Paal Nilssen-Love Large Unit
"I love this album. It’s only two long songs (one 12 minutes and the other almost 9) but any time you listen to a record and it makes you smile, feel intrigued and challenges you is a good thing in my book. -Free Jazz Blog"
Ken Vandermark & Paal Nilssen-Love
"With their duo performance in Moscow on the first two discs Vandermark and Nilssen-Love present why they have always been one of the greatest reeds/drums duos on the scene, it is a marvelous state of the art, an exhibition of their excellent interplay, a summary of their art – in a nutshell: a reference to their own past. The last CD, another duo performance, points to the future. Compared to the Moscow concert, the duo seems changed and willing to go somewhere else. In between, with the literally extended and augmented duos, they present something different, something which shows them on new territory, where they have never been before – and especially here they show that they are willing to take that risk and explore that territory (Martin Schray, The Free Jazz Collective)"
Joe McPhee & Paal Nilssen-Love
""Red Sky comes from folk lore of sailorsill and farmers predicting or forecasting weather. I use it here as a metaphor for looking backward and forward at the saem time, remember the past (lest we be doomed to repeat it) but with an eye to the future. [...]" -Joe McPhee, from the liner notes."
Paal Nilssen-Love & Arto Lindsay
"During drummer Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro Brazil, he was joined on stage by Arto Lindsay performing on electric guitar and voice. The result is this album, presenting two improvisations from these powerful players. Of the performance Nilssen-Love writes: "The gig was organised by the guys running Audio Rebel i Rio... fantastic guys who´s also musicians. Gig was amazing and we we´re both drenched in sweat and we agreed that we have to do more... thankfully the recording was a success and I think Lasse´s done a good job mixing and mastering the music."
Otomo Yoshihide / Paal Nilssen-Love / Lasse Marhaug
""There are long passages of what I’ve described as beautiful noise – especially the weird psychedelic passage at the beginning of the flipside which sounds like manic early Can. It becomes more interesting the more you listen to it. Structurally, the two Pica albums are alike, seeking direction at the beginning, and increasing loudness and power at the end." -Free Jazz Blog"