12 Clarinets In a Fridge
"This was a project a long time in the making - Xavier Charles is a not a person you can rush; he has very clear objectives that need the time that they take. When he took interest in the sounds of the appliances in his kitchen, daily sounds that remain unnoticed to most of us, he was to explore listening and perception as part of his music making. Typically, Xavier has worked here with the ambient noise in his recording environment, something he has been exploring and refining for many years now. With ‘12 clarinets in a fridge’ he delivers some beautifully constructed pieces of concrete clarinet."
13 Erindringer Fra Hr. Grøns Liv
"Bass – Peter Friis Nielsen Drums, Percussion – Peter Ole Jørgensen Layout – Renée Paaschburg Producer, Mixed By – Pere Oliver Jørgens Saxophone – Mats Gustafsson Tuba, Trombone – Per-Åke Holmlander*"
13 Friendly Numbers
"A masterful record which should be investigated by anyone interested in free playing. –Penguin Guide to Jazz"
19th of May 2016
Otomo Yoshihide & Paal Nilssen-Love
""[Nilssen-Love and Yoshihide] take turns playing, back and forth, individually and in union, finding unexpected synergies in an amazing interpretative game of cat n’ dog, in the end circling each other repeatedly until they’ve torn the listening space to shreds. It’s not for the weak-hearted." - TJ Norris / Toneshift credits releases June 15, 2018 Otomo Yoshihide: electric guitar Paal Nilssen-Love: drums and percussion "
"With the unmistakable “Ex energy”. The three-pronged guitar approach is still as exciting as ever, with the guitars of Andy Moor, Terrie Hessels and Arnold de Boer creating tense, interlocking webs of connections and drummer Katherina Bornefeld pushing the band with dancing, hypnotic patterns. - Guy Peters, Geraarsbergen, 2018 "
27 Years Later
"Drummer and percussionist Paal Nilssen-Love performed this incredibly diverse solo set at the Forum, Norway during the 2002 Molde International Jazz Festival. The CD was originally released in a limited edition of 150 on the Utech label in 2005. This reissue on Nilssen-Love's own PNL label puts this extraordinary set back in print for a wider audience. Recommended!"
"The session unveils an array of evocative styles, including bluesy noir, pungent funk, and austere impressionism. "Multi-Chrome (for Peter Brotzmann, Han Bennink, Fred Van Hove)" opens the record with an ominous vamp that suddenly vanishes, leaving an electro-acoustic cello cadenza in its wake. A serpentine pulse materializes, leading the group through myriad changes before downshifting into a somber tenor and bass duet that precedes the recapitulated theme. The remainder of the album follows similarly unpredictable patterns. "
"If you already sensed that the free bop style played by Ken Vandermark has roots in rhythm ‘n’ blues, here is the recording that confirms your impression. The context enables him to show his origins, and is provided here by a rock solid rhythm section formed by Adam Lane (sometimes with his double bass plugged to a distortion pedal, and when that happens it really grooves) and Paal Nilssen-Love, a drummer who seems to have four arms and four legs A second horn, the trumpet of the amazing Magnus Broo, relates to the saxophonist and clarinetist just as Donald Ayler did with his brother Albert."
"The first solo electronics and percussion album by radical and legendary British improvisor Paul Lytton since 1979, recorded in the studio in Germany, and using a wealth of homemade instruments, laptop, percussive devices, objects, and electro-mechanical devices."
A Fine Day In Berlin
The Tim Daisy Trio
"“A Fine Day In Berlin” Documents a brand new trio featuring Chicago based percussionist Tim Daisy teaming up with two of Berlin’s finest improvisers: pianist Havard Wiik (Atomic/Side A) and bassist Clayton Thomas (The Ames Room/Thymophalein)"
A Heart That Responds From Schooling
Alessandro Bosetti & Chris Abrahams
"A Heart That Responds to Schooling is the second album recorded by italian composer and performer Alessandro Bosetti and Australian pianist Chris Abrahams. The album is a chest of intimate and oblique sonic explorations that span both improvised fragments and original renditions of compositions like Steve Lacy’s Esteem (with Bosetti’s lyrics) and Milton Nascimento’s Bridges (Travessia) in the english version with Gene lee’s lyrics. It was Recorded in Berlin in November 2013, and is following the critically acclaimed debut We Who Had Left in 2012."
A History of Nothing
Rodrigo Amado, Joe McPhee Kent Kessler & Chris Corsano
""A History of Nothing, [Amado's] debut on the Austrian Trost Records, features five improv-centric tunes authored and sculpted by the same quartet that made This Is Our Language (Not Two Records, 2012) a reference in the genre. Namely, Joe McPhee on soprano saxophone and pocket trumpet, Kent Kessler on double bass, and Chris Corsano on drums.
Amado’s quartet is in peak form, exerting another biting album that comprehends both volcanic and ruminative sonic layers. Just let the freedom touch you while enjoying this finely calibrated commotion." (Filipe Freitas) "
A Night in Alchemia
McPhee / Edwards / Kugel
"European, Scandinavian and American avant-garde jazz are gently brought together. That makes an effort to evocative, bright and luminous sound. - Avant Scena"
A Quietness of Water
Peter Evans / Agustí Fernández /Mats Gustafsson
"This is jazz as experience—as pathos. I don’t know if there are aesthetic categories to judge whether the music or the playing are “good” or “bad,” but Evans, Fernandez, and Gustafsson leave me thinking that the music they make is beautiful because of the sublime ways they just make it up. - Rick Joines, The Free Jazz Collective"
"Ada is one dirty delicious hell raising improvisation. Within a minute of the sets start, Nilssen-Love's wash of percussion stacks, Longberg-Holm's cello stokes, and Brötzmann's sax sparks the fire. This blazing recording, a single 33 minute set by the Ada Trio, begins full blast, ends full blast, and runs the gamut of intensity between."