"This debut release by the regular working trio of Dave Rempis, Joshua Abrams, and Avreeayl Ra is a perfect example of what makes Chicago such a fertile breeding ground for improvised music; three musicians of widely varying ages, backgrounds, playing experiences, and musical interests join forces to deliver moments of both sublime beauty and volcanic energy, continually tempered by the seamless narrative momentum that they weave together in a seemingly effortless way. Although the trio has only been working since the fall of 2012, their group dynamic reveals a chemistry that feels much more seasoned than such a short time might allow – perhaps a result of their shared interest in musical experiences that transcend the every day level, and offer something more substantial to the listener. With Abrams doubling on several different string instruments, and Ra on his characteristically wide array of percussion, the music these three create together is wide-ranging in nature, drawing upon influences from around the world to create a sound that’s totally unique within the current milieu of improvised music. credits "
The Rempis/Daisy Duo
"Dave Rempis and Tim Daisy are two musicians whose work has helped to define an entire generation of Chicago improvisers. Having performed together since they both hit the Chicago scene in the fall of 1997, these two have joined forces on hundreds of performances and dozens of recordings with notable groups including Triage, The Engines, The Rempis Percussion Quartet, The Vandermark Five, and countless other ad hoc groupings. Their duo pairing has a similarly long history whose roots date back to the countless all-day/all-night workshop sessions that Daisy hosted in his garage practice space in the late 90’s, where these two rolled up their sleeves together for the first time, laying the foundation for a lengthy and fruitful set of collaborations. On this recording, a follow-up to their 2005 release “Back To The Circle” on the Okkadisk imprint, the two capitalize on these deep roots to produce an almost telepathic interaction in their improvisations. Never willing to settle into comfortable territory though, the two continue to push each other into new sonic realms, repeatedly pulling the carpet out from one another as the ground becomes too firm under foot."
Dave Rempis & Lasse Marhaug
"This limited edition, 180-gm vinyl LP features one of Norway’s most renowned noise musicians, and one of Chicago’s most active saxophonists, pitting two like-minded individuals from slightly different worlds together for a deeper exploration of each other’s sonic pallet."
Boss Of The Plains
"Wheelhouse was formed in the summer of 2005, when bassist Nate McBride relocated to Chicago from Boston, and was looking for some similarly-minded musicians with whom to work. Having previously met Rempis during the saxophonist's visits home to Boston, he approached him with the idea of starting a band together. Rempis recommended up-and-coming vibraphonist Jason Adasiewicz, who has gone on to become one of the most noted voices in the Chicago improvised music scene. Originally, the band’s collaborative approach focused on playing each other’s compositions, but the trio moved away from that tack in 2008, pursuing a free-improvised approach instead. The slow simmer of their development over many years has allowed for an almost telepathic empathy between these players. All notable soloists and leaders on their own, in this context they pursue a more group-oriented sound where a leader emerges and retracts in unpredictable ways. Additionally, the lack of a drummer provides more sonic space and exposes many of the melodic and harmonic interactions that arise in the group, providing a setting that can move from passages that are remarkably austere, to ones that are highly energetic and dense. Boss of the Plains, their first studio recording, was recorded by the band itself in Adasiewicz's attic in October of 2010, with the same laid-back approach they've taken as a band for many years. This long overdue document showcases the slow-cooked development of an improvising chamber group that occupies a distinct niche within the Chicago music scene. credits "
The Rempis Percussion Quartet
"Phalanx, a two-cd set of live concert recordings from 2012, finds them in top form, barnstorming cities on two continents with their propulsive improvisations. This is the second recording of the band featuring its newest member, Norwegian phenom Ingebrigt Håker Flaten, and these two hard-charging sets show a band at the peak of its creative force. credits "