Mette Rasmussen / Tashi Dorji
Mette Rasmussen & Tashi Dorji
""The density of the improvisations isn’t of the overlapping non-communicative variety, but is rather sympathetic and well timed. When one provides hard lines, the other provides color. Their excellent rapport makes for a very compelling listen; let’s hope we hear a great deal more from this duo in the near future." -Nick Metzger, Free Jazz Blog"
"A guitar that sounds like razor blades dragged across the face of impending doom. A guitar that sounds like Godzilla crashing an orchestral performance set in a warehouse stocked with pessimism and confidence. A guitar that sounds like a tree being felled by a fighter jet’s depression. All in all, Tashi Dorji‘s Blue Twelve can only be summed up by actually listening to it. The beauty of the album lies in it’s desire to evoke fantastical melodies that avoid the expectations of normal guitar sounds. -7BitArcade"
But A Night That Ends, As All Nights End, When The Sun Rises
""It’s also the kind of tape that welcomes the morning sun peeking over the horizon, greeting it with sleepy-eyed enthusiasm and going about its business following a productive all-nighter. It’s workmanlike in its progress, deliberate, yet full of surprises if you’re not ready for them." - Ryan Masteller, Tiny Mix Tapes"
Tashi Dorji & John Dietrich
""These cats set up and go. Both disorienting and elevating, this set of improv guitar is likely to rattle your mind." - J.M. Hart"