David Grubbs / Mats Gustafsson / Rob Mazurek
"The Underflow was recorded during a sizzling two-night stand in May 2019. In a series of duets and trios, guitarist David Grubbs, saxophonist Mats Gustafsson, and trumpeter Rob Mazurek met headlong for the first time, converging not only their acoustic and electric instruments, but at times submerging themselves in a tangle of electronics, then emerging into shamanic bell-shaking chant or chest-rattling howl. - Corbett vs. Dempsey"
Joe Morris & Evan Parker
" It took many years but I finally had the chance to play duo with Evan Parker and I did what I had planned to do. At the end of the concert an African man walked up to me and said that he thought my guitar playing sounded like a kora. I told him the story. He responded “I play kora!” I asked him his name and he said “Foday Muso Susa!”. I said “You’re one of the kora players I listened too!” He is one of the greatest in the world. And not surprisingly, Phillip Glass has composed for him. -JOE MORRIS"
John Butcher / Andy Moor / Thomas Lehn
"Thermal is a set of improvisations by Andy Moor, John Butcher and Thomas Lehn. Taking the sonic possibilities of their respective instruments (electric guitar, saxophones and EMS synth) through surprising and playful avenues, this is an exquisite example of the meeting of three experienced improvisers, each bringing to this exchange the perspective of their mixed musical backrounds."
Jaap Blonk & Terrie Ex
"From 2007 Jaap Blonk started occasionally playing duo with Terrie Ex. In 2012 The Ex brought Jaap to Ethiopia for a ‘Soundpoetry’ series of concerts and workshops, together with French soundpoet Anne James Chaton."
Throw Down Your Hammer and Sing
Nate Wooley / Fred Lonberg-Holm / Jason Roebke
"This music induces a magical meditation—so abstract, so non-melodic, and so persistent in its vagaries that its appreciation is subject to transcendence, the skirting of analysis and just going with the flow."
Time to do my Lions
"This is a varied recording, a generous offering of personable, personal, and pleasingly experimental songs. Baar's employs just the right amount of stream of consciousness to soulfulness in his melodies to make 'Time to do my lions' a fascinating one."
Today On Earth
Joe Morris Quartet
"The music incorporates a lot, with a title already hinting at it : you have jazz (and a wide variety of it), African music, Middle-Eastern flavors, folk, a little blues, and lots of freedom and joy. Enjoy this beautiful existence, today on earth!"
Tooth and Nail
Joe Morris & Nate Wooley
"This kind of association indicates us, from the start, that we’re going to testify something very special, a journey of puzzling discoveries, mutual challenges, brilliant spontaneous solutions, dynamic interchange, and close interaction."
Tout Ce Que Je Sais
Anne-James Chaton, Andy Moor
"The duo Anne-James Chaton and Andy Moor has produced original works where poetry and guitar combine in explorations of thematic axes. With the project 'Heretics', of which Tout Ce Que Je Sais (All I know) is the second part, they revive the most obscure, violent, erotic passions, summoning the great figures of their personal mythologies. In the company of Caravaggio, Marquis de Sade, William Burroughs and figures such as Jose Mujica, the duo immerses the listener in another world history peopled by radical thinkers. 'Heretics' pays homage to those heroes who used transgression and excess as a necessary means for the advance of humanity. In this new album, recorded live at the Carreau du Temple in Paris on the occasion of Périphérie du 35e Marché de la Poésie (2017), Anne-James Chaton and Andy Moor deliver a radical work at the confines of literary and musical creation"
Duo Baars - Henneman & Dave Burrell
"The brilliance of this trio is proved most powerful when we start to think about all the other moments they could have uttered a note and most certainly would have changed the direction of the music... from beginning to end this is marvellous, improvised music. A music so marvellous that we tend to forget that it did not exist before Ab Baars, Dave Burrell and Ig Henneman stepped on the stage of the Bimhuis that one night in September. And which after that intriguing concert did exist only as a memory. Until now. (Mischa Andriessen)"
Anne-James Chaton & Andy Moor
"A collection of poetry guitar music pieces originally released as a series of four seven inch singles based around the themes of transportation and transition; side A constructed from real or factual information and material, side B from fiction and fantasy."
Made to Break
"The Made to Break template is, ironically enough, a very sturdy one. Take an assertive bassist who isn’t afraid to bring a bit of funk to the mix and a drummer who has been a continuous companion for about 20 years, and you’ve got a pretty perfect setting for the bar-walker grooving, Brötzman-esque barking and rippling, interval-leaping runs that constitute the more muscular side of Vandermark’s playing. But comfort isn’t part of the program here, and Vandermark isn’t satisfied with simply kicking some funky fire music ass. Made to Break is a statement of intent, not just a catchy name, and the fourth member of the band is there to make sure things don’t get too easy. http://dustedmagazine.tumblr.com/post/170799767125/made-to-breaktrebuchet-trost -Bill Meyer, Dusted Magazine February 12, 2018 ----- 5 Star Review Vandermark, Daisy and Stadhouders alternate constantly between solidifying and deepening the powerful rhythmic envelope and contrasting and challenging each other’s role. Kurzmann, in his turn, alternates between opposing all three with his imaginative stream of alien, noisy and abstract sounds that charge the immediate, tight interplay with a strong sense of surprise and risk taking and soloing along Vandermark like an otherworldly reed instrument. -Eyal Hareuveni, The Free Jazz Collective, December 29, 2017 ----- "There comes a time in every extended piece from Made To Break where the ground drops out from beneath the song, and what remains is a simultaneous state of floating and falling, where the song doesn’t really seem to be proceeding in any one particular direction, but there exists, nonetheless, a heavy gravitational pull. On the quartet’s newest, it happens at the halfway mark of opening track “Hydroplane (for Shellac).” The dancing groove instigated by saxophonist Ken Vandermark and amplified by the rhythm-duo of bassist Jasper Stadhouders and drummer Tim Daisy suddenly gives way to the drifting electronics and effects of Christof Kurzmann. That’s when forward locomotion and melodic focus transforms into chaos and unpredictability. It’s as compelling as it’s startling, and as blunt as the transition can feel, it’s no less satisfying when the transformation comes full circle back to where it began. The effect is no more subtle on the blues-inflected “Contact Sheet (for Susan Sontag)” or the relentless volatility of “Slipping Words Against Silence (for Kerry James Marshall),” and that the results can vary so wildly from piece to piece is a source of intrigue that nicely complements the thrills." -Dave Sumner, The Best Jazz on Bandcamp: November 2017, Bandcamp Daily, December 4, 2017 "
"Recorded live in concert by Iztok Zupan at Tube’s, Graz/Austria on 24th March 2019."
Tim Daisy, Michael Thieke, Ken Vandermark
"A triptych, 3 art panels (musicians) usually held together by hinges (common musical direction) or three musical works designed to be listened to together. This recording has indeed three musicians, Tim Daisy (Drums, radios, percussion and the composer of the three before mentioned tracks), Berlin based clarinetist and composer Michael Thieke and Ken Vandermark (tenor sax and bass clarinet) who are hinged together by Daisy’s compositions and by 5 interspersed, improvised pieces... The three composed pieces (At Argyle, Yellow Fern, and Tuesday at Noon) start as very listener friendly tunes that soon break away into each player’s deconstruction. The whistle-alongability is just a front and soon you delve into the non-melodic player (Philip Coombs, The Free Jazz Collective)"