Digital

Tim Daisy / Jeb Bishop / Nate McBride

2019

"All funds raised from the sales of this album will be donated to an organization that Tim has suggested, Dreams for Kids (dreamsforkids.org). "Dreams for Kids replaces charity with opportunity. They develop young social entrepreneurs through practical education and mentorship so they can turn their ideas into impact. They are a diverse group, with a staff, board members and young professionals from every community that empower youth as leaders to create lasting change in our communities.""

Ken Vandermark & Nate Wooley

2015

"All Directions Home wastes exactly no time getting going. The pairing is a fruitful one, with two bridging their deep interests in jazz history and tradition with their equally unique talents using extended techniques and crafting avant-garde compositions. Highly recommended (Lee Rice Epstein, The Free Jazz Collective)"

Kuzu

2021

""But their ability to construct musical tension in an almost agonizing way reaches a new peak on All Your Ghosts In One Corner. Drawing on these musicians’ love for a range of weighty musical expression from doom metal to the deeply-rooted spirituality of saxophonist Pharoah Sanders, this record perfectly captures the depth of the abyss into which we faced. And yet this record isn’t about fear. Redemption is found in the life-affirming energy of these performances, which reflect a will to survive in the band’s committed focus and tenacity. These are spontaneous rituals performed to brace an entire community for the upcoming storm." - Aerophonic Records"

Joe McPhee

2014

"In his upstate NY secret laboratory, home-based in Poughkeepsie, Joe McPhee diligently documented his activities throughout the '70s, with the help of Craig Johnson, the producer who started CjR as an outlet for McPhee's music. Among the unreleased tapes waxed in that span, Alone Together is unique and especially beautiful."

Paal Nilssen-Love & Anders Hana

2010

Icepick

2016

"Listening at high volumes reveal Corsano playing every inch of his drum set, woody chops echo beneath splashy fills and inhuman snare hits while Haker-Flaten runs speed trials around Wooley’s in-the red-runs across a ruinous tonal field. A truly magnificent thing to behold. - Ryan Hall, Tome to The Weather Machine:"

Joe Morris & Agusti Fernandez

2011

"This guitar and piano duo album from Joe Morris and Agustí Fernández is an outing by like minded improvisors, happily extending the definition of melody and the physical limitations of their respective instruments. Between rich acoustic tones they scratch and pluck in unintended places, creating rhythm and melody in adventurous ways. -Paul Acquaro, Free Jazz Blog"

Peter Brotzmann Chicago Tentet

2007

Peter Brotzmann Chicago Tentet

2007

Ken Vandermark & Paal Nilssen-Love

2019

"Right from the start Vandermark and Nilssen-Love made their presence felt in no uncertain terms, with a barnstorming duo passage that saw Vandermark’s weighty tenor interlocking with the Norwegian’s breathless percussion - Richard Rees Jones"

Free Fall

2005

"Here the music suggests a sense of dark threat, pursued through heated contrasts of lengths, with laboring duets or with solitary cadences of erratic abandonment. The thematic material is very close to the more experimental Jimmy Giuffre: asymmetrical intervals, atonal virtuosity, cold irony. What is more personal emerges in the improvisation of the individual."

Audio One

2014

"Like a prize fighter, the ensemble moves with all the nimble dexterity of a small group when needed, bobbing and weaving until an opening presents itself, delivering precise jabs or opening out to rain down a concentrated torrent of blows. Hailing from a city which has had a hand in producing some top class large ensembles in recent years, Audio One is instantly a contender to the throne (Matthew Grigg, The Free Jazz Collective)"

Paal Nilssen-Love Large Unit

2016

"Ana, Paal Nilssen-Love Large Unit's second full-length album, was recorded just a few hours after the Large Unit's ecstatic performance at the Oslo Jazz Festival on August 2015, while the group still riding high on the adrenalin of the live performance. Ana offers an extended version of the Large Unit, augmented by two Brazilian percussionists, Celio de Carvalho and Paulinho Bicolor, both also played in the live performance and enriched the sonic spectrum of the Large Unit."

The Ex + Tom Cora

1993

"Like Sonic Youth, The Ex knows that their harshest parts stand out in bolder and better relief when balanced with softer moments."

"The Ex and Tom Cora have joined forces again for another passionate and eclectic release."

"A new voyage of discovery, once again quite enervating... Poetry and chaos side by side, like confrontation and trance, in a wild collision of styles. Uneasy listening."

Joe McPhee

2009

""Epic" is a word that seems appropriate to describe the music on this two-disc offering by saxophonist and trumpeter Joe McPhee. Accompanied by four double-bassists, the veteran free-jazzer from upstate New York has concocted a tribute to the spirit of one of the genre's early patron saints and called it, appropriately enough The Albert Ayler 2000 Project. -Paul Serralheiro, Squid's Ear"

Michiyo Yagi / Paal Nilssen-Love / Lasse Marhaug

2015

"Koto virtuoso Michiyo Yagi joins the longstanding Norwegian duo of drummer Paal-Nilssen-Love and electronics wizard Lasse Marhaug for a session of extended improvisations. Galvanized by Nilssen-Love’s arsenal of sounds and textures, Yagi drives the most traditional of Japanese instruments to non-idiomatic and percussive extremes while Marhaug’s abstractions reach heights of surprising lyricism. A veritable atlas of strange and wonderful sonic terrain, “Angular Mass” invites the listener to an unforgettable adventure."

Tim Daisy's Fulcrum Ensemble

2018

"Daisy uses this intimate knowledge to his advantage, writing three compositions that not only call on each musician’s unique personal range but also collapse them together into a single complex layered mass. —Eric McDowell, Free Jazz Blog"

The Vandermark 5

2009

"Typical of Vandermark's episodic writing, the piece eschews standardized forms, modulating through a series of stylistic changes that range from metallic funk to austere neo-classicism. The rhythm section gracefully complies with each transition as Vandermark's brawny tenor cries and tranquil clarinet musings contrast with Dave Rempis' serpentine alto salvos."

Jaap Blonk

2020

"This new recording aims at faithfully capturing the spirit Artaud intended to convey: the lucidity as well as the powerful emotions. Jaap Blonk performs the complete text, while taking the liberty of inserting more of Artaud’s sound poems and some improvisations. A famous short poem by Artaud was added as an epilogue."

David Grubbs / Mats Gustafsson

1998

"Duets for harmonium and whateveraphone. These pieces are starkly out of character for both individuals, but no less excellent"