Digital

The Ex

1995

"The Ex is still growing, maturing, learning and blowing most other bands off the stage. They have a devastating sense of rhythm and a far-reaching lyrical intelligence." "Their most urgent, powerful and exciting release to date. Staggeringly beautiful." "This time they pull up their wall of sound out of pieces of rock, folk and jazz... The Ex got the blues."

Tim Daisy

2017

"Music For Lying Still is Chicago based composer and percussionist Tim Daisy's latest solo release. Further developing methods and ideas explored by his two previous solo efforts: 'Relucent: music for marimba, radios and turntables' (relay 012), and 'Red Nation 1' (relay 018), MFLS is the first to utilize a multi-track, multi-layered recording process to develop and shape the composition. All the sound making devices were recorded separately and then assembled and edited into one continuous, twenty-five-minute composition. Music for Lying Still is the first in a set of three releases using the studio as an integral component of the music making process. -multi-layered, mystic metaphoric, ambient, experimental low-fi gamelan drone music for people who like to lie still. "

Rara Avis

2013

"Certainly you can tell when Vandermark is playing but you can feel the equality in the contributions. They all have a great instinct to let the silences ring and yet never let a moment get wasted. One of my favorite listens so far this year."

Magda Mayas & Chrstine Abdelnour

2012

"The fascinating aspect is that despite the succession of a myriad of sounds, their interaction also offers an interesting dynamic movement, with changing scenes and evolving levels of intensity. Fragile, ethereal, intense and beautiful. A great listening experience for music lovers with open ears. -Stef, Free Jazz Blog"

Made to Break

2016

"The quartet sounds energetic, buzzing with adrenaline and excitement…playing expansive and powerful interpretations of old compositions in entirely different combinations than those explored before (Eyal Hareuveni, The Free Jazz Collective)"

Dave Rempis & Lasse Marhaug

2014

"The whole thing sounds ugly, hideous, dirty and evil – yet, there is a certain beauty under the surface because the music makes you feel alive as well, it makes you feel real if you commit yourself unconditionally ….. but it is not for the faint of heart! -Martin Schray, Free Jazz Blog "

Paal Nilssen-Love & Frode Gjerstad

2017

"Some of the songs are more searching, contemplative and slow moving. Others more passionate, intense and fast. The duo setting provides a peeled off and intimate feeling throughout the album and I can clearly hear both Frode and Paal being fully focused on the task at hand. On some songs Frode is in the lead, and on others Paal provides texture and a scene on which Frode can move freely in, out and across, and on some songs they both travel together tightly interwoven. No holds barred, full throttle and quick twists and turns. One thing is for certain; Frode Gjerstad and Paal Nilssen-Love are two of the most bright shining stars on the free jazz heaven today."

Rempis/Morris/Reid/Baker

2016

"The intensity comes not from volume, but from the intricate combination of tempos, configurations, and evolving motifs. -Paul Acquaro, Free Jazz Blog"

Rempis/Johnston/Ochs

2016

"There is nothing traditional about the work of this trio, the lack of rhythm and harmonic support leaves a big space for their ideas to grow. -Paul Acquaro, Free Jazz Blog"

DK3

1998

""The Jesus Lizard's Duane Denison and Mule's Jim Kimball enlisted reed player Ken Vandermark in their venture. With this album, the three musicians have created a unique hybrid that stands as one of the most successful attempts at bringing rock and jazz together." –All Music"

The Godforgottens

2009

Kris Davis, Matt Mitchell, Aruán Ortiz, Matthew Shipp

2018

"Produced by Nate Wooley, New American Songbooks, Volume 2 brings together solo piano tracks from four distinguished modern jazz players, guided by a challenge to use selections that expand the idea of the "American Songbook" canon beyond familiar jazz-standard territory. -Ernie, Paik, Chatanooga Pulse"

Paal Nilssen-Love

2019

"For the Roskilde project (now to become a steady band) he put together a Norwegian/Brazilian combination that proved to be especially potent: Bass-player Felipe Zenicola is a new figure on the scene of improvised music and is mostly known for his work with Chinese Cookie Poets. Guitarist Kiko Dinucci has been active the last years as a leader and songwriter of the group Metá Metá and has received noticeable recognition in Brazil and Europe. Then there’s percussionist Paulinho Bicolor, a rare figure in the Brazilian music scene, who adds a special ingredient to the stew: the Cuíca – which is actually a friction drum, but mastered by Bicolor in a completely idiosyncratic way. Paulinho is also a frequent guest with Nilssen-Love’s 15-piece band, Large Unit. Rounding off the line-up Nilssen-Love included what is his longest musical parter: Norwegian saxophone player Frode Gjerstad, a legend of Norwegian free improvised music who asked Nilssen-Love to play with him at the age of 16, a collaboration that now has lasted 28 years. The pair usually works in duo and trio constellations, so it’s a rare treat to hear such a solid musical pair as the gravitational center of this project. The “New Brazilian Funk” title can almost be read as tongue-in-cheek, as this really is not just free jazz on top of tropical grooves - this is the sound of five dedicated musicians coming together to make a completely new type of music. The Roskilde gig went down so well that not only is it being released on CD, it also became the birth of a regular group. "

New Monuments

2018

"Another energy jump from the iconic noise trio New Monuments. Featuring Borbetomagus's Don Dietrich on saxophone, violinist/vocalist C. Spencer Yeh, and Graveyards drummer Ben Hall. New Earth sounds like someone stepped on a copy of Mahavishnu Orchestra's Birds of Fire, put it on the turntable, loved what they heard, and pressed it into a CD. Pure spontaneous music from three of the heaviest in contemporary music. -Pleasure Of The Text"

Territory Band-5

2006

"The Territory Band 5's triple-CD A New Horse for the White House (october 2005) featured Fredrik Ljungkvist, Dave Rempis, Axel Doerner, Johannes Bauer, Per-Ake Holmlander, Jim Baker, Fred Lonberg-Holm, Lasse Marhaug, Kent Kessler, Paul Lytton, Paal Nilssen-Love, and offered four lengthy postmodernist games: Fall With A Vengence, Untitled Fiction, Corrosion, Cards. (The third CD includes live versions of the same pieces)."

Marker

2019

""Thanks Marker, you’ve just delivered a classic." ***** Gustav Lindquist, The Free Jazz Collective, March 6, 2019 Their third album, New Industries, is a double CD comprised of studio and live versions of a dozen new compositions by Vandermark. The studio album was recorded in Chicago at Experimental Sound Studio on July 15th, 2018, directly after Marker's tour of the Midwest; the live album is a document made of their July 12th performance at Milwaukee's Sugar Maple. The combination of both recordings provides listeners an opportunity to hear the compositional strategies of the music truly come into play. Not only is the music improvised within individual pieces, the spontaneous narrative between each is altered by the way that these compositions are sequenced and layered."

Paal Nilssen-Love

2019

"For the 2018 edition of the Roskilde festival in Denmark Paal Nilssen-Love was asked to put together two special projects. Nilssen-Love chose to put together two groups: The first was a Brazil-based band. The second was a Japan-oriented band, bringing together three giants of Japanese free jazz and noise music for the first time: Saxophone player Akira Sakata is the biggest legend of them all — since the 60s Sakata has left a permanent mark on Japanese music. With more than 200 recording credits to his name Sakata first made his mark with the Yosuke Yamashita Trio, and then over the years has gone on to numerous projects. Noise artist Kohei Gomi is best known for his Pain Jerk project, which since its foundation in the early 1990s perfectly encapsulates the classic Japanese noise sound, but also exhibiting a clearly personal style that has evolved over the years. Toshiji Mikawa has as the leader of his Incapacitants project since the early 80s shown an absolutely uncompromising dedicating the craft of pure noise music. Paralell to this he has been a member of the equally seminal Hijokaidan band. Very few artists in the field of noise music enjoys the kind of respect Mikawa does. To make a link to the other Roskilde project Nilssen-Love also added Brazilian guitarist Kiko Dinucci to the line-up, which of course shows the connection between the two bands, but also is a clear proofs of Nilssen-Love’s method of combining expressions and crossing musicial borders to kick the music forward. And with musicians from three continents it also shows that noise music is a global language. Play loud. "

Tim Daisy

2019

"New Works for Solo Percussion, reveal how Daisy has developed his long-standing facility with sonic contrasts into a system for generating and sustaining dramatic tension for 15 minutes at a time. —Bill Meyer, Chicago Reader"

Taylor Ho Bynum/ Joe Morris / Sara Schoenbeck

2011

Ken Vandermark

2014

"Bridges are a symbol of bringing people together, of communicating with each other, of connecting ideas. What else could reading bridges in the context of the music we usually talk about here mean but presenting different approaches of making music and trying to understand how communication works? Who else but Ken Vandermark has been constantly presenting such approaches by crossing the borders between hardcore jazz/punk (with The Flying Luttenbachers), noise core (with Zu), free funk (with Made to Break), new classical music and of course with his various free jazz/improv projects (everything from duos to larger ensembles like Audio One or the Resonance Ensemble) – and these are only a few examples! Ken Vandermark is simply one of the great masters of notated music and completely free improvisation."