Paal Nilssen-Love & Ken Vandermark
"NOW FOR PREORDER:
This is Paal Nilssen-Love and Ken Vandermark's tenth album, and this time the duo have decided to look backwards at the last ten years of their career, although in a very unusual way. In collaboration with producer Lasse Marhaug they have gone through the numerous clips of live performances that exist on YouTube, unofficial documentation recorded and uploaded by members of the audience without the duo’s involvement. None of these clips were full concerts, neither were they recorded on professional gear, often containing artifacts that compresses and distorts the audio. The idea was to embrace the limitations of the format and to make a collage out of the material, but using only the audio and not the video from the recordings. By drawing inspiration from experimental cinema – especially the Structural film movement of directors like Michael Snow, Hollis Frampton and Tony Conrad – Marhaug set a rule of only 60 seconds from each clip should be used, and since the duo does not play short pieces the cuts would often be disruptive, cutting the music off in the middle of movements. The cuts were then assembled together not in a chronological manner, but rather what made sense musically, often jumping back and forth years in the process. The results was that this stylization doesn’t distance the listener from the music, but rather creates a viable document of activity, much in the same manner a film would - just with the screen off. credits "
Are We In Diego?
Paul Rutherford, Ken Vandermark, Torsten Müller & Dylan van der Schyff
"This recording features the late trombonist, Paul Rutherford, in an outstanding performance from 2004. The band was concluding a West Coast tour and shows both fire and sensitivity, delivering two extended improvisations and four well-focussed miniatures. With Ken Vandermark (reeds), Torsten Müller (contrabass), & Dylan van der Schyff (drums, percussion). "
3 Nights In Oslo
Peter Brotzmann Chicago Tentet
""It's hard to give a general appreciation for eight quite different line-ups, ranging from the minimal duets to the full-blown orchestra. Here it is : the Tentet, it must be said, is magnificent: wild, predictably unpredictable, raw, overwhelming, gargantuan, energetic, forceful and any other adjective that fits in this kind of thesaurus. But it is absolute fabulous fun for the lovers. You can laugh because of the sheer power and chaos, but the musicians are clever enough to vary with slower, often moving and sensitive moments, giving both artists and listeners a break before all hell breaks loose again." -Free Jazz Blog"
Be Music, Night
Peter Brotzmann Chicago Tentet
"First of all there is a great line-up going at this point, with the titanically endowed reed configuration of Brotzmann, Gustafsson, Vandermark and McPhee (the latter on alto sax and trumpet), plus Jeb Bishop on the trombone. Then there is Lonberg-Holm on cello, Kessler on bass, and the duo drum-team of Nilssen-Love and Zerang. Mike Pearson appears in the guise of recitator, since Be Music, Night centers around the poems of Kenneth Patchen and a hommage to his work."