19th of May 2016
Otomo Yoshihide & Paal Nilssen-Love
""[Nilssen-Love and Yoshihide] take turns playing, back and forth, individually and in union, finding unexpected synergies in an amazing interpretative game of cat n’ dog, in the end circling each other repeatedly until they’ve torn the listening space to shreds. It’s not for the weak-hearted." - TJ Norris / Toneshift credits releases June 15, 2018 Otomo Yoshihide: electric guitar Paal Nilssen-Love: drums and percussion "
"TAKING ADVANCE ORDERS
“We always start from zero when we make a new album. We enter the rehearsal room with a few loose ideas, a riff or a beat and see what happens. There is always the risk that it doesn’t work out. That risk is part of our music and of our lives.” - The Ex.
“The Ex released their previous regular studio album as a 4-piece (Catch My Shoe) in 2010. While that might seem like a long stretch, their schedule since then tells you another story. The band also released a second album with Ethiopian legend Getatchew Mekuria, and another one with Brass Unbound, featuring several of their friends from the realm of free improvisation. On top of that, there were also a few 7″split-singles, several phenomenal birthday festivals and a lavish photo book that was published as a tribute to the late Getatchew Mekuria in 2016. But now there’s new music. With the unmistakable “Ex energy”. The three-pronged guitar approach is still as exciting as ever, with the guitars of Andy Moor, Terrie Hessels and Arnold de Boer creating tense, interlocking webs of connections and drummer Katherina Bornefeld pushing the band with dancing, hypnotic patterns. - Guy Peters, Geraarsbergen, 2018 "
A Fine Day In Berlin
The Tim Daisy Trio
"“A Fine Day In Berlin” Documents a brand new trio featuring Chicago based percussionist Tim Daisy teaming up with two of Berlin’s finest improvisers: pianist Havard Wiik (Atomic/Side A) and bassist Clayton Thomas (The Ames Room/Thymophalein)"
A History of Nothing
Rodrigo Amado, Joe McPhee Kent Kessler & Chris Corsano
""A History of Nothing, [Amado's] debut on the Austrian Trost Records, features five improv-centric tunes authored and sculpted by the same quartet that made This Is Our Language (Not Two Records, 2012) a reference in the genre. Namely, Joe McPhee on soprano saxophone and pocket trumpet, Kent Kessler on double bass, and Chris Corsano on drums.
Amado’s quartet is in peak form, exerting another biting album that comprehends both volcanic and ruminative sonic layers. Just let the freedom touch you while enjoying this finely calibrated commotion." (Filipe Freitas) "
"If you count The Thing’s collaborations with Joe McPhee, James Blood Ulmer, Ken Vandermark, Neneh Cherry, Barry Guy, Otomo Yoshihide, Jim O’Rourke, Thurston Moore and DKV Trio too, Again is their 20th album (including the compilation Now and Forever and the split album The Music of Norman Howard with School Days, another Gustafsson project). Literally speaking, The Thing have done it again. After 17 years in the same line-up (Mats Gustafsson on saxes, Ingebrigt Håker Flaten on acoustic and electric bass and Paal Nilssen-Love on drums) you might think that the band’s music has become predictable, that their mélange of free jazz, blues, rock and noise is actually a cul-de-sac because the musical options are exhausted. However, it isn’t. Though Again is the well-proved mixture of cover versions and original compositions, this time the focus is rather on jazz. The only cover, Decision in Paradise, is an old, rather conventional Frank Lowe piece. The Thing turn the tempo down considerably and a trumpet provided by Joe McPhee, the guest star on this track, transforms the falling lines of the original’s opening passage into painfully bruised sounds before Gustafsson strips the delicate melody to the bone (doing this, it reminds me of Gershwin’s “Summertime“). Bass, trumpet and saxophone dance around each other in slow motion and only after four minutes Nilssen-Love enters the game in order to give the piece more drive and tension. It’s the band’s typical way to take possession of a composition which is not their own. - Martin Schray (Free Jazz Blog) Full review here: www.freejazzblog.org/2018/06/the-thing-again-trost-records-2018.html "