"The session unveils an array of evocative styles, including bluesy noir, pungent funk, and austere impressionism. "Multi-Chrome (for Peter Brotzmann, Han Bennink, Fred Van Hove)" opens the record with an ominous vamp that suddenly vanishes, leaving an electro-acoustic cello cadenza in its wake. A serpentine pulse materializes, leading the group through myriad changes before downshifting into a somber tenor and bass duet that precedes the recapitulated theme. The remainder of the album follows similarly unpredictable patterns. "
Consequent Duos: series 2d
Fred Lonberg-Holm & Ken Vandermark
"This new recording reveals a completely different set of improvisational concerns and makes a remarkable counterweight to their first duo release, "Resistance," with a range of intensities and instrumentation between the two musicians that is remarkable."
"With drummer-less clarinet trio named after a radical album by a drummerless clarinet trio, you have prolific Ken Vandermark’s latest collaboration, this with Norway’s Ingebrigt Haker Flaten on bass, and Havard Wiik on piano. Vandermark frequently shines a light on an elder, and this one points to the pioneering Jimmy Giuffre/Paul Bley/Steve Swallow trio. Additionally, Merce Cunningham, Frank O’Hara, Eric Dolphy, Bill Evans, and Bley in particular get their due on this collection. As with past dedications, the music stands on its own and makes no attempt at imitation."
"Here the music suggests a sense of dark threat, pursued through heated contrasts of lengths, with laboring duets or with solitary cadences of erratic abandonment. The thematic material is very close to the more experimental Jimmy Giuffre: asymmetrical intervals, atonal virtuosity, cold irony. What is more personal emerges in the improvisation of the individual."
Gold Sparkle Trio with Ken Vandermark
"Operating in similar but different spheres for quite some time, the collaboration between Ken Vandermark and the Gold Sparkle Trio is a true meeting of the minds."
Do Not Slam The Door!
Grenscó Collective Special 5 with Ken Vandermark
"Is there such a thing as coincidence? Perhaps. But in the encounter between István Grencsó and Ken Vandermark some kind of necessity seems to have been at work. If we compare the careers followed by these two artists in the last decade and a half or so, it seems as if their paths have intertwined, with parallels and intersections. This is far from being self-evident, because a fundamental consideration for both of them is constant renewal, and the search for ever newer forms of expression..."