Momentum 1: Stone
"Each disc on this collection has its own distinct feel, presenting six individual journeys within the whole. All of the musicians are acutely aware of their surroundings, and the inspiration that they drew from one another was palpable (Tim Niland, Music and More)"
Momentum 2 & 3 : Brüllt and Monster Roster
""This collection can be a bit exhausting, but it is admirably ambitious in the melding of free jazz and abstract electronic music. They may seem like strange bedfellows, but when everything clicks, the results are undeniably impressive." -Music and More, January 12, 2018"
Claudio F Baroni
""Motum" means motion, and this is a central theme in the 3 pieces by composer Claudio F Baroni on this album. The concept is central to Baroni's work, and is explored musically and formally in his layered, dynamic, sophisticated style. The breathtaking pieces are taking the listener on a meandering path, starting from the origin of sound. Motum is Baroni's second collaboration with Unsounds. With liner notes by Samuel Vriezen."
"The Ex is still growing, maturing, learning and blowing most other bands off the stage. They have a devastating sense of rhythm and a far-reaching lyrical intelligence." "Their most urgent, powerful and exciting release to date. Staggeringly beautiful." "This time they pull up their wall of sound out of pieces of rock, folk and jazz... The Ex got the blues."
Music For Lying Still
"Music For Lying Still is Chicago based composer and percussionist Tim Daisy's latest solo release. Further developing methods and ideas explored by his two previous solo efforts: 'Relucent: music for marimba, radios and turntables' (relay 012), and 'Red Nation 1' (relay 018), MFLS is the first to utilize a multi-track, multi-layered recording process to develop and shape the composition. All the sound making devices were recorded separately and then assembled and edited into one continuous, twenty-five-minute composition. Music for Lying Still is the first in a set of three releases using the studio as an integral component of the music making process. -multi-layered, mystic metaphoric, ambient, experimental low-fi gamelan drone music for people who like to lie still. "
N N N
Made to Break
"The quartet sounds energetic, buzzing with adrenaline and excitement…playing expansive and powerful interpretations of old compositions in entirely different combinations than those explored before (Eyal Hareuveni, The Free Jazz Collective)"
"In the summer of 2013, guitarist Joe Morris decided to thoroughly acquaint himself with the vibrant Chicago creative music scene. Although he’d worked with plenty of Chicago musicians over the years, including regular collaborations with percussionist Hamid Drake and reedist Ken Vandermark, it had been many years since Morris had spent any significant time in the city. So he undertook a series of concerts, organized by Vandermark, which placed him in a number of different contexts alongside many of his Chicago-based counterparts, including this string-heavy date at Elastic Arts. From the start, this ad-hoc quartet took advantage of an unusual instrumentation to produce some austere and starkly beautiful music. Each member contributes quickly interweaving lines that occasionally burst to the fore, but tend more often to wrap themselves into one other, hiding in plain sight amongst the unified whole. Cloaking their individual timbres into a sinewy mass, the result is a tight and fascinating exploration of contrapuntal improvisation."
"This live recording finds the collaborative trio of Rempis, Johnston, and Ochs hard at work in the middle of their first full-on North American tour in May of 2015. Documenting a concert from the landmark venue Hallwalls in Buffalo, NY, the trio follows up on their previous release, 2014’s Spectral, having taken their unique approach to spontaneous composition to the next level through the crucible that only touring can provide. On this new recording they tackle two pieces that are significantly more extended than the ones documented on their earlier release, while still employing the same core strategy that made that recording so compelling; an ability to look far down the road in order to anticipate the larger structures that can emerge from even the slightest gesture. The trio moves with patience, and capitalizes on space, waiting for the appropriate moments to strike, always at the service of the ensemble motion. "