I See You Baby Shakin' That Ass
Cato Salsa Experience And The Thing With Joe McPhee
"Metallic guitar chords and pounding drums pierce your ears with the answer as the octet open up with a cover P. J. Harvey's "Who The Fuck". You hear the wailing saxophones of The Thing's Mats Gustafsson, along with McPhee hovering over the screaming guitars, and you look for shelter. And that's only the beginning of the aural assault. "
"This transatlantic trio combines musical sensibilities derived from their experiences in two world capitals of improvised music, Chicago and Amsterdam. Rempis and Rosaly, both longtime staples of the Chicago scene, have partnered for more than 15 years, most significantly in the Rempis Percussion Quartet and Rempis/Rosaly Duo. The two met guitarist/bassist Jasper Stadhouders at the Moers Festival in 2009 where the three shared a stage on the legendary “morning sessions.” Despite being only 18 years old, Stadhouders was a presence to be dealt with, his energy and aesthetic already developed into a cohesive whole. "
Impressions of Jimmy Giuffre
Joe McPhee Trio
"This beautiful set is full of a unique tenderness, and comes out as a very personal statement that should not be missed"
Impressions of Po Music
Ken Vandermark's Topology Nonet Featuring Joe McPhee
""Impressions of Po Music is a unique album completely dedicated to exploring the written material of Joe Mcphee. Vandermark has rearranged 8 of McPhee's pieces from the 1970s & 80s for a nonet that includes Jason Adasiewicz, Josh Berman, Jeb Bishop, Tim Daisy, Kent Kessler, Fred Lonberg-Holm, Dave Rempis & of course, Joe McPhee. Vandermark features McPhee's tenor playing throughout in a contemporary set of arrangements inspired by the collaborations of Gil Evans & Miles Davis." — Okka Disk"
Jaap Blonk / Mats Gustafsson / Michael Zerang
"Documenting a complete, unedited session recorded in Stockholm, there is a visceral excitement as each of the eleven cuts of this recording explores the extremes of the avant-garde. Blonk is found here in a startlingly original and totally improvised trio with free music stylists Matts Gustafsson and Michael Zerang. A departure from Blonk's other recordings, this is the first of two stunning interactions with some of the finest free-style musicians on the scene. For this CD, Swedish woodwind whiz Gustafsson brings his full arsenal of soprano, tenor, and baritone saxophones, flute, fluteophone, and french flageolet, while Chicagoan Zerang powerfully and gracefully fills the percussion slot. Blonk's voice is both horn and percussionist, and the three performers seem to enjoy the interactive flow of pings, pops, and scratches. Stimulating and ever-changing, this recording demands close listening, but the rewards are clearly there for the adventuresome. Not to be missed, this version of Improvisors is laced with humor, along with buckets of extraordinary noises/sounds.""
In Black and White
"When they are "on," the members of Trio X play music that is as good as it gets, and evidence of that is amply abundant here, with some important and exciting interpretations of the emotionally vibrant "God Bless the Child," the Ayler-esque "Goin' Home," and the poignant "'Round Midnight and Later.”... It is the melodies that shed the most light on the group's strategies, which interpret and continually reinterpret the essence of song in a surprisingly and strikingly accessible way (Steve Loewy, allmusic.com)"
Joe McPhee / Matthew Shipp / Dominic Duval
"With its beautiful sound, In Finland captures three master improvisers live and spinnin' takes. Longtime fans of Matthew Shipp who miss his prolonged flights into thundering, gothic creations: this is your fix. With two tracks hovering around the thirty-minute mark, the performances allow Shipp room to stretch and flex. Joe McPhee sticks mainly to a rich-toned soprano sax, although he plays some playful pocket trumpet. A veteran of Mark Whitecage's ensembles as well as a frequent collaborator of McPhee's, bassist Dominic Duval plays rough, his hands exploding with fat, rapid-fire plucking or smeared arco."
Ig Henneman Kwintet
""… Her compositions inspire performances which are anything but ordinary, the collective improvising often breathtaking. The balance between melody and abstraction, rhythmic drive and ballad tones, keep it all sounding brilliantly right. In Grassetto feautures exciting bass clarinet Hein Pijnenburg, with Bart van der Putten's alto, Wilbert de Joode's bass, and Fred van Duynhoven's drums. They execute Henneman's turns magnificently. The leader has an original touch on viola." --Doug Lang CODA Magazine 1999"
In Memory Of Ethiopia?s Greatest Azmari
"Bahru Kegne was a legendary azmari, who was even a private court-player under Haile Selassie, then the ‘free newspaper’ in the communist days and recording some amazing ‘modern’ cassettes in the last years of his life. Deep, hypnotic, trance-like music, and unlike things published before."