Terrie Ex & Ab Baars
"Dutch saxophonist Ab Baars and guitarist Terrie Ex last recorded together in 2000 for their "Hef" album, reuniting in 2015 in Amsterdam for this well-rounded and exhilarating duo album, with Ex on electric guitar and Baars on tenor and soprano saxophones, clarinet and shakuhachi, demonstrating both player's growth and continued joy in improvisation."
Mats Gustafsson & Paal Nilssen-Love
"It is a short EP, but the quality of the playing, and the interaction between both musicians is among the best you can find - powerful and deeply emotional at the same time. Great stuff."
Universal Indians with Joe McPhee
"(Universal Indians; John Dikeman, Jon Rune Strøm & Tollef Østvang) have the partnership of another one of the “new thing” mavericks, Joe McPhee. Now, you may ask: is this a nostalgic celebration of the past, with the same kind of revisionist perspectives we find in present recuperations of the bebop formats? No. That wouldn’t be possible with the involvement of someone like McPhee, even if the American relocated in Amsterdam and the two Norwegian improvisers wanted it, and they don’t. Their guest is widely known for his achievements in renewing the free sub genre, and in his path he made important contributions to other music practices. This record reflects that openness and what you have here is the free jazz after free jazz. Intrigued enough?"
Michiyo Yagi / Joe McPhee / Lasse Marhaug / Paal Nilssen-Love
"Yagi, Marhaug and Nilssen-Love are joined by Joe McPhee, that confirms once again to be one of today’s great masters of creative music, still pushing the envelope after almost fifty years of glorious career... A true ensemble effort, this record keeps a cohesive approach and tight interplay throughout, revealing at each turn new shades of creativity and a treasure trove of unusual timbres and eccentric ideas. Highly recommended (Nicola Negri, The Free Jazz Collective)"
Don Dietrich / Ben Hall
"Fearless fire jazz from the deepest depths of the inferno. Outside tradition in total freedom and ecstatic insanity. Seriously awesome and scorching."
Stone / Water
Peter Brotzmann Chicago Tentet
"The whole thing starts off in full gear, with the reeds joined in a scream that could wake the dead. It is worth noting that this music reaches points of terrifying intensity at times, although it also balanced by a great deal of more subdued exploration. It seems to alternate between these extremes every few minutes or so, making for a very satisfying experience. –All About Jazz"
Mats Gustafsson & Colin Stetson
"The listener is not excluded from this conversation. Instead, it is extended to her via the duo's adherence to close listening and the economy of their individual and collective expressions. With Stones, Gustafsson and Stetson have encountered not only one another in a magical way, but they communicate the power of beauty itself."
"Two years ago, Gush celebrated 25 year as a group. One of the concerts on the anniversary tour was organized by FRIM/SYD at Inter Arts Center in Malmoe. Konvoj Records were there! Very few things need to be said about Gush. With their abstract compositions, dissonances and free improvisations, they have already found their way into the ears of most of the daring listeners. Gush was a central force in establishing the scene for free improvised music and free jazz in Sweden in the late 80's. The group and its musicians have since continued to strongly affect, mold, deform, develop, embroil and transform both the sound of their music as well as its audience. Konvoj Records are very proud to present a recording of this amazing event in May, 2013! "
The Midwest School
"Like a prize fighter, the ensemble moves with all the nimble dexterity of a small group when needed, bobbing and weaving until an opening presents itself, delivering precise jabs or opening out to rain down a concentrated torrent of blows. Hailing from a city which has had a hand in producing some top class large ensembles in recent years, Audio One is instantly a contender to the throne (Matthew Grigg, The Free Jazz Collective)"
The Music Of Norman Howard
School Days And The Thing
"Norman Howard played trumpet with the legendary Albert Ayler but, so far as we are aware, he only released a cassette recording as a band leader. This was on the Homeboy label in 1968 and was entitled "Burn Baby Burn". He played with Joe Phillips on alto saxophone, Walter Cliff on bass and Corney Millsap on drums. The inspiration behind our current release is to showcase this wonderful music with an updated hue. The recording, which was made in the cellar of the Anagram Records store in Stockholm on November 19th 2001, brings together Mats Gustafsson and a group of Swedish, Norwegian, and American musicians."
The Widows Joy
"Produced in conjunction with Ian Nagoski's Canary Records Label and the mighty Mississippi Records of Portland, Oregon, SA entered the recording world with this very special limited edition of lost 78 rpm recordings of the songs of Eastern European Immigrant party music! With a special cover by Mississippi's Eric Isaacson and a corresponding book of research by Ian Nagoski at his most raconteurish, this is an incredible insight into what the hard scrabble, hard working, just generally hard immigrants of the mining country of the early 20th century listened to when blowing off steam. A true party record!"
Then & Now
"Austrian musician & composer, curator, label-founder (charhizma), co-founder of the legendary Viennese bar for electronic musc (Rhiz) with many releases/bands/projects over the years, turns 50. A perfect time for a big multi-variant collection of his unreleased work: solos, duos, special collaborations, groups, for instance with B. Fleischmann, Ken Vandermark, Robert Wyatt Mats Gustafsson, Tony Buck, and many more. From electronica to avantgarde and improvisation to political chansons."