Rafael Toral / Mars Williams / Tim Daisy
"Chattering, textural free jazz brings to mind a forest of animals slowly coming to life. - J.R. Nelson, Chicago Reader"
"Sensual reflection challenges us to transcend the usual patterns of experience and penetrate into new sound realms. With subtle humor, the borders of genre are evoked associatively and expanded. -Susanne Kogler "
Elm City Duets
Joe Morris & Barre Phillips
""Guitarist (and sometimes bassist) Joe Morris has in “Elm City Duets” a new chapter of his ongoing objective to play with his lifetime heroes: after the meeting with the renowned multi-instrumentalist Anthony Braxton, resulting in a box with 4 CDs released by the label Clean Feed, here is another duo with a veteran of improvisation: Barre Phillips. And what a wonderful encounter this turned to be! What we have here is a vivacious dialogue between two equals, with precious and incisive arguments by both parts. Your record colection will be incomplete without this!" -Clean Feed"
"The music was recorded in a 12,000-square foot abandoned munitions bunker situated in the northeast corner of San Francisco Bay. The unique space created a natural (and unalterable) reverb which the players had to factor into their performance. -Mark Corroto, All About Jazz"
Ken Vandermark & Paul Lytton
"Vandermark alternates between the more groove based playing that he has made a name for and slightly more abstract and in a "freer" fashion. Lytton runs with these moods through busy work that is attuned to what Vandermark, heard mostly on saxophone, is playing. "
The Ex & Brass Unbound
""33 years into their career, Dutch punks the Ex are more interested in expanding the horizons of their music than in repeating their past. Enormous Door is an acrobatic, ferocious record, a welcome burst of electric noise and squealing horns from a group whose power and flexibility keep growing with time." –Pitchfork"
Large Unit Fendika
"It could be argued that this is the most accessible recording in the Large Unit catalogue, and there is no doubt that this is the first one you can dance to all the way through."
"In the late 1990s, three young musicians in the Oslo jazz scene – Paal Nilssen-Love, Ketil Gutvik and Eivind Opsvik – hooked up with two legends – Carl Magnus “Calle” Neumann and Bjørnar Andresen. The project was named The Quintet and it was the meeting of two generations, with Neumann and Andresen passing the spirit of the 60s on to three musicians who would make their mark in the 2000s."
Every So Often
Sylvie Courvoisier & Ellery Eskelin
"While this is indeed fully improvised music, the duo is dedicated to euphonic sound. The music is never discordant as the two blend the sometimes slippery blues of Eskelin against the proper European chamber notes of Courvoisier. Her admirable band-in-a-box approach to all parts of her piano, heard on the title track, finds her knocking on wood, plucking insides, mining the utmost from the waves of energy she creates through the palpable feeling. Eskelin comments, responds, and works the edges of her energy. Later on the more direct "Accidentals," both players step up to the front line, bouncing whole notes off each other. But mostly the music tends toward a more courteous and sympathetic tone, making it possible to hear both musicians with full clarity of sound. -Mark Corroto, All About Jazz"
Experiments With a Leaf
John Butcher & Andy Moor
"The two meet in the middle of the road, so to speak, for this quick half-hour session of maxed-out microtones. It's an excitingly subdued and intense listen, and while it's laudable not to follow the compulsion to load the disc to its 80-minute capacity, the one track that stretches past 10 minutes suggests there's much more ground left for them to cover. -Kurt Gottschalk"
""While Astral Spirits releases remarkable music on a near-weekly basis, this album has truly held its place as one of the best releases of the year." - Daniel Palmer, PostGenre"
Made to Break
"F4 Fake combines fiery free jazz with raw noises and abstract electronics, all accumulating into an interplay, sensual and extreme in its own way, ... that highlights Made to Break in its best."
Face of Tokyo
Sten Sandell Trio
"Released on drummer Paal Nilssen-Love's own PNL label, the trio further consists of Sten Sandell on piano and Johan Berthling on bass. Recorded live in Japan in 2008, the album consists of two tracks: "Face Up", and "Face Down", for twice more than half an hour of quite intense musical explorations. The first track is a high energy work-out, the second starts with counter-rhythmic percussion, full of explosive power and creativity, Berthling joins on bass, first plucked, and when Sandell joins he moves to arco, while the pianist plays some eery chords, gradually driving up the tempo and energy level for again a dense improvisation, that suddenly collapses for some minimalist interaction, with all three musicians exploring the more uncommon aspects of their instruments. In stark contrast to some of the other albums below, the album demonstrates that technical mastery and musical vision make it possible to bring depth and emotional drive even with the most common of all jazz line-ups."
"This is a very exciting and much welcome blast of old school free jazz energy from a collective group featuring Mars Williams on saxophones, Kent Kessler on bass and Paal Nilssen-Love on drums. Each has deep experience on the outer fringes of the jazz scene and they make for a very cohesive and potent unit. "
Chalachew Ashenati & Ililta Band
"Chalachew Ashenafi, the legendary Gondar azmari (1966-2012) did some tours with The Ex in recent years. A traditional player, but also forward, funny and stubborn. These are his last recordings ever. Astonishing strong music. -Terp Records"
"“Featuring” is a release of “Puzzlemusik” label. Album was recorded by five jazz stars – it’s Phil Vachsman (violin, live electronics), Paul Lytton (drums, percussion, live electronics, home-made instruments), Sten Sandell (piano), Floros Floridis (clarinet, bass clarinet) and Nate Wooley (trumpet). "