The Lions Have Eaten One of the Guards
Ken Vandermark & Paal Nilssen-Love
"They’ve tapped into a sound that is eminently listenable and addictive, and it’s exciting to hear them hone their interplay more and more as time passes. I would highly recommend this album to fans of Ken Vandermark’s and Paal Nilssen-Love’s previous duo work, and to any fan of powerful, melodic, but still adventurous music (Derek Stone, The Free Jazz Collective)"
The Midwest School
"Like a prize fighter, the ensemble moves with all the nimble dexterity of a small group when needed, bobbing and weaving until an opening presents itself, delivering precise jabs or opening out to rain down a concentrated torrent of blows. Hailing from a city which has had a hand in producing some top class large ensembles in recent years, Audio One is instantly a contender to the throne (Matthew Grigg, The Free Jazz Collective)"
The New Favorite Thing Called Breathing
Ben Hall's Racehorse Names
"Out and unusual compositions from drummer Ben Hall and his sextet with Mick Dobday on electric piano & organ, Anthony Levin DEcanini on electronics, Ronnie Zawadi on percussion, John Dierker on reeds, Mike Khoury on viola & violin, and joined by Joe Morris on guitar, for 6 "Spines", free compositions using odd compositional structures leading to superb solo and group playing. Each Spine presents a unique sonic world, from aggressive playing to abstract and sonically fascinating interludes, with performers extending their instruments or taking non-traditional approaches to each. The pacing of these Racehorses is unpredictable and inspired, leading the listener on a wild and unexpected journey, presenting a great cross-section of modern creative improv and territory uniquely belonging to Hall."
The Sugarhill Suite
"The musicians address a narrow window within a broad perspective. The recording as a whole describes a memory of the epitome of the Harlem Renaissance and how musicians came out of that time still longing for a recurrence of the dream of the focal point which was Sugar Hill- --where resided the quintessence of the African-American culture.... one whole world within a geometry of avenues and streets. The music possesses a substantive subtlety. It is taut and somewhat restrained, even though the fluidity of McPhee’s tenor lines overrides the tightness of the rhythm section. The music is soft even when it is loud. The music grows out of melody into abstraction easily, without fracture (Lyn Horton, jazzreview.com)"
The Watermelon Suite
"McPhee is such a versatile player that sparks fly whether he blows a saxophone or trumpet. Here, he performs solely on the soprano sax, joined by bassist Dominic Duval and percussionist Jay Rosen. The mood is generally more pensive than to be expected, although fires are lit in a few of the pieces. McPhee shows himself to be a thoughtful, sensitive player, where every note counts and space is just as important. - Steve Loewy, AllMusic "