CD

Joe Morris Instantiation

2019

"My goal with Instantiation is to create unique and rewarding experiences for listeners by synthesizing the meta-properties of Free music in new and creative ways. I rely on the attention to the material and the individual and collective artistry of the ensemble of players to realize a unique result with each performance."-Joe Morris, June 2019"

Angles 3

2018

"it's an invigorating performance and designed with great focus, as the musicians don't blow matters out of proportion or engage in long-winded soloing sprees. —Glenn Astarita"

Mats Gustafsson

1994

"Recorded in Chicago in 1994, Parrot Fish Eye presents Mats Gustafsson in two lineups: a duo with percussionist Michael Zerang, and a trio with Gene Coleman on bass clarinet and Jim O'Rourke, who moves between guitar, accordion, and percussion. Gustafsson and Zerang incorporate their vast vocabularies as they improvise through the eighth track, "Shut Up!"; the remainder of Parrot Fish Eye is improvised by the trio. An interesting and exciting listen for big fans of Mats Gustafsson."

Ab Baars Trio & Guests

2003

""Concision and concentrated emotion commingle with technical proficiency at a quite rarefied level throughout. Discipline and definitude are combined with a sometimes-dizzying willingness to explore uncharted territory in a thoroughly engaging fashion. Baars can be bracingly abstract at times - particularly on clarinet - then turn around and prod your viscera with tenor playing nakedly ardent enough to give Gene Ammons a run for his money. … Discipline and definitude are combined with a sometimes-dizzying willingness to explore uncharted territory in a thoroughly engaging fashion. ... Party at the Bimhuis is a brilliant recording." Bill Barton, Sudden Thoughts CD Reviews credits "

Rempis/Abrams/Ra + Baker

2016

"The album consists of two live performances. The first is from August 2015, recorded at Elastic Arts. The second is from January 2016, recorded at The Owl. The main difference between the two is the addition of Baker, but both are just super fantastic. -Lee Rice Epstein, Free Jazz Blog"

McPhee • Caloia • Stewart

2018

"Permutations” is a set of colorful expressions, rich musical language, marvelous and brilliant solos and original musical decisions." -AvantScena Art Stew Records ‎– ASR 007"

Fred Lonberg-Holm

1996

"Recommended by the Free Jazz Collective, 2008."

Henneman Strijkwartet

1999

""The string quartet is an instrumental combination most often heard in many different genres of classical music; in fact, it is one of the standard groupings for this music, whereas it is a more rare enterprise in improvised music. Certainly there are examples of string players getting together to improvise, but the results can not so often be compared favorably with great classical string quartets. The Dutch viola player and composer Henneman is making great progress in this area however, as she has found a regular group of musicians to work with, evidenced by the six-year span of recording dates. The difficult task of integrating composition and improvisation is carried out with aplomb by this group: they actually make it sound easy. A nice combination of male and female energy exists in this group, as well as a combination of Dutch musicians and so-called ex-patriot Americans who have settled in the Netherlands. The players are comfortable working in a traditional, melodic, and harmonic manner but also can and do go way out. Everything that happens makes logical sense, and this is music that reveals rich layers of detail upon repeated listenings." - Eugene Chadbourne (All Music)"

The Margots

2013

The Rempis Percussion Quartet

2013

"Phalanx, which pairs 2012 performances from Milwaukee and Antwerp, is the sixth recording by the Percussion Quartet. The songs are epic-the first of two Antwerp offerings runs 48 minutes-but with its continual sense of rhythmic and thematic renewal and its sheer propulsive drive, the music never wears out its welcome. -Loyd Sachs, JazzTimes"

Barry Guy / Marilyn Crispell / Paul Lytton

2008

"After two highly praised trio CDs, Odysse and Ithaca, the composer and bassist Barry Guy presents a new CD with the same trio members, pianist Marilyn Crispell and percussionist Paul Lytton. For his new compositions, Barry Guy was inspired by paintings of Max Ernst, Dorothea Tanning, Wilfredo Lam and Yves Tanguy, which provide the springboard for the compositional strategies that reflect dream scenarios and unusual juxtapositions of material whilst preserving improvising. Barry Guy writes: «A sense of space coupled with high energy drives the vehicle of the imagination to create a suite of pieces that take us on a night journey. Importantly for me is the preservation of the classic piano trio tradition where sonority and interplay reign supreme. On top of this we can research our fantasies concerning the musical trajectories inspired by images conjured up by some very special artists.»"

Circulasione Totale Orchestra

2011

"Madness erupts again, with screeching electronics, disrupting every notion of possible comfort, to be altered by steady rhythm and great soloing, "electric Miles"-like at moments. -Stef, The Free Jazz Collective"

Henneman String Quartet

2002

""Spolia" is a term that comes from architecture and refers to construction sites that are repurposed from previous buildings. Similarly, the Dutch violist borrows this term for a title on her sixth album and thus also describes one of her typical methods of working. Musical fragments, on the present album taken mostly from the Italian Renaissance and folklore, are processed into new pieces and serve as the basis for improvisational excursions. This approach pays off numerous times. The tension between composition and improvisation, and between tradition and innovation creates uncommon music in the world of contemporary jazz music.” --Emanuel Wenger Jazz live - magazine for contemporary music February 2002 credits "

Olle Bonniér

2005

John Butcher / Tony Buck / Magda Mayas / Burkhard Stangl

2013

"These two high profile trios are all inventiveness, and this is reflected in the way they were formed, as much as in the music itself. There is a tangled web of connections at play between the four improvisers, through a history of past collaborations, one to one or in larger formations, some occasional, some more structural; the trios on this CD were chosen for their potential, for the not-knowing as much as the knowing, and that’s what we hear; accomplished and profoundly involved music in the making, pushed forward by an ever renewed and intense ability to connect. -Unsounds"

The Ex

1985

"The Ex, with 'Pokkeherrie' have produced a masterful killer weapon of raw power that rattles up the spine into numbed pink brain cells and fills the vacuum with social issue"

Gunwhale

2016

"Albert Wildeman is Gunwale's secret weapon. He propels the group with roly-poly stabs on his bass, all accents and rhythmic tumble, that bring unfailing allegiance from drummer Ryan Packard & inspiration to saxophonist Dave Rempis. -Tom Burris, Free Jazz Blog"

Jaap Blonk

"...certainly invites itself to be played again and again, which I think is what music on a physical release should be all about, so I would prefer this one over the previous. Blonk has successfully re-invented what he is doing, and explores new roads here. - Vital Weekly, Netherlands"

B. Fleischmann

1999

Mats Gustafsson / Kurt Newman / Mike Gennaro

1999