"With drummer-less clarinet trio named after a radical album by a drummerless clarinet trio, you have prolific Ken Vandermark’s latest collaboration, this with Norway’s Ingebrigt Haker Flaten on bass, and Havard Wiik on piano. Vandermark frequently shines a light on an elder, and this one points to the pioneering Jimmy Giuffre/Paul Bley/Steve Swallow trio. Additionally, Merce Cunningham, Frank O’Hara, Eric Dolphy, Bill Evans, and Bley in particular get their due on this collection. As with past dedications, the music stands on its own and makes no attempt at imitation."
"Here the music suggests a sense of dark threat, pursued through heated contrasts of lengths, with laboring duets or with solitary cadences of erratic abandonment. The thematic material is very close to the more experimental Jimmy Giuffre: asymmetrical intervals, atonal virtuosity, cold irony. What is more personal emerges in the improvisation of the individual."
Gold Sparkle Trio with Ken Vandermark
"Operating in similar but different spheres for quite some time, the collaboration between Ken Vandermark and the Gold Sparkle Trio is a true meeting of the minds."
Do Not Slam The Door!
Grenscó Collective Special 5 with Ken Vandermark
"Is there such a thing as coincidence? Perhaps. But in the encounter between István Grencsó and Ken Vandermark some kind of necessity seems to have been at work. If we compare the careers followed by these two artists in the last decade and a half or so, it seems as if their paths have intertwined, with parallels and intersections. This is far from being self-evident, because a fundamental consideration for both of them is constant renewal, and the search for ever newer forms of expression..."
"Curiously, when timbre follows texture during these fully-rounded performances on Hoxha, Rutherford’s slide work and use of mutes at points takes on a gutbucket, traditional jazz coloration, not too distant from the solos of his older contemporary Free Jazzer Roswell Rudd. Trad Jazz was popular in the United Kingdom when Rutherford was coming up and while he, unlike Rudd, was likely never a recorded Dixielander, the fearless technique and casual joy of those older bonemen could influence anyone, even if by osmosis."
Artifact: Live In St. Johann
"An amazing lineup of European, Chicago and UK players in a live set from the 2008 ArtActs Festival, music that merges the boundaries of ea-improv and free jazz."