The Metamatic Percussion Trio
"The trio of Tim Daisy, Philip Sudderberg, and Julian Kirshner, perform original compositions and improvisations arranged for a wide array of traditional and non-traditional percussion instruments."
Rempis/Abrams/Ra + Baker
"Dave Rempis is really on fire – effortlessly blowing long-spun lines on alto, tenor, and baritone saxes – as part of a very freewheeling quartet with a old school improvising vibe! - Dusty Groove"
Audio One Tour Poster
"A beautiful and well-conditioned poster from Cricket Press for the Audio One tour in the late 00s."
James Blood Ulmer and The Thing
"This is not a James Blood Ulmer album. This is not a The Thing Album. If that’s only what you’re after I can highly recommend the magnificent Blood’ album ‘Tales of Captain Black’ from 1979, or The Thing’s ‘BOOT! from 2013. Furthermore, one simply cannot say what James Blood Ulmer is, as far as genres go. Is he jazz? Is he funk? Is he rock or blues? Is he ‘someone-who-took-Jimi-Hendrix-playing-to-the-next-level’? I’m just going to leave it at this: he’s James Blood Ulmer. He’s a living legend as far as breaking boundaries in cross-genre guitar playing goes. - Gustav Lindqvist"
Frode Gjerstad Trio + Steve Swell
"Frode Gjerstad’s name can be legendary in Norway and all the European continent, due to the fact that he was practically the only one to contrast himself, from the beginning, to the saxophone style which defined the Scandinavian approach to jazz for 40 years, the one defined by Jan Garbarek, but his trio with Jon Rune Strom and Paal Nilssen-Love is relatively new on the scene. It started in 2011 and there’s only another recording with trombonist Steve Swell as special guest, “At Constellation”, from 2015. Of course, there were some previous cumplicities between these musicians: Nilssen-Love was a member of Gjerstad’s Circulasione Totale Orchestra since 1992 and the alto saxophonist and clarinetist played with Swell in several occasions, mostly when visiting the United States. Musically, the quartet proposes a very particular kind of free improvised music with strong connections to the free jazz tradition, reinforced by the participation of the American who collaborated with the likes of Cecil Taylor, Bill Dixon and Anthony Braxton. The energy level is very high, but the delivery isn’t always on the red: lots of dynamics and sudden contrasts keep the group interactions interesting and unpredictable. Frode Gjerstad’s approach to improvisation is distinctive in itself: he’s a melodic player, even if asymetrical, and he prefers the “old school” jazz phrasing to «reed-fueled bric-a-brac», as a music critic once wrote, managing to present it as if it’s a novelty."
Brace For Impact
Joe McPhee & Mats Gustafsson
"Some recordings, the world is just not ready for them when they're made. In 2008, Swedish born, Austrian resident saxophonist Mats Gustafsson and Poughkeepsie, New York multi-instrumentalist Joe McPhee made a suite of studio recordings that they loved so much they immediately culled, mixed, and mastered them. A decade later, when the original label for which they were planned had not yet issued them, Gustafsson and McPhee offered them to Corbett vs. Dempsey, and when we heard them we couldn't believe the music. As searching and searing as anything either of them has made, the duets lived up to their explosive title. Gustafsson is known for his energy, and it's here in droves, but there are other nuances brought out by McPhee, a supple sense of melodicism (hey now, Gustafsson is a Swede, so by birthright he's melodic) and the love of experimental sound-making that McPhee displayed on his sound-on-sound recordings in the late '60s. Although the two wind-players have worked together very extensively – in Peter Brötzmann's large groups, with McPhee as a guest in Gustafsson's band the Thing, and in all manner of large and small group improvisations – but they have never issued a record of duets before. This duo debut, now a decade in the can, is insanely powerful. We recommend that you prepare yourself for the impact. Cover image by Charline von Heyl, interior photo of McPhee and Gustafsson bracing themselves back in 2002, by John Corbett. The package is completed by a haunting cover image by artist Cauleen Smith credits "
Ab Baars & Zlatko Kaučič
"Slovenian drummer/percussionist Zlatko Kaucic (Kaučič) was very busy in 2013-2014. The meetup with pianist Milko Lazar for Ena / One took place between November, 2013 and March, 2014. The disc at hand finds Kaucic performing with Dutch reedman Ab Baars, recorded in October, 2014. Baars is well known in the free jazz side of the Dutch scene. As expected, the music is quite different although the intent is the same: to bring together two free improvisers and see what happens. Recorded at the Alchemia Club in Krakow (no audience), (like the meeting between François Carrier and Rafal Mazur for Unknowable), Kaucic and Baars produced seven tracks that are at once mystifying, intimidating, amazing and a lot of fun. "
"The debut record of LUFT – is a two volume album of exceptional explorations within the bagpipe and reed universe —— unknown music of poetic beauty and high energy cascades. Fast moving changes in texture and layers vs static repetitions and alternatives densities and melody treatments! Vol 1 – is focusing on the interaction between the two persons/ instruments – with a huge variety in extended techniques and various ways of treating the instruments – leading to an improvised music never heard of."
Invitation to a Dream
Alcorn / McPhee / Vandermark
"Some matches are made in heaven and can be brought to a studio in Austin, Texas. Baltimore-based pedal steel guitarist Susan Alcorn, Poughkeepsie-based sax and pocket trumpet player Joe McPhee, and Chicagoan reeds player Ken Vandermark player is, no doubt, one of these rare matches. - Eyal Hareuveni, The Free Jazz Collective, 5 star review "
Jon Vanderlander Trio
Jon Vanderlander Trio
"The Jon Vanderlander Trio 45, with Jon Fält (drums & percussion), Ken Vandermark (clarinet & baritone saxophone), and Per-Åke Holmlander (tuba). Recorded at Fylkingen, Stockholm, on October 29th, 2006, by Niklas Billström. Features the compositions “Tom Säck,” “Misha,” and “1st.” "
Joe McPhee & Hamid Drake
"It's easy to be cynical these days, maybe difficult to imagine that music can change the world, but not for Joe McPhee and Hamid Drake. With Keep Going, they will make the planet a better place for humanity, a place to be humane, to preserve humankind. At 78-years-old, Poughkeepsie multi-instrumentalist McPhee is a national treasure, and he's making more music than ever before, pushing himself to tour incessantly, issuing astonishing new records at a fierce rate. But this release, with legendary Chicago percussionist Drake, is something extremely special in the midst of many special records. The duo first recorded together in 1999, having only played together a limited number of times; the resulting music was issued as Emancipation Proclamation on the Okka Disk label. When the opportunity arose to hit the studio for a second time, McPhee and Drake had two more decades of extensive work together under their belts, as members of the Peter Brötzmann Chicago Tentet and in many other contexts. But the session somehow consolidated their shared energy in an unexpected way – the drummer's incredible warmth and sense of buoyancy, the saxophonist and trumpeter's preternatural musicality and quest for social justice. The recording started with McPhee reciting words by Harriett Tubman, resulting in the title track; Drake's support was an achingly slow Max Roach-like beat. From this inspired, inspiring starting point, the twosome frolicked through a rich program, McPhee donning tenor and alto saxes, and pocket trumpet, Drake turning momentarily to the frame drum. Each musician contributes an introspective solo track. McPhee at one point plays trumpet into an open gong, which gives him otherworldly overtones, a sort of acoustic version of electric Miles. Drake makes too few records, so anything of his is mandatory; McPhee's been on a roll lately, releasing lots of music, but Keep Going is one not to be missed. "
Konstrukt + Ken Vandermark
"Starts with a reference to Ornette Coleman before turning more and more into a psychedelic trip that goes way beyond the "jazz idiom". But what else to expect from such a stellar constellation? "
Lap Dance / Table Solos
"Limited to 200 copies on tasty transparent vinyl. Recorded live at a table in front of an audience of five at Stockholm's Bar Brooklyn a few years ago. There were some people at the bar too. True free jazz lap dance, man."
Tim Daisy and Alex Inglizian
"Eight electro-acoustic improvisations recorded by two creative minds in one afternoon."
Made To Break Buenos Aires 2018
"Designed by our very own Federico Peñalva, this poster commemorates Made To Break's 2018 trip to South America!"
New American Songbooks Vol. 2
Kris Davis, Matt Mitchell, Aruán Ortiz, Matthew Shipp
"Last year’s release found three distinctive voices—Mary Halvorson, Ron Miles, and Greg Saunier—working together to arrange works from mass media. Their collaboration, only a few days in total, culminated in a recording that felt equal parts wild and warm; intimate and revolutionary. Volume 2 goes in another direction. While the warmth and intimacy is still very present, thanks in large part to the expert sound at Ryan Streber’s Oktaven Studios, the experience is one-on-one, as the listener is the recipient of four mini-recitals from four of the most profound interpreters on the piano today: Kris Davis, Matt Mitchell, Aruán Ortiz, and Matthew Shipp. "
New Works for Solo Percussion
"Inspired by a wide range of influences from both the worlds of sound and visual art, Tim has organized a series of new pieces which continue to investigate the balance between composed and improvised sound making, and how these two worlds influence and affect the other."
Soigne Ta Droite
"This new group builds on the knowledge Vandermark has gained through his long term passion for large ensembles and composing for them. It’s a thread of creative activity that goes back for more than two decades."
From Wolves to Whales
"The final track, "For Kenau," sums up the quartet's mission. It trawls a path of extended emotion through long solemn notes and solos, ending with all its fuel spent. - Mark Corroto, All About Jazz"
"Two years ago, Gush celebrated 25 year as a group. One of the concerts on the anniversary tour was organized by FRIM/SYD at Inter Arts Center in Malmoe. Konvoj Records were there! Very few things need to be said about Gush. With their abstract compositions, dissonances and free improvisations, they have already found their way into the ears of most of the daring listeners. Gush was a central force in establishing the scene for free improvised music and free jazz in Sweden in the late 80's. The group and its musicians have since continued to strongly affect, mold, deform, develop, embroil and transform both the sound of their music as well as its audience. Konvoj Records are very proud to present a recording of this amazing event in May, 2013! "
The Vandermark Five, Green Mill, 2005
"This beautiful poster from Dan Grzeca is an artifact from The Vandermark Five's two-night stand at the Green Mill in 2005, available in very limited quantities, this incredible poster from an incredible artist is not one to be missed!"
Then & Now
"Austrian musician & composer, curator, label-founder (charhizma), co-founder of the legendary Viennese bar for electronic musc (Rhiz) with many releases/bands/projects over the years, turns 50. A perfect time for a big multi-variant collection of his unreleased work: solos, duos, special collaborations, groups, for instance with B. Fleischmann, Ken Vandermark, Robert Wyatt Mats Gustafsson, Tony Buck, and many more. From electronica to avantgarde and improvisation to political chansons."
Mats Gustafsson and Jason Adasiewicz
""From the very beginning the atmosphere brings to mind the soundtracks of French film noir classics. Most of the pieces are incredibly slow, quiet, even tender and surprisingly tuneful. ... At the end of the day the music evokes an alternative kind of tension, one with a different kind of energy, one with less volume, one with a bigger focus on restraint. Gustafsson and Adasiewicz explore more subtle dynamics and moods, which are still full of passion and intensity." - Martin Schray"
Torturing the Saxophone
""The title of the CD comes from Robert Crumb, the famous comics artist and collector of old shellacs. Gustafsson sent the CD to him and Crumb’s puzzled response are the liner notes for the album. (“I was kind of shocked at what a negative, unpleasant experience it was, listening to it. I had to take it off long before it reached the end”). Poor Mr Crumb, how could you listen so hard the wrong way? How could you miss the beauty underneath? But reading his lines notes in which he expresses his confused feelings are just the icing on the cake of a great album." - Martin Schray"