Kaja Draksler & Terrie Ex
"Scrape meets sigh, jagged fish-hook pluck meets sparse wire-damped drizzle, instinct meets intuition, and when the disc is done, it’ll seem quite sensible to dive back in and swim the whole length in reverse. - Bill Meyer, Dusted"
The Widows Joy
"A very special limited edition of lost 78 rpm recordings of the songs of Eastern European Immigrant party music! With a special cover by Mississippi's Eric Isaacson and a corresponding book of research by Ian Nagoski at his most raconteurish, this is an incredible insight into what the hard scrabble, hard working, just generally hard immigrants of the mining country of the early 20th century listened to when blowing off steam. A true party record!"
Then & Now
"Austrian musician & composer, curator, label-founder (charhizma), co-founder of the legendary Viennese bar for electronic musc (Rhiz) with many releases/bands/projects over the years, turns 50. A perfect time for a big multi-variant collection of his unreleased work: solos, duos, special collaborations, groups, for instance with B. Fleischmann, Ken Vandermark, Robert Wyatt Mats Gustafsson, Tony Buck, and many more. From electronica to avantgarde and improvisation to political chansons."
Details in the Air
"Trzaska, Górczyński and Vandermark play in the same Champions league. - Maciej Lewenstein. "
Tout Ce Que Je Sais
Anne-James Chaton, Andy Moor
"The duo Anne-James Chaton and Andy Moor has produced original works where poetry and guitar combine in explorations of thematic axes. -Unsounds"
Harold E. Smith / Mike Kull / Joe McPhee
"McPhee states that Trinity was the first record where he really began to feel comfortable with his tenor playing. Drinking in his work on each of his horns over the duration of the album it’s startling how much of McPhee the mature player is already solidly in place and his explanation takes on new candor. Curiously the gothic sword and sorcery cover illustration is left unexplained."
Variations on a Blue / Round Midnight
"Variations on a Blue Line/'Round Midnight was recorded in October, 1977, during a highly significant period in Poughkeespie, NY, multi-instrumentalist Joe McPhee's work, as he was pioneering the transatlantic, collaborative spirit that has helped to define the last three decades of his career. BlueLine comes from a concert in Rouen, France, when McPhee played on a double bill with the Peter Brötzmann/Han Bennink duo. It features the side-length tenor excursion "Beanstalk" (dedicated to Coleman Hawkins), an alternate version of "Knox" (known from his beloved LP Tenor), and two soprano pieces, "Motian Studies" and Thelonious Monk's "'Round Midnight.""
"He’s in absolute top form on tenor and soprano saxophones, ranging from the relaxed and confident Afro-conscious feel of Nation Time to areas of more diffuse and textural investigation."