Journey To Parazzar
Joe McPhee, John Edwards, Klaus Kugel
"Recorded at Metallurgov House Of Culture in the Ukraine as the 2nd concert of their tour, the trio of Joe McPhee (trumpet, alto saxophone), John Edwards (double bass), and Klaus Kugel (drums) present a masterful concert that includes a 29-minute "Re-Hairing In Zaporozhye" a 19-minute "To Rush At The Wind", and a wonderfully unconventional tribute to Cecil Taylor "
Keep Your Options Open II (Option Mixtape 2017)
"In celebration of the 2018 OPTION season, Experimental Sound Studio has released a special, limited edition mixtape CD that highlights some of the best improvisers working today from around the world. This compilation showcases the breadth and diversity of improvised and creative music with rising starts like Lea Bertucci, Katinka Kleijn, Ben LaMar Gay, Matchess, The Few and Charmaine Lee as well as veterans of free jazz (Mats Gustafsson, Antonio Borghini, Tim Daisy, Jeremiah Cymerman, Curt Newton, and Ingebrigt Håker Flaten). These live sets from the 2017 OPTION season were beautifully mixed and mastered by our head engineer, Alex Inglizian. By purchasing a mixtape, you are supporting Experimental Sound Studio, the OPTION programming, and keeping creative music alive and thriving in Chicago. All proceeds go to the Option Series and the musicians involved in the mixtape. "
Knknighgh (Minimal Poetry For Aram Saroyan)
"We can say without exaggeration that the new project by Nate Wooley introduces in the so-called “free jazz” format a system that few times – if ever – we encountered with such a relevance for the musical results since the harmolodic process proposed by Ornette Coleman. And the always surprising trumpeter is very much aware of the ground breaking possibilities of this band with the upcoming New York musicians Chris Pitsiokos, Brandon Lopez and Dré Hocevar, and of the music recorded in “Knknighgh” (to be pronounced as “knife”), when presenting it as «a radical new take on the classic free jazz quartet tradition». So it is: you immediately recognize the approach as free jazz, and yet, free jazz never sounded like this before. - Clean Feed"