"The vinyl years 1980-1990. Ex Records, 2005 EX 099D All Corpses Smell The Same (7", He Records, 1980) EX 001 Utregpunx (compilation 7", Rock Against Records, 1980) Z 2 New Horizons in Retailing (7" flexi, Ping Pong Records, 1980) w/ Raket fanzine Weapons For El Salvador (7", f 3,50 Records, 1981) EX 006 w/ Gramschap Villa Zuid Moet Blijven (split 7" flexi, 1981) Gonna Rob The Spermbank (12", Sneeelleeer Records, 1983), EX 015 The Red Dance Package (split 12", CNT Productions, 1983) CNT 017 Awara / The Ex (split 7", Gramschap, 1984), DEI 975-EX 21 w/ Gramschap magazine Rara Rap (7", Lala Records, 1988), WAWA 01 Stonestampers / Steinklopfer (7", Ex Records, 1990), EX 043 Mekons / The Ex (split 7", Clawfist, 1990), CF 4 credits "
"Site Specific is a neat entry in the Ken Vandermark oeuvre: a minimalistic, beautifully bound book packed with two CDs capturing live solo field performances in '14 and '15, showcasing Vandermark's photographs taken as he has toured the world. Time and place take a back seat to imagery, textures and emerging themes (Paul Acquaro, The Free Jazz Collective)"
Joe McPhee, Damon Smith, Alvin Fielder
"Recorded at the venerable Roulette venue in New York City it’s a free jazz conclave at once in the tradition and transcendent of the same in the vibrant gathering of passion and skill each player brings to the stage. McPhee further reveals the lineage in written form through a poem penned to John Coltrane and James Baldwin printed on the gate-fold sleeve. The six situations vary dramatically in duration and design. Inspired by a series of artworks by Dan Flavin, they find the players planting common ground from the jump (Derek Taylor, Dusted Magazine)"
"The sixth release by Ballister, recorded live at the renowned Café Oto in London in March of 2015 finds a well-honed working unit that's settled into the deep groove of their stride on a long tour. Exactly halfway through the journey, on the eve of Rempis’ fortieth birthday, the band bursts out the gate screaming, spewing fire and ash into what might have otherwise been a quiet Monday in London. Although the band and these players are often characterized as working in “improvised music,” or “jazz,” or some other equally insufficient moniker, this music rocks in a way that “Rock” hasn’t in years. The trio’s rhythmic drive drags the listener along face first, at times with flat-out abandon, and at times in lurches and spurts. But overall trajectory for this concert, and this group generally, remains full speed ahead with no time to look back."