like Indians in an old western charging the cowboys on galloping horseback and in full war cry. The Dim Bulb introduces baritone player Steve Baczkowski, an even farther underground free improviser from Buffalo and the effect is at once overwhelming and exhilarating. The music flickers like electricity in a brownout, straining to sustain itself, then surging to incandescence. -Jeff Stockton"
The Ex "Saxophones" Poster
"Advertising Ethiopian concerts and workshops by Ken Vandermark, Ab Baars, Paal Nilssen-Love, Andy Moor, and Terrie Ex."
The Industry of Entropy
"A fantastically understated piece that rewards close listening as the engagement and interplay between the performers is as good as it gets. - Nicholas Metzger"
The Young Cricketer
""The Young Cricketer plays out like a showreel for Corsano’s miraculous dexterity and virtuosity as a drummer. It’s a set of recordings made during Corsano’s time living in Manchester back in 2006 utilising all manner of objects and apparatus to offset and treat his drumkit, often morphing its sound into something unrecognisable. The Young Cricketer is a beautifully recorded album, with Corsano’s expanded kit occupying a vast stereo field, and every percussive gesture allotted its own distinct place in the mix. Consequently, this is probably the most thorough representation of Corsano’s near peerless drumming yet committed to record and stands as a pretty indispensable document for all lovers of free music and percussive invention. Stunning.” - Julien Héraud"
Throw Down Your Hammer and Sing
Nate Wooley / Fred Lonberg-Holm / Jason Roebke
"The five improvisations on Throw Down Your Hammer and Sing still retain their attachment to the tools at the players' disposal; split-tones and cagey muted brass are clearly the trumpeter's task, while cutting tenor projection and string bulwarks belong to cello and bass, respectively. -Clifford Allen, All About Jazz"
Time Gone Out
Sylvie Courvoisier & Mark Feldman
"The tour de force title track, at almost twenty minutes, is a world unto itself, with beautiful, charged musical fragments entering and receding, and enough room for each musician to develop ideas both independently and mutually, being governed all the while by the piece's central logic. Its use of space is especially noteworthy, allowing Courvoisier and Feldman to take full advantage of its expansive duration in presenting their ideas. And "Not a Song, Other Songs" may be even better, with a somewhat menacing undercurrent to the music provided by Courvoisier's thunderous chordal attacks and Feldman's ecstatic surges. - Troy Dostert, All About Jazz"
Traces of Speech
"As if the language of human beings was adopted and enhanced by aliens who charged any basic articulation with tons of information, employing vocals as one but not the dominant practical in a chain of sounds, keeping its expressiveness and emotional delivery neutral. Now, after this radical alteration, only a margin of this intriguing form of communication can be deciphered by us humans, but all—earthlings and other forms of beings in the greater universe—can get a glimpse of its infinite options. Eyal Hareuveni, All About Jazz"
"Recorded live in concert by Iztok Zupan at Tube’s, Graz/Austria on 24th March 2019."
Untitled #2 (The Mute)
Jessica Sligter & Wilbert Bulsink
"Centering on the idea of voicelessness, The Mute explores a concept that can be investigated acoustically, but that can also be approached in social terms. How can those who have no voice in our society be heard?"
Vancouver Live Sound (In Memory of Ken Pickering)
Ab Baars & Ig Henneman
"Proceeds raised from sales of this recording will go toward a cause recommended by Ab, PEN America (pen.org/about-us/), which "stands at the intersection of literature and human rights to protect free expression in the United States and worldwide. "
Vandermark 5 vs. Atomic Poster
Vandermark 5 / Atomic
"Poster advertising a Vandermark 5 / Atomic double bill at Echo Lounge in Atlanta. Order multiple posters at no extra shipping cost. "
¡Todos de Pie!
"¡Todos De Pie! is a project spearheaded by drummer Frank Rosaly that examines the music of Puerto Rico through the lens of experimental and improvised processes. Using Bomba, Plena, Son, Guaracha and Yaguaré from Puerto Rico as a framework, ¡TdP! pushes the boundary of genre and tradition. It is also an exploration of Frank's relationship with his Puerto Rican roots, approaching the music of his blood heritage through his cultural heritage as an American jazz/improvising musician."