To Be an Animal of Real Flesh
""Extremes collide on this album, and the results are not always the best one could have expected, but To Be an Animal of Real Flesh has its moments and enigmas to offer." -Francoise Couture, All Music"
Today On Earth
Joe Morris Quartet
"The music incorporates a lot, with a title already hinting at it : you have jazz (and a wide variety of it), African music, Middle-Eastern flavors, folk, a little blues, and lots of freedom and joy. Enjoy this beautiful existence, today on earth!"
Elisabeth Harnik & Steve Swell
""Two great improvisers, pianist Elisabeth Harnik from Austria and trombone master Steve Swell play together! It's their first CD release! Check out how deep and colourful can be improvised music world!"-Fundacja Sluchaj"
Tony Bevan, Joe Morris, Tony Buck & Dominic Lash
""The most exciting and original jazz plucker to emerge in the last decade." – John Corbett, Downbeat "Joe Morris is one of the most profound improvisors at work in the U.S." – Will Montgomery, The Wire"
Tooth and Nail
Joe Morris & Nate Wooley
"This kind of association indicates us, from the start, that we’re going to testify something very special, a journey of puzzling discoveries, mutual challenges, brilliant spontaneous solutions, dynamic interchange, and close interaction."
Tout Ce Que Je Sais
Anne-James Chaton, Andy Moor
"The duo Anne-James Chaton and Andy Moor has produced original works where poetry and guitar combine in explorations of thematic axes. -Unsounds"
Towards The Margins
Evan Parker Electro-Acoustic Ensemble
""Concentrated listening can produce wonderful rewards for the patient consumer. Parker's role seems less that of a leader than an instigator. He does, nonetheless, afford himself the opportunity to press his revolutionary technique to action." Steve Loewy, AllMusicGuide"
Traces of Speech
"As if the language of human beings was adopted and enhanced by aliens who charged any basic articulation with tons of information, employing vocals as one but not the dominant practical in a chain of sounds, keeping its expressiveness and emotional delivery neutral. Now, after this radical alteration, only a margin of this intriguing form of communication can be deciphered by us humans, but all—earthlings and other forms of beings in the greater universe—can get a glimpse of its infinite options. Eyal Hareuveni, All About Jazz"
Anne-James Chaton & Andy Moor
"A collection of poetry guitar music pieces originally released as a series of four seven inch singles based around the themes of transportation and transition; side A constructed from real or factual information and material, side B from fiction and fantasy. -Unsounds"
Fred Lonberg-Holm / Abdul Moimême / Carlos Santos
""Chicago-based cellist Fred Lonberg-Holm has long been in the vanguard of free improvisation. But along with free jazz, he has recorded in the rock and country genres, and composed concert works. He is joined on Transition Zone by two leaders of Lisbon's creative music scene. Dual-electric guitarist/composer Abdul Moimême and electronics artist/composer Carlos Santos bring their extraordinary abilities to create ethereal soundscapes to this impressive project." -Karl Ackermann, All About Jazz"
Made to Break
"The Made to Break template is, ironically enough, a very sturdy one. Take an assertive bassist who isn’t afraid to bring a bit of funk to the mix and a drummer who has been a continuous companion for about 20 years, and you’ve got a pretty perfect setting for the bar-walker grooving, Brötzman-esque barking and rippling, interval-leaping runs that constitute the more muscular side of Vandermark’s playing. But comfort isn’t part of the program here, and Vandermark isn’t satisfied with simply kicking some funky fire music ass. Made to Break is a statement of intent, not just a catchy name, and the fourth member of the band is there to make sure things don’t get too easy. http://dustedmagazine.tumblr.com/post/170799767125/made-to-breaktrebuchet-trost -Bill Meyer, Dusted Magazine February 12, 2018 ----- 5 Star Review Vandermark, Daisy and Stadhouders alternate constantly between solidifying and deepening the powerful rhythmic envelope and contrasting and challenging each other’s role. Kurzmann, in his turn, alternates between opposing all three with his imaginative stream of alien, noisy and abstract sounds that charge the immediate, tight interplay with a strong sense of surprise and risk taking and soloing along Vandermark like an otherworldly reed instrument. -Eyal Hareuveni, The Free Jazz Collective, December 29, 2017 ----- "There comes a time in every extended piece from Made To Break where the ground drops out from beneath the song, and what remains is a simultaneous state of floating and falling, where the song doesn’t really seem to be proceeding in any one particular direction, but there exists, nonetheless, a heavy gravitational pull. On the quartet’s newest, it happens at the halfway mark of opening track “Hydroplane (for Shellac).” The dancing groove instigated by saxophonist Ken Vandermark and amplified by the rhythm-duo of bassist Jasper Stadhouders and drummer Tim Daisy suddenly gives way to the drifting electronics and effects of Christof Kurzmann. That’s when forward locomotion and melodic focus transforms into chaos and unpredictability. It’s as compelling as it’s startling, and as blunt as the transition can feel, it’s no less satisfying when the transformation comes full circle back to where it began. The effect is no more subtle on the blues-inflected “Contact Sheet (for Susan Sontag)” or the relentless volatility of “Slipping Words Against Silence (for Kerry James Marshall),” and that the results can vary so wildly from piece to piece is a source of intrigue that nicely complements the thrills." -Dave Sumner, The Best Jazz on Bandcamp: November 2017, Bandcamp Daily, December 4, 2017 "
Lol Coxhill / Joe McPhee / Chris Corsano / Evan Parker
""McPhee picked up his soprano mid-way through the second set, heightening the lyricism of the three saxophones. Then, being a devotee of Don Cherry, he switched to pocket trumpet, allowing him to interject, and punctuate the concentrated sound layers built up by the quartet, and lead the music out through a different door."- Geoff Winston (londonjazznews.com)"
"Recorded live in concert by Iztok Zupan at Tube’s, Graz/Austria on 24th March 2019."
Zeena Parkins & Wobbly
"Triplicates is a series of improvisations between Zeena Parkins, playing her singular electric harp, and Jon Leidecker, aka Wobbly, playing an instrument that generates electrical feedback."
Tim Daisy, Michael Thieke, Ken Vandermark
"A triptych, 3 art panels (musicians) usually held together by hinges (common musical direction) or three musical works designed to be listened to together. This recording has indeed three musicians, Tim Daisy (Drums, radios, percussion and the composer of the three before mentioned tracks), Berlin based clarinetist and composer Michael Thieke and Ken Vandermark (tenor sax and bass clarinet) who are hinged together by Daisy’s compositions and by 5 interspersed, improvised pieces... The three composed pieces (At Argyle, Yellow Fern, and Tuesday at Noon) start as very listener friendly tunes that soon break away into each player’s deconstruction. The whistle-alongability is just a front and soon you delve into the non-melodic player (Philip Coombs, The Free Jazz Collective)"