Oslo / Chicago Breaks
"Vandermark conceived Powerhouse Sound in the summer of 2005 to explore composition focusing on the bass, rather than writing from the proverbial "top down." Inspired by the rhythms of James Brown, the dub experiments of Lee Perry, and the textural collages of Public Enemy, Vandermark arrived at a concept more funky, electronic and rockin' than anything he's done before."
Mutations / Multicellulars Mutations
"Certainly you can tell when Vandermark is playing but you can feel the equality in the contributions. They all have a great instinct to let the silences ring and yet never let a moment get wasted. One of my favorite listens so far this year."
"Here, Ken Vandermark is joined by Italian musicians Stefano Ferrian (tenor saxophone), Simone Quatrana (piano), Luca Pissavini (double bass), and SEC_ (Revox tape recorder, instant sound treatment). This album was recorded live on May 5th, 2013, at the Dragon Club in Poland, and it highlights the superb interplay and improvisational skill of the Rara Avis quintet."
"“Double Arc” is the culmination of projects conceived by Ken Vandermark written for the large working group the Resonance Ensemble. An assemblage of influences as wide ranging as film scores, 50’s NYC composers, 60’s free jazz, 70’s African funk, etc., “Double Arc” is an epic work that is creatively stimulating, foot stomping, and at times maddening music."
Head Above Water/Feet Out Of The Fire
"This is the power of the Vandermark composition at its finest. He is there, guiding them though the workout of notes on the page, with whistle in mouth just in case. It builds and recedes and lets the smaller dogs sing before the next wave of growling envelops your ears layered over a pretty addictive drum and bass groove."
Territory Band - 4, Chicago, 2004
"This LARGE poster, designed by Richard Hull, was pulled out of the depths of the archive. These have unfortunately sustained a bit of water damage on their right side, which explains our reduced price. None of the damage runs into the print, however. "