Burn the Incline
The Vandermark 5
"Straight up funk grooves erupt into shrieking noisefests, only to subside into gentle ballad swing. The members of the V5 cooperate under his leadership on Burn the Incline to produce these amazing effects: the twin sax lead of Vandermark and Rempis powers forward under the propulsion of the versatile rhythm section of Kessler and Mulvenna. Bassist Kent Kessler gets his own time in the lead, and he uses it to advantage shaping the flow of the music. "
Burn the Incline (Limited Edition Double CD)
The Vandermark 5
"Straight up funk grooves erupt into shrieking noisefests, only to subside into gentle ballad swing. The members of the V5 cooperate under his leadership on Burn the Incline to produce these amazing effects: the twin sax lead of Vandermark and Rempis powers forward under the propulsion of the versatile rhythm section of Kessler and Mulvenna. Bassist Kent Kessler gets his own time in the lead, and he uses it to advantage shaping the flow of the music."
Burning Below Zero
"The trio debut album was recorded live recorded shortly after its establishment on October 2, 2014 at the RAJ hall in the southern Austria town Klagenfurt. The three “RAJ” free-improvisations highlight the organic, instantaneous interplay of this trio, expressive and powerful one, open-ended and curious. On the opening, extended “RAJ One”, Kern keeps challenging Vandermark's rhythmic attacks and subtle sonic searches with fast-shifting rhythmic ideas and colors spiced with healthy doses of humor, detail and invention while Harnik frames their muscular, game-like interplay in a structured narrative, introducing into it delicate sounds extracted from the piano strings. The following, extended “RAJ Two” suggests a more “burning” interplay, way beyond zero, where each musicians feeds the other with intense energy in an intensifying cycle. This pieces stresses the versatile, rhythmic sensibility of the DEK trio, moving freely from driving-stormy eruptions to gentle, lyrical touches. The last, short “RAJ Three” is a cathartic outcome of the expressive energy of this great trio. - Eyal Hareuveni (Free Jazz Blog)"
"The recording is being billed as the Ex guitars meets the Vandermark/ Nilssen-Love duo but it is not as cut and dry as that. The Ex guitarists, Terrie Hessels and Andy Moor, create a wall of amplified goodness while elevating the tremolo bar into high art. The Vandermark/ Nilsson-Love duo though are not as you would normally hear them on any of their many recordings. "
Cafe Oto / London
"Great work from this heavy heavy trio – a group that features the talents of probably the three greatest living avant saxophonists in the world – Peter Brotzmann on tenor, alto, clarinet, and tarogato, Ken Vandermark on tenor and clarinet, and Mats Gustafsson on baritone sax! The trio have worked together countless times over the past two decades – and together have an affinity that not only results in some of the most amazingly adventurous improvisation you'll ever hear from a reed player – but also a clear continuation of the warm legacy of jazz the three have helped forward together. Titles include "Fragments For An Endgame", "Arms", "Oto", and "Le Chien Perdu""
Cafe Oto London 9th April 2013
Paal Nilssen-Love / Claude Deppa / Peter Brötzmann
"Nilssen-Love and Brotzmann are joined by trumpeter Claude Deppa and this trio will carry their improvisations in a different way than on the previous album. "
Ab Baars & Zlatko Kaučič
"Slovenian drummer/percussionist Zlatko Kaucic (Kaučič) was very busy in 2013-2014. The meetup with pianist Milko Lazar for Ena / One took place between November, 2013 and March, 2014. The disc at hand finds Kaucic performing with Dutch reedman Ab Baars, recorded in October, 2014. Baars is well known in the free jazz side of the Dutch scene. As expected, the music is quite different although the intent is the same: to bring together two free improvisers and see what happens. Recorded at the Alchemia Club in Krakow (no audience), (like the meeting between François Carrier and Rafal Mazur for Unknowable), Kaucic and Baars produced seven tracks that are at once mystifying, intimidating, amazing and a lot of fun. "
Canzoni di Primavera
""All pieces consist of composed themes that form the outset for improvisations. There is nothing exceptional in this by itself, but the way both musicians expand on the theme, and the way the other musician then takes this expansion as a basis for further exploration, is exceptional. Even more so, because they are not afraid to use dissonance as a key ingredient of their sound."-Stef Gijssels After their album "Autumn Songs" the Dutch improvising duo of Ab Baars on tenor sax, clarinet and shakuhachi and Ig Henneman on viola, celebrate the music of spring in "Canzoni di Primavera" (Songs of Spring) in 10 vivacious works blending free jazz and chamber music, with subtle use of timbre, dissonance and melody in pieces inspired by poets, composers and artists."
Carl Fredrik Reutersward
Carl Fredrik Reutersward
"Born 4 June 1934 in the Oscars parish in Stockholm, died May 3, 2016 in Landskrona, Sweden. He was a painter, graphic artist , sculptor and poet . Only for the ones who have open ears."
Cash and Carry
The Rempis Percussion Quartet
"On August 31st, 2014, The Rempis Percussion Quartet celebrated its tenth year in existence with an increasingly rare hometown concert at Chicago’s venerable Hungry Brain, a bar whose dark, relaxed, and frequently hard-drinking atmosphere helped to define more than a decade of the Chicago improvised music scene. The band had cut its teeth with regular performances at the Brain in the mid-aughts, but sadly, this would be the last time they hit the stage before the bar’s impending closure at the end of 2014. To up the stakes a bit further, that night also marked the end of the 2014 Chicago Jazz Festival. As usual, the multitudes of fans and world class musicians visiting for that event packed in with the Chicago regulars to hear what the local guys might deliver on their home turf. The band didn’t disappoint. The talking ceased immediately as they hit the stage, channeling the significant emotional energy of the evening directly into two sets of fiery music, once again taking the reins as one of the hardest-hitting bands to emerge from the Chicago scene in the past decade. On this document of the night’s festivities, you can hear the group dive in face first, working over every facet of the simple melodies and grooves that form the underlying basis of their extended improvisations, tearing them apart, and reconstructing them in a multitude of new ways."
Catch My Shoe
"The Ex, you see, are No Ordinary Band. Would anyone else not just continue but actually kick off a whole new period of frantic activity having just lost their lead singer a full thirty years after he co-founded the band? Unlikely. Yet that is exactly what The Ex have done, and "Catch My Shoe" is the triumphant result. "
"Ab Baars, Ken Vandermark & Paal Nilssen-Love form Double Tandem, performing live at Cementen in Norway. Recorded and mixed by Frode Gjerstad."
Chicago Tentet at Molde 2007
Peter Brotzmann Chicago Tentet
""Logic might tell you that the more free jazz players you have in one spot, the greater the volume and intensity will be, but At Molde 2007 the Chicago Tentet turned in a textured performance that touches on the language of American jazz and European classical forms through the use of multilayered voices and nuanced interplay. In addition to the mainstays on the frontline (Brïtzmann, Ken Vandermark, Gustafsson, Joe McPhee), this edition of the Tentet features electro-cellist Fred Lonberg-Holm, who along with bassist Kent Kessler does the work of a symphonic string section. The 40-minute "Ten by Ten" would be a satisfying album on its own, but at Molde the band played two more pieces, both nearly as expansive and spacious as the opener." –All About Jazz"
Lytton / Vandermark / Wachsmann
"On record, the trio tends to blur: reeds and strings rub against Lytton's seemingly almost accidental drumming until he switches to sheets of metal and the triangle again shifts. But at Tonic on June 12, it was easier to discern them as three pieces (it's the sort of band where visuals help). Even on baritone sax, Vandermark found a place in the upper registers of his bandmates. But whether heard as a triad or something more singular, Cinc builds sparse yet protean and quite nice sound spaces. "