"Solo compositions and improvisations performed by Chicago based percussionist and composer Tim Daisy Selected instruments recorded in various combinations including: drums/marimba/ Califones/metal percussion/bass xylophone/transistor radios/bells/chains/sticks/malletts/brushes Recorded live, without overdubs :)"
Cut a Caper
Ig Henneman Sextet
"Cut a Caper by Ig Henneman is an album brilliantly composed, performed by a stellar ensemble and executed with staggering passion. Adventurous, captivating, demanding and rewarding."
"The very nature of the group's musical process ensures that every FME performance is a unique one. And yes, their stylistic variety and constructive openness is vast enough to be seemingly without limit. Sounds free enough, doesn't it?"
Dancing With Penguins
Joe Morris & Greg Oxoby
"Oxoby has never sounded better, his bass sound round, supple, and articulate; and Morris’ signature saxophone-like guitar playing, beautifully articulated and breathlessly paced, is heard here to great effect. A fine document of an important period of time for Calgary’s improvising community. (Notes by Jonathon Ronler) "
"A direct attack on the commercialisation of indie music and the creaky industries that support its mass market consumption. The Ex are still committed naturals in an over exposed and hyped arena."
Decayed - Live at Aketa No Mise
Michiyo Yagi, Ingebrigt Håker Flaten & Paal Nilssen-Love
"1. Cascades [30:14] 2. Low End Brew [18:37] 3. Derek & the Domino Theory [12:50] All music by Yagi (Hotwire Inc.), Håker Flaten (TONO) and Nilssen-Love (TONO/Cien Fuegos) except ttack 3 by Yago, Håker Flaten, Nilssen-Love and Kaiser (Fractal Music/BMI) "
Delicate Paths - Music For Shô
"The music of ‘Delicate Paths’ features acoustic shō solos and group improvisations with Evan Parker, Nilan Perera and Suba Sankaran, electroacoustic works, and highlights unusual approaches to recording the shō... The listening experience is contemplative and sensuous, immersing one in the luminous sound of this traditional instrument, approached in a contemporary way."
Steel Bridge Trio
"Steel Bridge is a new music trio organized by Chicago percussionist Tim Daisy and includes two mainstays of the Bay Area improvising scene: Aram Shelton on alto saxophone and clarinet and Safa Shofrai on bass. The group was formed as a vehicle for Tim’s original compositions and is the first group which has him featured primarily on the vibraphone. Inspired by the pioneering work of the AACM as well as several of innovators working in improvised music including Steve Lacy, Cecil Taylor, Don Cherry, Anthony Braxton, and Walt Dickerson"
Dignity of Labour
"This package continues the dance of the dispossessed, with a thick atmospheric reconstruction of a factory's death... The ultimate urban blues, a soundtrack that sounds like a manic collision between Neubauten and the Gang Of Four."
Diskaholics Anonymous Trio
Diskaholics Anonymous Trio
"The trio creates a pulsing, massive and monumental sound. Free-jazz, noise, electronic ambience, drone music and punk all mixed. The result of these three titans clashing together is an intense blow-out. Raw, grandiose and brutally beautiful. The album features three long improvisational tracks: "Three Collectors of Bird Note", "Totally Gump (Gump Completist)", & "Yellow Label Silence". Cover art by Thurtson Moore and Kim Gordon`s daughter Coco Hayley Gordon Moore."
Atomic / School Days
"This is wonderful fun to hear. This is not boundary-shifting music, nor does it aspire to great artistic achievements. But it's a great performance by a band (or is it two bands?) that really starts benefiting from playing a lot together. I would love to see this band perform live."
Disturbing Domestic Peace
"This is prime stuff. It's primitive when compared with their current wide-ranging output, but even then they were embellishing their their scratchy politico-punk with some interesting instrumental touches. Morse code keyboards, a chipped-flint guitar sound, distorted vocals, and the rhythm section's implacable forward motion make this worth a listen even if you don't care what they had to say."
"Now into their third decade as Holland's bravest avant-punk terrorists, the Ex seem incapable of slowing down... Rhythmically there are few who can touch the Ex, and Albini's hand lends these proceedings an especially scalpel-sharp wallop, allowing the band's now-trademarked taut, skittering trapwork, thrusting bass-encounter play and nicked-guitar screech to propel their cleverly refined political/social text with an irrepressible mix of dexterity and abrasiveness... Get in their way at your own risk."