The Sugarhill Suite
"The musicians address a narrow window within a broad perspective. The recording as a whole describes a memory of the epitome of the Harlem Renaissance and how musicians came out of that time still longing for a recurrence of the dream of the focal point which was Sugar Hill- --where resided the quintessence of the African-American culture.... one whole world within a geometry of avenues and streets. The music possesses a substantive subtlety. It is taut and somewhat restrained, even though the fluidity of McPhee’s tenor lines overrides the tightness of the rhythm section. The music is soft even when it is loud. The music grows out of melody into abstraction easily, without fracture (Lyn Horton, jazzreview.com)"
The Watermelon Suite
"McPhee is such a versatile player that sparks fly whether he blows a saxophone or trumpet. Here, he performs solely on the soprano sax, joined by bassist Dominic Duval and percussionist Jay Rosen. The mood is generally more pensive than to be expected, although fires are lit in a few of the pieces. McPhee shows himself to be a thoughtful, sensitive player, where every note counts and space is just as important. - Steve Loewy, AllMusic "
Duo Baars - Henneman & Dave Burrell
"The brilliance of this trio is proved most powerful when we start to think about all the other moments they could have uttered a note and most certainly would have changed the direction of the music... from beginning to end this is marvellous, improvised music. A music so marvellous that we tend to forget that it did not exist before Ab Baars, Dave Burrell and Ig Henneman stepped on the stage of the Bimhuis that one night in September. And which after that intriguing concert did exist only as a memory. Until now. (Mischa Andriessen)"