The Rempis/Daisy Duo
"Second Spring is a primal product of sixteen years playing together some of the most challenging music out there. -Victor Aaron, Something Else!"
"We recorded, with Dolf Planteydt, in short sessions over more than three years, Tsehaytu taking the opportunity to do much practising and rehearsing. On these recordings she plays all the instruments herself. We decided to produce the music in an as pure and authentic manner as possible. No silly drum-machines, that spoil so many modern Eritrean recordings. (If I may say so as a ferangie...) And it was a pleasure to give the music the length that it needed, instead of the usual maximum five minutes limit of a 7" single. -Terp Records"
"A collection of compositions and improvisations combining recent explorations with turntable manipulation, percussion and radio static with his expanding vocabulary as both a composer and improviser on the marimba."
Ken Vandermark & Paal Nilssen-Love
"When Paal Nilssen-Love and Ken Vandermark take the stage for two uninterrupted sets, you know there's no chance they'll take the easy route. They put themselves on the spot as a duet and as individual performers, asking telling questions about the way their instruments are played; where the boundaries are, sonically, expressively, physically. – London Jazz News "
Evan Parker / Daunik Lazro / Joe McPhee
"For our collective happiness, because what you'll find here goes deeper in the abstract lyricism testified by the previous and very hard to find release. The British, the French and the American guys were having a fantastic night, and history benefits from that. -Clean Feed"
"Maybe I got thrown off with the whole solo percussionist thing, because I assumed there’d be a lot of to-do. (And seriously, have you seen what Neil Peart plays?) But Rousay works in miniature – they don’t bang around a massive set or even a rock set, they just work with a minimal, albeit unusual, kit. And Rousay, instead of conventional rhythmic structures, intentionally eschews them for a more abstract experience. Rousay’s percussion is the physicality of everyday life. Closing your eyes and allowing the sound to overpower you will put you in familiar situations with uncommon results. -Ryan Masteller, Tiny Mix Tape"
"“Most obviously it establishes a space in which four distinct musical forces can explore potentialities… Collectively their experience encompasses jazz, free improvisation. Electronic noise, new music, and more; across Shelter’s nine tracks, late-night balladry rubs elbows with baleful funk and room-clearing power electronics” (Bill Meyer, The Wire) "Combining his recent duo work with Wooley and his powerful electronics heavy group Made to Break (which includes Stadhouders), the outcome, Shelter, is a forward thinking post-free Jazz/post punk/post rock milepost on the way to somewhere altogether new." (Paul Acquaro, The Free Jazz Collective) Named #3 Jazz / Improv record of 2017 by Bill Meyer in Magnet"
Terrie Ex & Ab Baars
"Both Baars - and Ex are resourceful, highly inventive improvisers and apparently eccentric and quite stubborn characters. Even though both know each other quite well they still manage to surprise. The ten studio pieces, recorded on September 2015, sound as playful, witty dialogues, where both Baars and Ex attempt to outsmart the other’s thread of thought with playful and urgent ideas, sometimes even tease the other with an outrageous and totally provocative gesture. -Eyal Hareuveni, Free Jazz Blog"
The Thing with Jim O'Rourke
""The Thing's discography is filled with uncompromising music and excellent collaborations. The addition of avant rock guitarist O'Rourke is a masterful addition to the list." - Free Jazz Blog"
"His guitar work has always been ferocious, but that zeal was often an introspective intensity. Here, his sound is extroverted and unreserved. Morris performs in trio with his guitar protege Chris Cretella, who like Morris often does, plays bass. Here, electric bass to Morris' electric guitar. The trio is complete with drummer Dave Parmelee, who has more in common with Chris Corsano and Ronald Shannon Jackson than he does with Paul Motian and Billy Higgins."
Short Visit to Nowhere
Peter Brotzmann Chicago Tentet Plus Two
""Certainly when, among other things, the double bass line-up with Kent Kessler and William Parker also presents, the drum tandem Hamid Drake-Michael Zerang or the trio brass with Joe McPhee, Jeb Bishop and Roy Campbell. Where the road is so open for focusing on a crushing group sound, the Chicago Tentet opts for a more modest approach. Especially Brötzmann's more than forty-minute 'Stonewater' leaves a lot of room for 'smaller' passages. The Arabic beginning is a striking example of this. With the tumbling hand drum and the eastern singing style of Hamid Drake, on which Brötzmann releases his elaborate, clarinet-like tarogato.""
The Vandermark 5
"Using American jazzmen for their spiritual inspiration and the European model of free jazz improv, Vandermark and company have come up with something entirely their own: a solid, gritty, soulful funk and squall band who holds within their collective grasp the souls of Sun Ra, Steve Lacy, Albert Ayler, and James Brown's JBs."
Mats Gustafsson & Paal Nilssen-Love
"It is a short EP, but the quality of the playing, and the interaction between both musicians is among the best you can find - powerful and deeply emotional at the same time. Great stuff."
"As important as politics are to the story of the Ex, though, there's an impressive musical progression on the disc as well. The early songs are brittle, nominally funky punk tunes with the occasional lead guitar phrase and arid production. -Joe Tangari, Pitchfork"
"Site Specific is a neat entry in the Ken Vandermark oeuvre: a minimalistic, beautifully bound book packed with two CDs capturing live solo field performances in '14 and '15, showcasing Vandermark's photographs taken as he has toured the world. Time and place take a back seat to imagery, textures and emerging themes (Paul Acquaro, The Free Jazz Collective)"