Joe Morris/Rob Brown Quartet
""They go back and forth like this for long periods until the playing turns itself inside out and swings like old-school jazz -- as interpreted by Ellery Eskelin, not Don Byas. Morris and Parker use their strings to fluctuate the tempo back and forth while Krall triple-times the entire band until they virtually collapse at the tune's end. Some of the most enduring things are the flaws; they are worn proudly, as moments frozen on tape in the heat of group interplay. It's worth owning for this alone, but it's also a challenging and deeply satisfying set of music by a short-lived but gifted quartet." -Thom Jurek "All Music""
Geometry of Distance
Kitamura / Bynum / Morris / Reid
"The four musicians compose as one, weaving a kaleidoscope of unconventional textures and contrapuntal melodies, opening the door to a new sonic universe which only exists in real time composition."
Mêlée + Joe Morris
"There are moments of intimacy, of direct emotional delivery, and moments of stress and distress, of darkness, signs of an upcoming storm. That doesn't come. Only the tension before it. There is no real power either. And no sweetness. It gets you out of your comfort zone. Yet you want to hear it again, and again, and again. And that's usually the only yardstick that counts. A new musical experience." -Stef "Free Jazz Blog" 2009"
Morris / Cancura / Nazary
"Just listening to the absolute basic notion of what a sax trio should sound like, is a true joy. — Stef, The Free Jazz Collective"
Studio Sessions Vol. 3
Morris / Gauci / Lane
"The sound on this disc is superb, warm, clean, intense and bristling with energy! We can tell that Mr. Gauci has worked long and hard on his great tone. Burnished and filled with passion and fury. The rhythm team is equally powerful, throttling, burning, soaring, erupting. - Bruce Lee Gallanter, Downtown Music Gallery"
Morris / Klingsberg / Quinn / Sabin / Sengupta
"My goal with Instantiation is to create unique and rewarding experiences for listeners by synthesizing the meta-properties of Free music in new and creative ways. I rely on the attention to the material and the individual and collective artistry of the ensemble of players to realize a unique result with each performance. - Joe Morris"
Field of Materials
Morris / Pride / Pitsiokos
"Catalytic Artist Album 019, available exclusively to Catalytic Sound members. Become a member to get a new CAA delivered each month, as well as two digital albums of your choice, and free shipping anywhere in the world. https://www.patreon.com/catalyticsound"
"In March of 2018, during guitarist Joe Morris’ stay in Calgary (see bim-75 notes for the full story), he joined the Chris Dadge/Jonathon Wilcke duo on two occasions. The first was a live performance at a tiny and packed room in the Theatre Junction GRAND building in the heart of downtown Calgary. After a stellar set from Laura Reid and Mark Limacher, Morris played a short solo set, Dadge and Wilcke played a short duo set, then the latter three played as a trio; it was their first time playing together. Later that month, the three reconvened in Dadge’s basement studio, fueled by Richard Youngs’ vegetable curry, for this sparkling burst of playing. A relative minority of Bug Incision releases are studio-based affairs, but the added clarity and sonic precision on display here greatly benefits this music, which is chock of full of dense, pointillistic playing. Wilcke’s sax work moves from fluffy free-bop melodicism to strangulated smears of sound, bringing out some inventive comping moves from Morris. Morris strikes an impressive balance between Wilcke’s saxophonic abstractions and the kinetic, tactile playing of Dadge, who is clearly relishing the opportunity to interact with such a spiky playing partner. Bug Incision could not be more pleased to present (along with bim-75) this second fine document of Morris’ Calgary saga. (Notes by Benoit Hughes) "
Out of the Hole
Noah Kaplan Quartet
""Character, imagination, and distinctiveness - only three of this music's many virtues - are subject to no temporal limitations. Thus time passing has no significance other than the altering of our perception - which, musically and metaphorically, seems to be on the mind of Noah K as well." - Art Lange"
"Slobber Pup can command all elements of jazz, rock, and blues since the big band. There is something very appealing about this anarchy of noise that makes this "music" vital. It exists as a wakeup call for all who have been hypnotized into an artificial slumber of safety and contentment, and all the while the wolves are barking to get in..." - C. MICHAEL BAILEY "All About Jazz" (2015)"