Perpetual Frontier Properties of Free Music
"The book is more than welcome, because it offers a kind of foundational explanation of what 'free music' is, and then in an almost academic fashion. Morris presents "The Properties Of Free Music", a description of the constituents and building blocks of the music, with definitions of the known ingredients like melody, harmony, rhythm and their absence and their alternatives. He describes the conceptual methods and systems that musicians can use in establishing their sound, the essence of what musicians try to achieve, and they can do that through synthesis, interpretation and invention, by using known forms or by creating new ones. He writes about musical platforms, about interaction, about open forms, templates and layering, about melodic structure. He explores four theoretical frameworks of free form in a little more depth : Ornette Coleman's 'harmolodics', Cecil Taylor's 'unit structures', Anthony Braxton's 'tri-axiom theory', and European Free Improvisation A very valuable book that will be of interest to many musicians and fans of free music." - Stef "Free Jazz Blog" 2013"
"In purposeful ambiguity, one is reminded, perhaps, of the solo piano work of Andrew Hill as well as some of Morris’ own guitar soli. Ultimately, Sensor is an intimate portrait of Joe Morris the musician, allowing one to forget for a moment the specific state of the axe." -Clifford Thomas "Tiny Mix Tapes" 2011"
"I’m glad that Ultra demanded revision. I am the now the organizer not the composer. The music was made with equal contributions from all of us. To me, Ultra is free of the contrivance that often plagues this kind of attempt, and that allows the listener to determine its meaning and value. I speak for the group when I say that we hope the music surprises and inspires you. Joe Morris June 2017 "
Four Improvisations (Duo) 2007
Joe Morris & Anthony Braxton
"Morris's soft-toned parlando style little guitar sounds seem to have an incredible effect on Braxton who is lyrical as I've seldom heard him. Both musicians listen extremely closely and actually compose on the spot, moving these long improvisations through different moods and musical landscapes, but then of the low and hilly kind, without high peaks or deep chasms. The music is fragile, sensitive, deeply emotional and vibrating with life and musical joy (The Free Jazz Collective)"