Decayed - Live at Aketa No Mise
Michiyo Yagi, Ingebrigt Håker Flaten & Paal Nilssen-Love
"1. Cascades [30:14] 2. Low End Brew [18:37] 3. Derek & the Domino Theory [12:50] All music by Yagi (Hotwire Inc.), Håker Flaten (TONO) and Nilssen-Love (TONO/Cien Fuegos) except ttack 3 by Yago, Håker Flaten, Nilssen-Love and Kaiser (Fractal Music/BMI) "
Delicate Paths - Music For Shô
"The music of ‘Delicate Paths’ features acoustic shō solos and group improvisations with Evan Parker, Nilan Perera and Suba Sankaran, electroacoustic works, and highlights unusual approaches to recording the shō... The listening experience is contemplative and sensuous, immersing one in the luminous sound of this traditional instrument, approached in a contemporary way."
Den Signede Dag
Ingebrigt Håker Flaten's Village Songs
"What is the likelihood that hymns from the time of Pietism would resonate with progressive free musicians in Austin, Texas? Particularly when they are sung in a language that feels distant, even to Norwegians. On this album the miraculous happens, in that old texts communicate across centuries and language borders. - Ivar Flaten"
Steel Bridge Trio
"Steel Bridge is a new music trio organized by Chicago percussionist Tim Daisy and includes two mainstays of the Bay Area improvising scene: Aram Shelton on alto saxophone and clarinet and Safa Shofrai on bass. The group was formed as a vehicle for Tim’s original compositions and is the first group which has him featured primarily on the vibraphone. Inspired by the pioneering work of the AACM as well as several of innovators working in improvised music including Steve Lacy, Cecil Taylor, Don Cherry, Anthony Braxton, and Walt Dickerson"
Dignity of Labour
"This package continues the dance of the dispossessed, with a thick atmospheric reconstruction of a factory's death... The ultimate urban blues, a soundtrack that sounds like a manic collision between Neubauten and the Gang Of Four."
Diskaholics Anonymous Trio
Diskaholics Anonymous Trio
"The trio creates a pulsing, massive and monumental sound. Free-jazz, noise, electronic ambience, drone music and punk all mixed. The result of these three titans clashing together is an intense blow-out. Raw, grandiose and brutally beautiful. The album features three long improvisational tracks: "Three Collectors of Bird Note", "Totally Gump (Gump Completist)", & "Yellow Label Silence". Cover art by Thurtson Moore and Kim Gordon`s daughter Coco Hayley Gordon Moore."
Atomic / School Days
"This is wonderful fun to hear. This is not boundary-shifting music, nor does it aspire to great artistic achievements. But it's a great performance by a band (or is it two bands?) that really starts benefiting from playing a lot together. I would love to see this band perform live."
Disturbing Domestic Peace
"This is prime stuff. It's primitive when compared with their current wide-ranging output, but even then they were embellishing their their scratchy politico-punk with some interesting instrumental touches. Morse code keyboards, a chipped-flint guitar sound, distorted vocals, and the rhythm section's implacable forward motion make this worth a listen even if you don't care what they had to say."
"Now into their third decade as Holland's bravest avant-punk terrorists, the Ex seem incapable of slowing down... Rhythmically there are few who can touch the Ex, and Albini's hand lends these proceedings an especially scalpel-sharp wallop, allowing the band's now-trademarked taut, skittering trapwork, thrusting bass-encounter play and nicked-guitar screech to propel their cleverly refined political/social text with an irrepressible mix of dexterity and abrasiveness... Get in their way at your own risk."
Do Not Slam The Door!
Grenscó Collective Special 5 with Ken Vandermark
"Is there such a thing as coincidence? Perhaps. But in the encounter between István Grencsó and Ken Vandermark some kind of necessity seems to have been at work. If we compare the careers followed by these two artists in the last decade and a half or so, it seems as if their paths have intertwined, with parallels and intersections. This is far from being self-evident, because a fundamental consideration for both of them is constant renewal, and the search for ever newer forms of expression..."
The Rempis/Daisy Duo & Guests
"Dodecahedron, the third duo recording by saxophonist Dave Rempis and percussionist Tim Daisy, celebrates a special mile-marker in the musical history of these long-time partners, as 2018 marks the twentieth anniversary of their duo pairing. These two have formed the backbone of well-known working bands dating back to 1997, when they first met in Chicago, including Triage, The Vandermark Five, The Rempis Percussion Quartet, and The Engines. But that list only scratches the surface, accounting for just a portion of likely more than a thousand gigs they’ve played together over that time. On the first disc of this new two-disc set, recorded live at Elastic Arts in Chicago in October 2017, you can hear every nuance of that two decades of shared experience. Rempis and Daisy have logged far too many hours in the van together to suffer each other’s bullshit, and continue to undermine any whiff of cliché by pushing here, pulling there, and sometimes just outright kicking the chair out from underneath one another. There’s no hiding from family. To further celebrate this special milestone, the duo invited six guests to join them individually for two recording sessions in the summer of 2017, released here on the second disc in this set. Each of these musicians – Jason Adasiewicz, Jim Baker, Fred Lonberg-Holm, Steve Swell, Katie Young, and Aaron Zarzutzki – are friends and colleagues whose distinct personalities and long histories with Rempis and Daisy have helped to shape the duo’s approach as a unit, and as individual musicians. And each of the pieces presented here showcase yet another of the many facets contained within the duo’s complex lexicon. "
"“Double Arc” is the culmination of projects conceived by Ken Vandermark written for the large working group the Resonance Ensemble. An assemblage of influences as wide ranging as film scores, 50’s NYC composers, 60’s free jazz, 70’s African funk, etc., “Double Arc” is an epic work that is creatively stimulating, foot stomping, and at times maddening music."
Bradford / Gjerstad / Nilssen-Love
"Legendary West Coast cornetist Bobby Bradford meets two Norwegians - drummer Paal Nilssen-Love and multi-reedist Frode Gjerstad - for a live performance at Klub Dragon in Poland. A free outing, the 6 tracks are relatively short, with "Pitaya" the longest at 11 minutes. The dialog is often quite subtle and well informed, using extended techniques and unusual twists and turns that are fascinating to follow. Which isn't to say that the trio doesn't fire up some serious power playing at points, but these three masters find their true language in intelligent interaction, of which there is no end to in these wonderful recordings. Highly recommended."
Dropping Stuff and Other Folk Songs
Ig Henneman, Jaimie Branch, Anne La Berge
""... Three eccentric sketching women who succeeded in converting the concert hall into a spectacle with a drowned diesel engine on a race track, although it did not turn into a crazy fair. No, it was primarily an ode to the ingenious freedom, an intensely varied and colorful performance that was permeated by fun and games, but one of the kind that made your feelers and imagination run wild by its fresh originality, abrasive delicacy and unpredictable coherence." - Guy Peters, Enola Magazine "
Dual Pleasure 2
Ken Vandermark & Paal Nilssen-Love
"“Dual Pleasure 2” , a complex and grroving piece of independent underground jazz. A clash between the highly influential and innovative Chicago and Scandinavian jazz scenes that started in 2000 when the group "School Days" was formed. One year later they started FME, a trio with bass player Nate McBride. After this it seemed very natural to define a duo. Vandermark and Nilssen-Love use free improvisation as a means to explore all levels of dynamics, density, rhythm, timbre, form and tonality. The results of their work are experienced as intense, exhilarating, and boundary breaking music with a brutal beauty."
Ken Vandermark, Michael Snow
"Although he is best known as a groundbreaking experimental filmmaker, one of the architects of structural cinema, and visual artist, Michael Snow has been active as a musician since the 1950s. A brilliant keyboardist and occasional trumpeter, Snow was a key figure in Toronto’s improvised music scene, performing and recording with the ensemble CCMC, and as an improvising pianist he’s worked in myriad contexts with many of the world’s leading free players. Saxophonist, clarinetist, and composer Ken Vandermark first learned about Snow as a film student in Montreal, where the classic work Wavelength confounded and fascinated him. In 2015, Vandermark and Snow performed together for the first time as a duet, resulting in three astounding long-form improvisations. Their entire duo performance is released here, with an early painting by Snow adorning the cover."
Early Bird Gets
"The Early Bird Gets is the debut album by this working trio, comprised of journeyman Chicago saxophonist Dave Rempis alongside two of the brightest talents in a younger generation of improvising musicians. Bassist Brandon Lopez is a musician whose virtuosity knows no bounds, currently one of the most in-demand bassists on the New York jazz and improvised music scene. Percussionist Ryan Packard counters that depth with his own breadth of interests, working in contemporary classical ensembles, indie rock bands, and jazz groups alike around Chicago, not to mention his doubling abilities on electronics. These two together provide a formidable rhythm section that can veer from hard-driving grooves to luscious soundscapes with total ease. As a trio, these three have put forth a work that may be the “jazziest” project any of them are involved with; a result that even the band members found surprising. But after honing their sound through live gigs in 2017 and early 2018, it became apparent that their free-improvised conversation kept returning to a similar destination: a three-way exploration of rhythm and tempo that left them working solidly within the jazz tradition. Not the one fixed into predictable sylistic corners, but the one defined by a spirit of boundless curiosity and exploration. A tradition they stretched back and forth like so much taffy. "