"Two years ago, Gush celebrated 25 year as a group. One of the concerts on the anniversary tour was organized by FRIM/SYD at Inter Arts Center in Malmoe. Konvoj Records were there! Very few things need to be said about Gush. With their abstract compositions, dissonances and free improvisations, they have already found their way into the ears of most of the daring listeners. Gush was a central force in establishing the scene for free improvised music and free jazz in Sweden in the late 80's. The group and its musicians have since continued to strongly affect, mold, deform, develop, embroil and transform both the sound of their music as well as its audience. Konvoj Records are very proud to present a recording of this amazing event in May, 2013! "
The Midwest School
"Like a prize fighter, the ensemble moves with all the nimble dexterity of a small group when needed, bobbing and weaving until an opening presents itself, delivering precise jabs or opening out to rain down a concentrated torrent of blows. Hailing from a city which has had a hand in producing some top class large ensembles in recent years, Audio One is instantly a contender to the throne (Matthew Grigg, The Free Jazz Collective)"
The Music Of Norman Howard
School Days And The Thing
"Norman Howard played trumpet with the legendary Albert Ayler but, so far as we are aware, he only released a cassette recording as a band leader. This was on the Homeboy label in 1968 and was entitled "Burn Baby Burn". He played with Joe Phillips on alto saxophone, Walter Cliff on bass and Corney Millsap on drums. The inspiration behind our current release is to showcase this wonderful music with an updated hue. The recording, which was made in the cellar of the Anagram Records store in Stockholm on November 19th 2001, brings together Mats Gustafsson and a group of Swedish, Norwegian, and American musicians."
The Second Original Silence
"Pristinely recorded at a 2006 Italy performance, this is another outstanding work from Thurston Moore, Jim O'Rourke, and Mats Gustafsson's improvisational noise/jazz/rock ensemble."
Kaja Draksler & Terrie Ex
"Scrape meets sigh, jagged fish-hook pluck meets sparse wire-damped drizzle, instinct meets intuition, and when the disc is done, it’ll seem quite sensible to dive back in and swim the whole length in reverse. - Bill Meyer, Dusted"
The Widows Joy
"A very special limited edition of lost 78 rpm recordings of the songs of Eastern European Immigrant party music! With a special cover by Mississippi's Eric Isaacson and a corresponding book of research by Ian Nagoski at his most raconteurish, this is an incredible insight into what the hard scrabble, hard working, just generally hard immigrants of the mining country of the early 20th century listened to when blowing off steam. A true party record!"
Then & Now
"Austrian musician & composer, curator, label-founder (charhizma), co-founder of the legendary Viennese bar for electronic musc (Rhiz) with many releases/bands/projects over the years, turns 50. A perfect time for a big multi-variant collection of his unreleased work: solos, duos, special collaborations, groups, for instance with B. Fleischmann, Ken Vandermark, Robert Wyatt Mats Gustafsson, Tony Buck, and many more. From electronica to avantgarde and improvisation to political chansons."
This is From The Mouth
""This Is From The Mouth" is a record by Mats Gustafsson accompanied by two drummers, Andreas Werliin of Fire! and Wildbirds & Peacedrums, and David Sandström of the post-hardcore group Refused, originally issued in 2016 through Utech Records as a single side LP limited to 300 copies."
Details in the Air
"Trzaska, Górczyński and Vandermark play in the same Champions league. - Maciej Lewenstein. "
Tout Ce Que Je Sais
Anne-James Chaton, Andy Moor
"The duo Anne-James Chaton and Andy Moor has produced original works where poetry and guitar combine in explorations of thematic axes. -Unsounds"
Harold E. Smith / Mike Kull / Joe McPhee
"Trinity was the first record where he really began to feel comfortable with his tenor playing. Drinking in his work on each of his horns over the duration of the album it’s startling how much of McPhee the mature player is already solidly in place and his explanation takes on new candor. Curiously the gothic sword and sorcery cover illustration is left unexplained. -Derek Taylor, All About Jazz"
"Tumult remains a high-water point of early Ex, serving as both developmental guide and way-station. The next 18 months would see the departure of Bas and Witteman and the arrival of long-serving bassist Luc Klaasen and drummer Kat Bornefeld (whose supple rhythms propel the group to this day). The album stands as one of the most compelling and unique documents of early '80s DIY exploration. If Mark E. Smith had only one favorite Dutch punk band, then it would undoubtedly be The Ex."
Variations on a Blue / Round Midnight
"Variations on a Blue Line/'Round Midnight was recorded in October, 1977, during a highly significant period in Poughkeespie, NY, multi-instrumentalist Joe McPhee's work, as he was pioneering the transatlantic, collaborative spirit that has helped to define the last three decades of his career. BlueLine comes from a concert in Rouen, France, when McPhee played on a double bill with the Peter Brötzmann/Han Bennink duo. It features the side-length tenor excursion "Beanstalk" (dedicated to Coleman Hawkins), an alternate version of "Knox" (known from his beloved LP Tenor), and two soprano pieces, "Motian Studies" and Thelonious Monk's "'Round Midnight.""
"He’s in absolute top form on tenor and soprano saxophones, ranging from the relaxed and confident Afro-conscious feel of Nation Time to areas of more diffuse and textural investigation."