UnsoundsAndy Moor

Anne-James Chaton, Andy Moor

2018

"The duo Anne-James Chaton and Andy Moor has produced original works where poetry and guitar combine in explorations of thematic axes. With the project 'Heretics', of which Tout Ce Que Je Sais (All I know) is the second part, they revive the most obscure, violent, erotic passions, summoning the great figures of their personal mythologies. In the company of Caravaggio, Marquis de Sade, William Burroughs and figures such as Jose Mujica, the duo immerses the listener in another world history peopled by radical thinkers. 'Heretics' pays homage to those heroes who used transgression and excess as a necessary means for the advance of humanity. In this new album, recorded live at the Carreau du Temple in Paris on the occasion of Périphérie du 35e Marché de la Poésie (2017), Anne-James Chaton and Andy Moor deliver a radical work at the confines of literary and musical creation"

Claudio F Baroni

2018

""Motum" means motion, and this is a central theme in the 3 pieces by composer Claudio F Baroni on this album. The concept is central to Baroni's work, and is explored musically and formally in his layered, dynamic, sophisticated style. The breathtaking pieces are taking the listener on a meandering path, starting from the origin of sound. Motum is Baroni's second collaboration with Unsounds. With liner notes by Samuel Vriezen."

Trophies

2017

"Alessandro Bosetti returns to Unsounds with Family of Three (Band Photo) : it is the fruit of urgency and sediment – a vibrant story bringing together sounds, images and texts that have emerged over time in Alessandro Bosetti’s imagination, in his life experience and through live concerts. Tangents, ideas and themes revolve around cautiousness, desire, Italy, ways of doing, uncertainty and longing."

Anne La Berge

2017

"Unsounds is proud to present Anne La Berge’s new piece: RAW. Originally from Stillwater, Minesota and based in Amsterdam, the avant-flutist, improviser and composer has written an open-ended work for ensemble and electronics made up of fragmented gestures and shards of skeletal speech."

Andy Moor & Yannis Kyriakides

2017

"The live set recorded in Glasgow's CCA in Feb 28.2006 was originally recorded and released as an exclusive download for 7hings Music. Reinterpretations of Classic Rebetika Songs. A1, A2, A3, A5, B1, B3, B4 recorded live at the CCA, Glasgow Feb 28.2006 Track A4 recorded at the Grand Theatre, Groningen 02.08.06 for dance group Club Guy & Roni. Track B2 recorded at Zaal 100, Amsterdam 2009. "

Yannis Kyriakides

2016

"Lunch Music by composer Yannis Kyriakides is a set of pieces for voices, percussion and live electronics, inspired by the 1959 book Naked Lunch by William S. Burroughs. On this recording the virtuosity of percussionists Slagwerk Den Haag (recently heard on the recording of Michael Gordon’s Timber) and contemporary vocal specialists of Silbersee are embedded in a rich sonic environment of electronics, modulated voices, grinding pulses and hallucinatory noises."

Anne-James Chaton / Andy Moor / Thurston Moore

2016

"Heretics is a series of portraits of radical heretical figures found throughout the history of schismatic thinking.Heretics like Caravaggio, William Burroughs, Jose Mujica, Marquis de Sade and Johnny Rotten, fascinated the artists. These influential figures are presented here in the form of poetic texts and catchy melodies combined with experimental noise. - With the addition of ex-Sonic Youth guitarist, singer and songwriter Thurston Moore, Anne-James Chaton and Andy Moor’s more than a decade long collaboration becomes an exciting trio. They researched and created the material for Heretics during a residency in the French port of St Nazaire, in July 2014. They used voice, guitars and electronics in solo, duo or trio, to collaboratively explore their ideas and co-write texts and music."

Yannis Kyriakides

2016

"SUBVOICE is a collection of nine recent works by composer Yannis Kyriakides for various ensembles ranging from single instrument to large orchestra, that represent an investigation into ideas of voice and language. The music is built on traces of voices and texts that seem to speak or sing in an intimate form of dialogue, either as text that is directly encoded into music, or in traces of voice that are embedded and dissolved into the musical fabric."