"TAKING ADVANCE ORDERS
“We always start from zero when we make a new album. We enter the rehearsal room with a few loose ideas, a riff or a beat and see what happens. There is always the risk that it doesn’t work out. That risk is part of our music and of our lives.” - The Ex.
“The Ex released their previous regular studio album as a 4-piece (Catch My Shoe) in 2010. While that might seem like a long stretch, their schedule since then tells you another story. The band also released a second album with Ethiopian legend Getatchew Mekuria, and another one with Brass Unbound, featuring several of their friends from the realm of free improvisation. On top of that, there were also a few 7″split-singles, several phenomenal birthday festivals and a lavish photo book that was published as a tribute to the late Getatchew Mekuria in 2016. But now there’s new music. With the unmistakable “Ex energy”. The three-pronged guitar approach is still as exciting as ever, with the guitars of Andy Moor, Terrie Hessels and Arnold de Boer creating tense, interlocking webs of connections and drummer Katherina Bornefeld pushing the band with dancing, hypnotic patterns. - Guy Peters, Geraarsbergen, 2018 "
A Family of Three (Band Photo)
"Alessandro Bosetti returns to Unsounds with Family of Three (Band Photo) : it is the fruit of urgency and sediment – a vibrant story bringing together sounds, images and texts that have emerged over time in Alessandro Bosetti’s imagination, in his life experience and through live concerts. Tangents, ideas and themes revolve around cautiousness, desire, Italy, ways of doing, uncertainty and longing."
A History of Nothing
Rodrigo Amado, Joe McPhee Kent Kessler & Chris Corsano
""A History of Nothing, [Amado's] debut on the Austrian Trost Records, features five improv-centric tunes authored and sculpted by the same quartet that made This Is Our Language (Not Two Records, 2012) a reference in the genre. Namely, Joe McPhee on soprano saxophone and pocket trumpet, Kent Kessler on double bass, and Chris Corsano on drums.
Amado’s quartet is in peak form, exerting another biting album that comprehends both volcanic and ruminative sonic layers. Just let the freedom touch you while enjoying this finely calibrated commotion." (Filipe Freitas) "
An International Report
"Like a prize fighter, the ensemble moves with all the nimble dexterity of a small group when needed, bobbing and weaving until an opening presents itself, delivering precise jabs or opening out to rain down a concentrated torrent of blows. Hailing from a city which has had a hand in producing some top class large ensembles in recent years, Audio One is instantly a contender to the throne (Matthew Grigg, The Free Jazz Collective)"
Black Magic Man
"Although this is completely different music than “Nation Time” because McPhee wanted to add some freer elements, the band is the same: Mike Kull (p), Tyrone Crabb (b), Bruce Thompson (perc) and Ernest Bostic (dr). The album starts with the title track, and before Kull and Crabb join in McPhee and Bostic fight a real battle, they keep attacking each other, and then the whole track goes totally mad – best classical free jazz at the height of its time. But the central piece is “Song for Lauren”, a hymn-like, highly spiritual composition somewhere between Coltrane, Sanders and Ayler – and one of McPhee’s most heartfelt ones. (Martin Schray, The Free Jazz Collective)"