Music For David Mossman - Live at Vortex London
Evan Parker, Barry Guy & Paul Lytton
"Evan Parker, Barry Guy and Paul Lytton – three legendary figures in the field of improvisation – have each developed their own epochal styles. These long-time friends and collaborators now present the latest of their Trio recordings – part of an ongoing series that began in 1980 with the now out-of-print LP 'Tracks'. Their powerful improvisations reveal them as a trio of unyielding innovation, both conserving and constantly renewing a rich heritage of achievement in free jazz."
T-Shirt - Catalytic Sound Festival 2021
"Designed by Federico Peñalva in commemoration of the 2021 Catalytic Sound Festival. Screen printed by Barrel Maker Press in Chicago."
Fred Van Hove, Paul Dunmall , Paul Rogers & Paul Lytton
""An attentive and responsive quartet of experts in the genre." -John Fordham, The Guardian"
""This 1981 recording collects tapes from the Evan Parker-directed Improvisors' (sic) Symposium at the international jazz festival held in Pisa, Italy, in 1980. Side one is made up of duets. There are two wind duets and one for strings. The first wind duet is a series of elongated tones that becomes circular motions and striated microtonal meditations between Evan Parker on soprano saxophone and George Lewis on trombone. The first is a slow, almost imperceptibly evolving piece of exchanged lines and intersected tonal integration. The second is a circular, oddly angled work in which the two performers create arpeggiated spaces of microphonic textures and then exchange them no less than three times in nine minutes, adding to the expansion of the circle. The string duet between bassist Maarten Altena and guitarist Derek Bailey is a remarkably focused quest for fire in which strings are regarded purely and practically as surfaces first and elements for musical improvisation second. Two quintet pieces make up the second side, and the piece performed by an ensemble with two bassists (Altena and Barry Guy) and three trombonists (Lewis, Paul Rutherford, and Giancarlo Schiaffini) works best. Deeper tonal studies that involve almost ritualistic triangulation and counterpoint are very rare in improvisers' groups these days. The counterpoint shifts here are arbitrary (they can consist of two basses, two trombones, a bass and a trombone, etc.), with the microtonal invention that contains a triad being equally random and ever-changing. For nearly 12 minutes, the piece is a breathtaking end to a very satisfying collection." -Thom Jurek, All Music"
John Butcher / Joachim Badenhorst / Paul Lytton
""With these three, it’s not surprising that the music involves a nearly complete deconstruction of each instrument, resulting in a world where the possibilities of sound are placed before the assurances of form, where specifics of technique becomes obscure, secondary even, and the actual act of performing begins slipping from awareness. In short, Nachtigall is just good free improvisation—the sort of vibrant, abstruse interaction we expect when we read who’s on the bill." - Dan Sorrells, FreejazzBlog"
Momentum 4: Consequent Duos 2015>2019
"A collection of duo recordings featuring Ken Vandermark in collaboration with internationally renowned, and critically acclaimed, musicians: Kris Davis, Hamid Drake, Paul Lytton, Ikue Mori, and William Parker. The material is documented on 5 CDs and was recorded during performances at Vandermark’s second Stone residency in New York City during January of 2018, and at Experimental Sound Studio in Chicago. "
Ken Vandermark & Paul Lytton
"Vandermark alternates between the more groove based playing that he has made a name for and slightly more abstract and in a "freer" fashion. Lytton runs with these moods through busy work that is attuned to what Vandermark, heard mostly on saxophone, is playing. "
Lytton / Vandermark / Wachsmann
"On record, the trio tends to blur: reeds and strings rub against Lytton's seemingly almost accidental drumming until he switches to sheets of metal and the triangle again shifts. But at Tonic on June 12, it was easier to discern them as three pieces (it's the sort of band where visuals help). Even on baritone sax, Vandermark found a place in the upper registers of his bandmates. But whether heard as a triad or something more singular, Cinc builds sparse yet protean and quite nice sound spaces. "
Known / Unknown
Paul Lytton / Nate Wooley
"Both musicians explore the outside possibilities of their respective instruments and both utilize electronics to further disassemble the sound. The sound tends toward small gestures, magnifying silence and echoey reverberations. -Mark Corroto, All About Jazz"