Axel Dörner / Fred Lonberg-Holm / Michael Zerang
"Trumpet, cello and percussion wouldn’t seem to share many timbral effects, but it’s often difficult to figure out who’s doing what. “Kasu,” for example, is a rolling patter of metallic-sounding thwacks, taps and scrapes that evokes myriad shades of gray, yet even when Dorner offers more conventional brass tones, as on “Ranzen,” the quick-blink reflexes of Lonberg-Holm and Zerang are at once so intuitive and disorienting that the trumpeter may as well be playing a belt sander, a testament to the trio’s sense of sonic creativity. Rather than revealing pet licks and favorite gimmicks, repeated listening only delivers a greater array of clever details. -Peter Margasak, JazzTimes"
Five Arias For Nalca
Benjamín Vergara / Fred Lonberg-Holm / Aaron Zarzutzki
"In all five tracks there’s never just a single idea of how the recording will proceed. They seem to decide on the spot, always ready to change direction or choose another path. This is probably the most important lesson learned in collective improvisation. -Fotis Nikolakopoulos, Free Jazz Collective"
No Time Left or Sadness
Fred Lonberg-Holm & Joe McPhee
"The intimacy of the recording makes for some close encounters of the intuitive kind and both McPhee and Lonberg-Holm demonstrate an uncanny understanding of each other's presence. There is an emotional intensity to the recording too. -Sammy Stein, The Free Jazz Blog"
Fred Lonberg-Holm & Ken Vandermark
"Fred Lonberg-Holm and Ken Vandermark are like a small band on this album, tight, voluminous, ideally matched, often it seems as if the music was pre-composed (but all of it is freely improvised). The music is like a dance between a songbird (cello) and a belling deer (tenor saxophone), sometimes their energy literally collides. -Martin Schray, Free Jazz Blog"
35 Grapes (19 Shown)
Fred Lonberg-Holm & Michael Zerang
"Like two abstract visual artists painting on the spot, these two begin with an idea of where they going and travel down some treacherous courses with little guidance. The results are uniformly stunning and enlightening. Zerang and Lonberg-Holm have done this sort of thing with others many times before, but this is clearly one of their best. -Steve Loewy, AllMusic"
Fred Lonberg-Holm & Peter Brötzmann
""What makes this record such a delight is the synergy between these two remarkable talents. They speak the same language, even if following along requires a dictionary." - Kevin Press, The Moderns"
Bridges Freeze Before Roads
Fred Lonberg-Holm Quartet
"Four individual voices overlapping in convulsive fragmentations, yet never exceeding the threshold of a barely disturbed imperturbability; even if Lonberg-Holm is indicated as the “leader”, this is pure and simple “anarchic democracy”. The abundant fruits generated by the artistic sensitiveness brought in by Guillermo Gregorio on clarinet, Glenn Kotche on percussion and Jason Roebke on bass are tangible since the very first listen; the development of a common, if atypical language seems to be the only thing that matters for this quartet. -Massimo Ricci"
Fred Lonberg-Holm’s Fast Citizens
"Fast Citizens continues to forge its own direction, reaching beyond formulaic conventions to embrace new forms. –All About Jazz"
Lotte Anker / Fred Lonberg-Holm & Dave Jackson / Dirk Serries
"Anker and Lonberg-Holm’s duet plays on all their strengths. Their extended improvisation takes a kind of narrative approach with the titling, “Ice King” / “Melt” / “The Frigid Air” / “Cold Only Hurts Those Who Feel,” and the playing is thrillingly free. Anker and Lonberg-Holm both have a way of taking tuneful lines to their scorched edges, successfully mixing atonal leaps with extended techniques. -Lee Rice Epstein, Free Jazz Blog"