The Industry of Entropy
"A fantastically understated piece that rewards close listening as the engagement and interplay between the performers is as good as it gets. - Nicholas Metzger"
"Unbridled, unyielding fury is what matters here; and there is more than enough of it to satisfy even the most demanding free-music enthusiasts." - Troy Dostert, All About Jazz"
Smoked Sunshine Vitriol Spits
""Young bassist Brandon Lopez has become a force on New York’s improvised-music scene these past few years, in large part due to his formidable power. The recent self-released solo album Smoked Sunshine Vitriol Spits is a testament to his strength—his oversize instrument can sound like a toy in his hands, and the way he wields and manhandles it in a live setting (e.g., his performance here last fall as a member of Amirtha Kidambi’s Elder Ones) makes it look like one too." - Peter Margasak, Chicago Reader"
quoniam facta sum vilis
"In the first four tracks there are moments of respite and beauty amidst the chaos. After Pa, the sounds are harsher and it is a violent new landscape. There is a sense throughout the second half of desperately trying to get somewhere but being unable to do so. By transforming into this brutality, the album lives up to its name. - Anna Heflin"
Brandon Lopez / Chris Corsano / Sam Yulsman
"Corsano’s presence is generally an indicator of quality, and Lopez’s pedigree is assured post-Elder Ones, but it’s Yulman who’s the real delight here. His flinty clusters of notes shower ‘8.05’, the album’s closing track, in tough, glittering shards, opening up the trio’s frantic rhythmic glowers to let the sunshine in. His intro to ’21.21’ is dissonant and stately, initially restrained enough to let the other two drift by, then gaining pace to kick off a fractious knees-up. Holy jazz, Batman, this is really free." - Paul Margree, Radiofreemidwich"