Canzoni di Primavera
""All pieces consist of composed themes that form the outset for improvisations. There is nothing exceptional in this by itself, but the way both musicians expand on the theme, and the way the other musician then takes this expansion as a basis for further exploration, is exceptional. Even more so, because they are not afraid to use dissonance as a key ingredient of their sound."-Stef Gijssels After their album "Autumn Songs" the Dutch improvising duo of Ab Baars on tenor sax, clarinet and shakuhachi and Ig Henneman on viola, celebrate the music of spring in "Canzoni di Primavera" (Songs of Spring) in 10 vivacious works blending free jazz and chamber music, with subtle use of timbre, dissonance and melody in pieces inspired by poets, composers and artists."
Carl Fredrik Reutersward
Carl Fredrik Reutersward
"Born 4 June 1934 in the Oscars parish in Stockholm, died May 3, 2016 in Landskrona, Sweden. He was a painter, graphic artist , sculptor and poet . Only for the ones who have open ears."
Cash and Carry
The Rempis Percussion Quartet
"Deep within the music there is a pulse that carries this music, and it is mostly directed by Håker Flaten's bass. Switching to baritone, the music gets even more quiet, and at the same time more rigorous. As the piece ramps up, the insistence of the music exhausts the piece. -Mark Corroto, All About Jazz"
Catalytic Sound Festival 2020: Day 1
"All proceeds raised will go to Black Futures Lab (blackfutureslab.org). "Black Futures Lab works with Black people to transform our communities, building Black political power and changing the way that power operates—locally, statewide, and nationally. The problems facing Black communities are complex. The solutions to these problems will come from our imagination, our innovation, and experimentation. Changing our communities for the better requires changing a culture that takes Black people for granted and changing policies and laws that make us criminals and keep resources from our communities. To get there, we work to understand the dynamics impacting our communities; we build the capacity of our communities to govern; and we engage and include Black people in the decisions that impact our lives. There are three ways that Black Futures Lab is a different kind of project for change: our mission to engage the Black community year-round; our commitment to use our political strength to stop corporate influences from creeping into public policies; and our plan to combine technology and traditional organizing methods to reach Black people anywhere and everywhere we are.""
Catalytic Sound Festival 2020: Day 2
"All proceeds raised will go to Assata's Daughters (www.assatasdaughters.org), "a Black woman-led, young person-directed organization rooted in the Black Radical Tradition which organizes young Black people in Chicago by providing them with political education, leadership development, mentorship, and revolutionary services. Through their programs they aim to Deepen, Escalate, and Sustain the Movement for Black Liberation.""
Catalytic Sound Festival 2020: Day 3
"All proceeds raised will go to the Fendika Cultural Center (fendika.org), which "celebrates and renews Ethiopia’s rich cultural heritage. We welcome all creative souls; through exchange of music, dance, art, and poetry, we meditate on humanity’s one-ness, and pray for a peaceful world. Our vision for Fendika is to continue to nurture the artistic community in Addis Ababa, and to grow into one of Africa’s most vibrant centers for artistic innovation and cultural exchange grounded in rich Ethiopian heritage. Funds raised from this campaign will help Fendika pay for basic survival salaries for 33 employees of Fendika, and Fendika Live concert production costs: artist fees for musicians and dancers who perform during Fendika Live concerts that are streamed online, payment for the camera crew for us to stream high-quality programs, transportation costs for artists and camera crew to travel to and from Fendika (They all need to travel by private, contracted cars, as public transit is becoming too risky), monthly wifi cost so we can keep streaming music and other programs.""
Catch My Shoe
"While not quite as outstanding an experience as The Ex live (definitely, absolutely and utterly NOT TO BE MISSED), this is easily one of the best post punk / art rock records which will be released in 2010, and a creative high point even for these old hands. -Eddie Thomas, Subbacultcha"
"Ab Baars, Ken Vandermark & Paal Nilssen-Love form Double Tandem, performing live at Cementen in Norway. Recorded and mixed by Frode Gjerstad."
Chicago Tenor Duets
Evan Parker & Joe McPhee
"The American is by nature a much more discursive player, and Parker’s response is to move with him, abandoning large designs and gaining some rhythmic variety. If the disc has meandering passages, there are also plenty of successes in which lyricism and complexity twine (and for all their stylistic extremes, there are lyrical strains in both players). -John Litweiler, JazzTimes"
Chicago Tentet at Molde 2007
Peter Brotzmann Chicago Tentet
""Logic might tell you that the more free jazz players you have in one spot, the greater the volume and intensity will be, but At Molde 2007 the Chicago Tentet turned in a textured performance that touches on the language of American jazz and European classical forms through the use of multilayered voices and nuanced interplay. In addition to the mainstays on the frontline (Brïtzmann, Ken Vandermark, Gustafsson, Joe McPhee), this edition of the Tentet features electro-cellist Fred Lonberg-Holm, who along with bassist Kent Kessler does the work of a symphonic string section. The 40-minute "Ten by Ten" would be a satisfying album on its own, but at Molde the band played two more pieces, both nearly as expansive and spacious as the opener." –All About Jazz"
Lytton / Vandermark / Wachsmann
"On record, the trio tends to blur: reeds and strings rub against Lytton's seemingly almost accidental drumming until he switches to sheets of metal and the triangle again shifts. But at Tonic on June 12, it was easier to discern them as three pieces (it's the sort of band where visuals help). Even on baritone sax, Vandermark found a place in the upper registers of his bandmates. But whether heard as a triad or something more singular, Cinc builds sparse yet protean and quite nice sound spaces. "
"The music sometimes recalls the magisterial terror of Last Exit, at other times the haunted, structured expanses of Naked City's longform compositions. Whichever way they turn though, Offonoff are a group in touch with their inner ur."
"All proceeds from the sales of this recording will go to an organization suggested by Andy, Black Lives Matter (blacklivesmatter.com), which "was founded in 2013 in response to the acquittal of Trayvon Martin’s murderer. Black Lives Matter Foundation, Inc is a global organization in the US, UK, and Canada, whose mission is to eradicate white supremacy and build local power to intervene in violence inflicted on Black communities by the state and vigilantes. By combating and countering acts of violence, creating space for Black imagination and innovation, and centering Black joy, we are winning immediate improvements in our lives.""
Close Up (For Abbas Kiarostami)
Ken Vandermark & Lasse Marhaug
"While much of Close Up resides in tense spaces of extremity and contrast, there are moments of sudden unity—Vandermark and Marhaug falling into a pulse, nurturing each other’s half-hatched ideas, or stopping short together (Eric McDowell, Free Jazz Blog, December 7, 2016)"