In Black and White
"When they are "on," the members of Trio X play music that is as good as it gets, and evidence of that is amply abundant here, with some important and exciting interpretations of the emotionally vibrant "God Bless the Child," the Ayler-esque "Goin' Home," and the poignant "'Round Midnight and Later.”... It is the melodies that shed the most light on the group's strategies, which interpret and continually reinterpret the essence of song in a surprisingly and strikingly accessible way (Steve Loewy, allmusic.com)"
Ig Henneman Kwintet
""… Her compositions inspire performances which are anything but ordinary, the collective improvising often breathtaking. The balance between melody and abstraction, rhythmic drive and ballad tones, keep it all sounding brilliantly right. In Grassetto feautures exciting bass clarinet Hein Pijnenburg, with Bart van der Putten's alto, Wilbert de Joode's bass, and Fred van Duynhoven's drums. They execute Henneman's turns magnificently. The leader has an original touch on viola." --Doug Lang CODA Magazine 1999"
Joe McPhee: One Day...A Lightning Storm
"This very special limited edition release features excerpts from Joe’s conversation with John Corbett and is accompanied by the complete interview in a beautifully designed 20 page booklet. It’s release coincides with the Blank Forms celebration of Joe’s career. "
"Much of the credit is due to Joe McPhee's exquisite sense of melody: even when intense, he infuses every note with thoughtful control. The results reflect the group's natural reticence and attraction to nuance, something that is especially evident on "Journey." Overall, though, this is not music for the fainthearted, as delicacy is juxtaposed with aggressive expression. On "Albert's Alto," for example, the ghost of Albert Ayler is resurrected but never cloned, and his spirit absorbed and reincarnated. The closing "Amazing Grace," in memory of Dominic Duval's late wife, is perhaps the highlight of the album, a lovely, even exquisitely executed reflection of deeply held sentiments. - Steve Loewy, AllMusic"
Knknighgh (Minimal Poetry For Aram Saroyan)
"We can say without exaggeration that the new project by Nate Wooley introduces in the so-called “free jazz” format a system that few times – if ever – we encountered with such a relevance for the musical results since the harmolodic process proposed by Ornette Coleman. And the always surprising trumpeter is very much aware of the ground breaking possibilities of this band with the upcoming New York musicians Chris Pitsiokos, Brandon Lopez and Dré Hocevar, and of the music recorded in “Knknighgh” (to be pronounced as “knife”), when presenting it as «a radical new take on the classic free jazz quartet tradition». So it is: you immediately recognize the approach as free jazz, and yet, free jazz never sounded like this before. - Clean Feed"