Paul Lytton / Nate Wooley + Ikue Mori & Ken Vandermark
"Quantity is seldom a per se value, but we have here one hundred and nine minutes of pure, passionate, involving high quality music."
The Second Original Silence
"Pristinely recorded at a 2006 Italy performance, this is another outstanding work from Thurston Moore, Jim O'Rourke, and Mats Gustafsson's improvisational noise/jazz/rock ensemble."
The Seven Storey Mountain
"The Seven Storey Mountain is an attempt to represent the ecstatic experience as described by Thomas Merton in his book of the same name, from the uncertainty, to a kind of elation, through the "dark night of the soul" and through to a feeling of peace and communion. It is by no means a religious work, nor is the ecstatic experience singular to Christianity, but is found in many disciplines, religious or otherwise, and most definitely in music from the opening chords of "Thus Spake Zarathustra" to the free jazz movement of the 60s right on up to the modern day noise work, there is an element of the ecstatic experience which draws the listener in."
The Seven Storey Mountain II
"The second piece of composer and experimental trumpeter Nate Wooley’s planned seven-part Seven Storey Mountain. For this round, Wooley engaged Chris Corsano (drums) and C. Spencer Yeh (amplified violin) to join him in creating the forty-three minute, highly improvisatory single-track recording. It is a haunting, often aggressive sound world that moves from a place of chilled droning into a dense and pummeling chaos, before returning to a stressed restraint reminiscent of the work’s opening moments. In his notes to the release, Wooley cites the piece’s exploration of fear, anger, and “spiritual catharsis."
The Seven Storey Mountain III & IV
"A double disc set featuring two live performances from Brooklyn's Issue Project Room in 2010 and 2012. This continues the series of recordings released over the past five years on Important Records of Wooley's long form electro-acoustic work and features, alongside the composer on trumpet and amplifier, such leading lights of the experimental music scene. SSMIII was commissioned while Wooley was in residence at Issue Project Room in 2010 and portions of SSMIV were commissioned for Phillip Glass' birthday celebration and the Festival of New Trumpet in 2012. This is the first recording of both in their entirety, and has been released in a limited edition of 500 copies with art by C. Spencer Yeh."
The Sublime And The Profane
"This is a rare copy of this unique CD limited to 220 copies showcasing Günter Christmann's work alongside a host of improvisers. The CD itself has a wooden panel front opening up to a 2 x CD jewel case."
The Sugarhill Suite
"The musicians address a narrow window within a broad perspective. The recording as a whole describes a memory of the epitome of the Harlem Renaissance and how musicians came out of that time still longing for a recurrence of the dream of the focal point which was Sugar Hill- --where resided the quintessence of the African-American culture.... one whole world within a geometry of avenues and streets. The music possesses a substantive subtlety. It is taut and somewhat restrained, even though the fluidity of McPhee’s tenor lines overrides the tightness of the rhythm section. The music is soft even when it is loud. The music grows out of melody into abstraction easily, without fracture (Lyn Horton, jazzreview.com)"
The Watermelon Suite
"McPhee is such a versatile player that sparks fly whether he blows a saxophone or trumpet. Here, he performs solely on the soprano sax, joined by bassist Dominic Duval and percussionist Jay Rosen. The mood is generally more pensive than to be expected, although fires are lit in a few of the pieces. McPhee shows himself to be a thoughtful, sensitive player, where every note counts and space is just as important. - Steve Loewy, AllMusic "
John Butcher / Andy Moor / Thomas Lehn
"Thermal is a set of improvisations by Andy Moor, John Butcher and Thomas Lehn. Taking the sonic possibilities of their respective instruments (electric guitar, saxophones and EMS synth) through surprising and playful avenues, this is an exquisite example of the meeting of three experienced improvisers, each bringing to this exchange the perspective of their mixed musical backrounds."
Jaap Blonk & Terrie Ex
"From 2007 Jaap Blonk started occasionally playing duo with Terrie Ex. In 2012 The Ex brought Jaap to Ethiopia for a ‘Soundpoetry’ series of concerts and workshops, together with French soundpoet Anne James Chaton."
Throw Down Your Hammer and Sing
Nate Wooley / Fred Lonberg-Holm / Jason Roebke
"This music induces a magical meditation—so abstract, so non-melodic, and so persistent in its vagaries that its appreciation is subject to transcendence, the skirting of analysis and just going with the flow."
Time to do my Lions
"This is a varied recording, a generous offering of personable, personal, and pleasingly experimental songs. Baar's employs just the right amount of stream of consciousness to soulfulness in his melodies to make 'Time to do my lions' a fascinating one."
Mats Gustafsson and Jason Adasiewicz
""From the very beginning the atmosphere brings to mind the soundtracks of French film noir classics. Most of the pieces are incredibly slow, quiet, even tender and surprisingly tuneful. ... At the end of the day the music evokes an alternative kind of tension, one with a different kind of energy, one with less volume, one with a bigger focus on restraint. Gustafsson and Adasiewicz explore more subtle dynamics and moods, which are still full of passion and intensity." - Martin Schray"