Joe McPhee Trio
"One of the most amazing discoveries is how the band's sound was already well-established from this very first recorded performance, not that they haven't evolved, but the core elements of total freedom, authentic feeling and reverence for tradition are already present. Quiet moments with lots of open space and room for interpretation and excursion by the individual soloists alternate by great moments of energetic explosivity."
Fish & Steel
Fish & Steel
"While Nilssen-Love was never a man of restraint, with two of the world’s most versatile brass improvisers going at it he able to be completely free in his approach. And this playfulness is certainly what makes Fish & Steel’s debut album such an exciting release."
"This date might instantly become the best loved of all. The immaculate recording captures seemingly every breath, fingered key click and note, making it easy to imagine his body language. "Eight Street and Avenue C" opens the affair with the pop and click of keys that must still the audience, as they wait for his music to progress towards breath and extended notes. McPhee displays a total command of the instrument, moving next to the most tender of notes. His repeated patterns develop into vocalizations sung through the horn. At this point, he has the audience eating out of his hand."
"Fluku is a superb album, dynamic, adventurous, colorful and innovative. If you have the chance to see the band live, don’t miss it."
Andy Moor & Yannis Kyriakides
""Folia" is the third CD collaboration of Andy Moor (guitar) and Yannis Kyriakides (computer) created in 2009 and performed in numerous festivals and concerts that year. It is an epic reworking of the famous tune from the 16th and 17th centuries called "La Folia". Fusing influences from this and South American folk music, they create a unique sound world of slowly evolving soundscapes, fluctuating beats, and rich oscillating harmonies. -Unsounds"
For Don Cherry
Mats Gustafsson & Hamid Drake
""Rhythmic virtuoso Hamid Drake and reeds innovator Mats Gustafsson deliver a jaw-dropping and all-too-brief set recorded in Chicago on Oct. 19, 1995, the day of Don Cherry’s death and recorded by Jim O'Rourke. One of the few live records to make this listener earnestly wish she’d been in attendance, Drake and Gustafsson’s meeting is a perfect example of the phenomenal synergy possible between two musicians. The two in question are an ideal match; both temper the muscularity of their playing with sensitivity and musical sophistication. Neither artist allows the other the option of sitting on his heels at any point; this recording is challenging, intense, and enjoyable from start to finish." –Susie Jae, ON AIR magazine, WKCR 89.9 FM (New York)"
For Frank Wright
"A rare live recording at CCAM, Vandoeuvre - Lés - Nancy, on May 6, 1992. Hard to find this one anywhere else!"
Frode Gjerstad Trio + 1
"With the release of “Forgotten City” Norway’s premier free-jazz trio sounds as fresh and exciting as when they started."
Ab Baars Trio + Rosewell Rudd
"...If you are accustomed to the eclectic, dissonant and perhaps even sometimes bullying Baars language, then you’ll find some true gems on the album Four. The group interaction and the improvisations are of an exceptionally high level. Rudd fits perfectly with the trio; together they form a real quartet.” Kees Stevens Parool 31/7/2001"
Four Improvisations (Duo) 2007
Joe Morris & Anthony Braxton
"Morris's soft-toned parlando style little guitar sounds seem to have an incredible effect on Braxton who is lyrical as I've seldom heard him. Both musicians listen extremely closely and actually compose on the spot, moving these long improvisations through different moods and musical landscapes, but then of the low and hilly kind, without high peaks or deep chasms. The music is fragile, sensitive, deeply emotional and vibrating with life and musical joy. -Stef, Free Jazz Blog"
Vandermark / Guy / Sanders
"The proof here is the instantaneous manner in which the trio gets down to the business of music-making. This isn't just twiddling and tinkering with instruments; the three, in the classic sax/bass/drums configuration, narrate paths of sound governed by an unwritten set of rules."
Fred Anderson / DKV Trio
""Fred Anderson & DKV Trio cannot disappoint any free-jazz fan; with its lyrical beauty, passion, and warmth, it will convert many a jazz enthusiast who thinks "free" means "squalling".""
Free Jazz Classics Vol. 1 & 2
The Vandermark 5
"The band lovingly works over pieces by many of the pillars in free jazz, from Ornette to Giuffre, Ra to Hemphill. The exciting repertoire remains fresh (these compositions haven't exactly been overexposed) and gives the musicians plenty of room to groove and work their chops...which, by now, these Chicago players certainly have enough of to pull off this tribute project with excellent results."
Free Jazz Classics Vol. 3 & 4
The Vandermark 5
"The two discs are very different in mood and style with the latter being less, intense perhaps, but still looser, riskier, and genial. Bishop's solo on "Black and Crazy Blues," is pure hard bop-blues swinging. Suites Vandermark arranged are wonderful, full of surprise and great humor -- something you wouldn't expect from him, but you did from Kirk. If you didn't have a chance to pick these up on their original release, now's your chance. This set is not to be missed."
From The Discrete To The Particular
Joe Morris • Agustí Fernández • Nate Wooley
"Being perfectly aware that a trio featuring Joe Morris on guitar, Agustí Fernández on piano and Nate Wooley on trumpet can’t be, for an immanent reason connected to the mastery of the musicians, less than rewarding, my attention has instead been caught by the title of the album. Echoing and mixing several philosophical and scientific subjects it is, in my opinion, a brief and inspired description of some tendencies and paths sketched out in the compositions." - Paolo Casertano "Free Jazz Blog"
From Wolves To Whales
"Trumpeter Nate Wooley leaves no part of his instrument’s territory unexplored, utilising extended techniques and feedback to transform the horn from its traditional role into a far more alchemical and unclassifiable tool... The fully improvisatory yet traditionally rooted feel of the music has a lot in common with the work of Other Dimensions In Music. There’s a path in for more conservative free jazz listeners, but plenty of wilderness to get lost in, too. -Phil Freeman, The Wire"