Jeb Bishop & Tim Daisy
"Daisy and Bishop eschew the groove-oriented nature of some of their larger groups, namely The Engines and Vandermark 5. Old Shoulders is heavy on smart and playful extended investigations of textures and tones, of atmosphere and mood more than rhythm, aggression or melody."
One To (Two)
Günter Christmann / Mats Gustafsson
"this is music that challenges as it subverts, its highly esoteric, yet disarmingly attractive lines an attractive hook. Highly ambitious, subtly exciting, and always formidable, Christmann and Gustafsson make a delightfully revolutionary pair. Not easy listening, but rewarding listening, and continuously challenging listening, these guys shake the heavens with heartfelt cries of mercy. There are no liner notes but what could be said? Powerful stuff, but you have to look below the surface."
Details in the Air (Ken Vandermark, Michał Górczyński, Mikołaj Trzaska)
"***** (5 stars) "The results of this superposition/mixture are spectacular! The set starts with a wonderful collective improvisation "Departure of the Birds"... [and the] set closes with "Calling from a Wooden Phone", another masterpiece of triologue. Difficult and complex record, but clearly extremely interesting for any possible fan of this kind of music. -Maciej Lewenstein, December 21, 2018 "
Oto: Steve Noble
"The ADA Trio of saxophonist Peter Brotzmann, cellist Fred Lonberg-Holm, and drummer Paal Nilssen-Love performing live at Cafe OTO in London on February 20, 2012, joined by percussionist Steve Noble"
Parrot Fish Eye
"Recorded in Chicago in 1994, Parrot Fish Eye presents Mats Gustafsson in two lineups: a duo with percussionist Michael Zerang, and a trio with Gene Coleman on bass clarinet and Jim O'Rourke, who moves between guitar, accordion, and percussion. Gustafsson and Zerang incorporate their vast vocabularies as they improvise through the eighth track, "Shut Up!"; the remainder of Parrot Fish Eye is improvised by the trio. An interesting and exciting listen for big fans of Mats Gustafsson."
Party At The Bimhuis
Ab Baars Trio & Guests
""Concision and concentrated emotion commingle with technical proficiency at a quite rarefied level throughout. Discipline and definitude are combined with a sometimes-dizzying willingness to explore uncharted territory in a thoroughly engaging fashion. Baars can be bracingly abstract at times - particularly on clarinet - then turn around and prod your viscera with tenor playing nakedly ardent enough to give Gene Ammons a run for his money. … Discipline and definitude are combined with a sometimes-dizzying willingness to explore uncharted territory in a thoroughly engaging fashion. ... Party at the Bimhuis is a brilliant recording." Bill Barton, Sudden Thoughts CD Reviews credits "
"After concerts and recordings as Angles 10, Angles 9, Angles 8 and Angles 6, here is back the original Angles line-up, Angles 3. It was 2004 and for a gig at the Glenn Miller Cafe it’s mentor and saxophonist, Martin Küchen invited two Scandinavian musicians now living in the United States (respectively, Austin – Texas and San Diego – California), Ingebrigt Håker Flaten and Kjell Nordeson. “Parede”, the title, is a tribute to the Portuguese town near Lisbon where the album was recorded live, at a venue called SMUP which in few years became the equivalent in this Southern European country to The Stone, Cornelia Street Café and Nublu. Most of the compositions, like Küchen’s classics “Satan in Plain Clothes” and “By Way of Deception”, are the same of those other Angles investments, of course with different arrangements. This version functions as a reduction to the essence of the music conceived by the Swedish musician, resulting in an energetic, even brutal, kind of free bop delivered to the ears as if it is punk or metal, echoes of Sonny Rollins and Albert Ayler mixing with something that could come from… The Melvins. credits "
Rempis/Abrams/Ra + Baker
"This sophomore release by the working trio of Dave Rempis, Joshua Abrams, and Avreeayl Ra shows a band doubling down on the slow, patient approach to improvising that characterized their first release, 2014’s Aphelion. The trio continues to pulsate, expanding ever outwards, yet returning to a central core each time to launch their next adventure. The live sets presented on this new two-disc set document that musical expansion and contraction within the trio, but also take things a step further as the band adds enigmatic keyboardist Jim Baker to the fold as a special guest for disc two. Baker’s a logical choice to meet up with these three; his own trio with Abrams and Ra, although a sporadic grouping, dates back to the early aught’s, and he’s worked with both in countless other contexts across many years. Similarly, a multitude of collaborations between he and Rempis date back to the late 1990’s. On Perihelion, these two overlapping circles spiral seamlessly into focus to demonstrate the gravitational strength of a central core built by decades of shared history."
McPhee • Caloia • Stewart
"Permutations” is a set of colorful expressions, rich musical language, marvelous and brilliant solos and original musical decisions." -AvantScena Art Stew Records – ASR 007"
""The string quartet is an instrumental combination most often heard in many different genres of classical music; in fact, it is one of the standard groupings for this music, whereas it is a more rare enterprise in improvised music. Certainly there are examples of string players getting together to improvise, but the results can not so often be compared favorably with great classical string quartets. The Dutch viola player and composer Henneman is making great progress in this area however, as she has found a regular group of musicians to work with, evidenced by the six-year span of recording dates. The difficult task of integrating composition and improvisation is carried out with aplomb by this group: they actually make it sound easy. A nice combination of male and female energy exists in this group, as well as a combination of Dutch musicians and so-called ex-patriot Americans who have settled in the Netherlands. The players are comfortable working in a traditional, melodic, and harmonic manner but also can and do go way out. Everything that happens makes logical sense, and this is music that reveals rich layers of detail upon repeated listenings." - Eugene Chadbourne (All Music)"
The Rempis Percussion Quartet
"Phalanx, a two-cd set of live concert recordings from 2012, finds them in top form, barnstorming cities on two continents with their propulsive improvisations. This is the second recording of the band featuring its newest member, Norwegian phenom Ingebrigt Håker Flaten, and these two hard-charging sets show a band at the peak of its creative force. credits "
Henneman String Quartet
""Spolia" is a term that comes from architecture and refers to construction sites that are repurposed from previous buildings. Similarly, the Dutch violist borrows this term for a title on her sixth album and thus also describes one of her typical methods of working. Musical fragments, on the present album taken mostly from the Italian Renaissance and folklore, are processed into new pieces and serve as the basis for improvisational excursions. This approach pays off numerous times. The tension between composition and improvisation, and between tradition and innovation creates uncommon music in the world of contemporary jazz music.” --Emanuel Wenger Jazz live - magazine for contemporary music February 2002 credits "