"A portion of sales will benefit Fendika Cultural Center and Catalytic Sound. At Fendika Cultural Center, we celebrate and renew Ethiopia’s rich cultural heritage. We welcome all creative souls; through exchange of music, dance, art, and poetry, we meditate on humanity’s one-ness, and pray for a peaceful world."
"Atlantic Rhythms presents the re-issue of Blacks' Myths self-titled 2018 debut, now available on a limited edition vinyl LP. Blacks’ Myths, is the inimitable rhythm section featuring bassist Luke Stewart and drummer Warren “Trae” Crudup III. The duo's first outing is a pulsing, hypnotic masterwork."
Blacks' Myths II
"On Black Myths, Stewart and Crudup craft evocative, Afro-futuristic grooves, frequently disrupted by eruptions of feedback dissonance or languid soundscapes. - Down Beat Magazine"
Catalytic Quarterly Issues 1-4 (2018)
"In a very limited quantity of 30 hand-numbered sets, we present the first four issues of the Catalytic Quarterly collected in an envelope designed by our own Federico Peñalva. From Ken Vandermark's first article on the challenges of 21st-century sustainability to Mat's Gustafsson's collected Discaholic's Corner notes and everything in between from Ig Henneman, Andy Moor, Terrie Hessels, Paal Nilssen-Love, Joe McPhee, Joe Morris, Nate Wooley, Ab Baars, Elisabeth Harnik and Tim Daisy all of our partner artists non-musical Catalytic activity is collected in this set. Get one while the stock lasts! "
Catalytic Sound Festival 2020: Day 2
"All proceeds raised will go to Assata's Daughters (www.assatasdaughters.org), "a Black woman-led, young person-directed organization rooted in the Black Radical Tradition which organizes young Black people in Chicago by providing them with political education, leadership development, mentorship, and revolutionary services. Through their programs they aim to Deepen, Escalate, and Sustain the Movement for Black Liberation.""
Catalytic Sound Festival 2020: Day 3
"All proceeds raised will go to the Fendika Cultural Center (fendika.org), which "celebrates and renews Ethiopia’s rich cultural heritage. We welcome all creative souls; through exchange of music, dance, art, and poetry, we meditate on humanity’s one-ness, and pray for a peaceful world. Our vision for Fendika is to continue to nurture the artistic community in Addis Ababa, and to grow into one of Africa’s most vibrant centers for artistic innovation and cultural exchange grounded in rich Ethiopian heritage. Funds raised from this campaign will help Fendika pay for basic survival salaries for 33 employees of Fendika, and Fendika Live concert production costs: artist fees for musicians and dancers who perform during Fendika Live concerts that are streamed online, payment for the camera crew for us to stream high-quality programs, transportation costs for artists and camera crew to travel to and from Fendika (They all need to travel by private, contracted cars, as public transit is becoming too risky), monthly wifi cost so we can keep streaming music and other programs.""
Heart of the Ghost II
Heart of the Ghost
"I first saw Heart of the Ghost in Ypsilanti, MI in July of 2018 having heard of them through mutual friend and percussionist Sam Lohman. Immediately, I was floored by their unapologetic, aggressive and bass heavy take on classic free jazz music.Their sound is challenging and cerebral yet contains distinct ebbs and flows of sound that is difficult to ignore. Bassist Luke Stewart is ubiquitous on the Baltimore/DC improvised music scene both as a solo artist and as a member of Trio OOO (with my buddy Sam), New Artists Orchestra, Irreversible Entanglements and others. Luke has already done more in his short time as a performing bassist than most musicians do in entire lifetimes. His thoughtful and challenging approach to stand up bass playing is at once mesmerizing and overwhelming. Multi-instrumentalist Ian McColm graduated from the Oberlin Music Conservatory and experiments with a wide variety of sounds both internationally and in and around the DC area and releases music under his IGM moniker. Ian brings a nuanced set of sounds into an otherwise hulking mountain of sonic chaos. Alto saxophone player Jarrett Gilgore, though unassuming in person, takes a blistering approach to the sax, leaving audiences feeling as if they have been hit with a pot of boiling water. In addition to Heart of the Ghost, he plays in Triage with Noah Jarrett and Kevin Ripley, Anthony Pirog's Body Puzzle, Xenga. Baltimore Afrobeat Society, Chris Pumphrey Sextet, Jaimie Branch's Bombshelter. -Pete Larson (Dagoretti Records) "
Live in Chicago
Heart of the Ghost
"Proceeds raised from sales of this recording will go in perpetuity to Black Lives Matter DC, an organization recommended by Luke (www.blacklivesmatterdmv.org). "
Works for Upright Bass and Amplifier
"Works for Upright Bass and Amplifier is an emotionally charged record that deserves a lot of attention. I’m hoping that Astral Spirits, the label that put out the project on cassette in limited quantities, finds a way to release this masterpiece on vinyl one day. - Gabriel Jermaine Vanlandingham-Dunn, Jazz Right Now"