Akira Sakata & Chikamorachi
"Makes the (re-)discovery of Sakata a real pleasure and joy for the ears. Let's hope it doesn't take another twenty years before his next album is available outside of Japan. -Free Jazz Collective"
From The Discrete To The Particular
Joe Morris • Agustí Fernández • Nate Wooley
"Being perfectly aware that a trio featuring Joe Morris on guitar, Agustí Fernández on piano and Nate Wooley on trumpet can’t be, for an immanent reason connected to the mastery of the musicians, less than rewarding, my attention has instead been caught by the title of the album. Echoing and mixing several philosophical and scientific subjects it is, in my opinion, a brief and inspired description of some tendencies and paths sketched out in the compositions." - Paolo Casertano "Free Jazz Blog"
From Wolves To Whales
"Trumpeter Nate Wooley leaves no part of his instrument’s territory unexplored, utilising extended techniques and feedback to transform the horn from its traditional role into a far more alchemical and unclassifiable tool... The fully improvisatory yet traditionally rooted feel of the music has a lot in common with the work of Other Dimensions In Music. There’s a path in for more conservative free jazz listeners, but plenty of wilderness to get lost in, too. -Phil Freeman, The Wire"
"With drummer-less clarinet trio named after a radical album by a drummerless clarinet trio, you have prolific Ken Vandermark’s latest collaboration, this with Norway’s Ingebrigt Haker Flaten on bass, and Havard Wiik on piano. Vandermark frequently shines a light on an elder, and this one points to the pioneering Jimmy Giuffre/Paul Bley/Steve Swallow trio. Additionally, Merce Cunningham, Frank O’Hara, Eric Dolphy, Bill Evans, and Bley in particular get their due on this collection. As with past dedications, the music stands on its own and makes no attempt at imitation."
Galina U (from Ig Henneman Collected)
Queen Mab Trio
"Galina U has been compiled from compositions that Henneman contributed to the Queen Mab Trio albums, See Saw and Thin Air, along with ‘Overtoom’, from a previously unreleased recording session. For See Saw Henneman contributed three tracks: ‘Marilyn L’, ‘Lori F’ and ‘Galina U’. The latter is an evocative ode to the Russian composer Galina Ustvolskaya, in which Henneman endeavours to mirror Ustvolskaya’s idiom with ominous, compelling rhythms and piano chords hammered out with full force, and she succeeds in coming unmistakably close while fortunately retaining her own vocabulary. Marilyn Lerner – piano; Lori Freedman – bass clarinet / clarinet Ig Henneman – viola "
Magnus Broo & Paal Nilssen-Love
""The 6 tracks are freely improvised, and move us across a broad landscape of jazz expressiveness : from rhythmic and melodic parts to very avant-garde excursions, from slow and bluesy sounds to staccato blasts, with the real focus on the interplay between the two artists. Through Broo's playing, other trumpeters come to mind : Lester Bowie, Don Cherry, Paul Smoker. One of the reason's I like the album a lot is that both musicians demonstrate that it's possible to be creative, innovative, avant-garde, free and still be deeply emotional. Despite the limited possibilities of the duo, they manage to captivate the attention from beginning to end. This is intense, direct and raw music, but beautiful ... Clearly, a very much underpromoted release." –Free Jazz Blog"
Fred Lonberg-Holm’s Fast Citizens
"Fast Citizens continues to forge its own direction, reaching beyond formulaic conventions to embrace new forms. –All About Jazz"
Geometry Of Caves
Tomeka Reid, Kyoko Kitamura, Taylor Ho Bynum, Joe Morris
"The record also makes plenty of room for each of the musicians' individual strengths to emerge: Bynum is in especially fine form, with movement from lyrical beauty to pure abstraction and noise (just listen to his menacing growls on "Glowworm" as evidence); but Morris is also characteristically exceptional, whether offering prickly fragments or his patented scrapes, as he's continually seeking ways to advance the dialogue. Reid's relentless imagination leads her from chamber-like passages to motion-filled ostinato phrases that always possess compelling rhythmic energy; and Kitamura will be a revelation to those who haven't yet encountered her unique brand of vocal improvisation, turning in an instant from subtle to spasmodic." - Troy Dostert All About Jazz"
Geometry of Distance
Kitamura / Bynum / Morris / Reid
"The four musicians compose as one, weaving a kaleidoscope of unconventional textures and contrapuntal melodies, opening the door to a new sonic universe which only exists in real time composition."
"Glasses was recorded in October, 1977, during a highly significant period in McPhee's work, as he was pioneering the transatlantic, collaborative spirit that has helped to define the last three decades of his career. Documented in Tavannes, Switzerland, the set contains sensational tenor work, including the title piece, which finds McPhee ringing out a rhythm on a half-full wine glass, from which he extrapolates a melody on the saxophone, as well as a stunning version of John Coltrane's "Naima.""
Goofy June Bug
Ab Baars Trio & Ken Vandermark
"This pairing is as comfortable as a reunion of grade school classmates. Recorded live at Amsterdam's Bimhuis at tour's end, Goofy June Bug finds both men splitting their time between tenor saxophone and clarinet (backed by Baars' regular rhythm section of Wilbert de Joode and Martin van Duynhoven) and both honor each other's musical traditions: Baars' compositions are as likely to carry a '60s free jazz influence as Vandermark's are to contain European classical elements."
Terrie Ex & Paal Nilssen-Love
"It’s powerful, speedy, chaotic, but with a high degree of interplay and charm. Improvised, yes, but never out of focus. Although the two slow it down at times, they soon build up to the energies described, uncompromising, vibrant, hard, sonic, exploring their noisy palette of sound.” (FREQ)"
Hands Up! You're Free
"Maybe in bursts, where the undertow doesn't need to be ribbed with volume, this record represents the real Ex, the complex, hyperfast, mobile scourge of convenient ignorance and partyline stupidity."
"Recorded 5th June 2001 at the Koeienverhuur Studio in Purmerland and 21st May 2002 at Villa Zuid, Wormer by Dolf Planteydt. Mastered at LOUD, Amsterdam by Zlaya."
Anne-James Chaton / Andy Moor / Thurston Moore
"Heretics is a series of portraits of radical heretical figures found throughout the history of schismatic thinking.Heretics like Caravaggio, William Burroughs, Jose Mujica, Marquis de Sade and Johnny Rotten, fascinated the artists. These influential figures are presented here in the form of poetic texts and catchy melodies combined with experimental noise. - With the addition of ex-Sonic Youth guitarist, singer and songwriter Thurston Moore, Anne-James Chaton and Andy Moor’s more than a decade long collaboration becomes an exciting trio. They researched and created the material for Heretics during a residency in the French port of St Nazaire, in July 2014. They used voice, guitars and electronics in solo, duo or trio, to collaboratively explore their ideas and co-write texts and music. -Unsounds"
"The Ex met Kurdish singer Brader Mûsîkî in 1991and asked him, after seeing him play, for the ‘6.Series’. Brader with The Ex as backing band became “6.2“: “Millîtan” and “Cemê Rynê”, plus a booklet with extensive Kurdish history. Between 1991-1993 they did some concerts together... Then, after more than 25 years, they met again. Socially it felt like yesterday. Eating together, telling history, listening to music. - Terrie Ex"