I See You Baby Shakin' That Ass
Cato Salsa Experience And The Thing With Joe McPhee
"Metallic guitar chords and pounding drums pierce your ears with the answer as the octet open up with a cover P. J. Harvey's "Who The Fuck". You hear the wailing saxophones of The Thing's Mats Gustafsson, along with McPhee hovering over the screaming guitars, and you look for shelter. And that's only the beginning of the aural assault. "
Circulasione Totale Orchestra
"Madness erupts again, with screeching electronics, disrupting every notion of possible comfort, to be altered by steady rhythm and great soloing, "electric Miles"-like at moments. -Stef, The Free Jazz Collective"
"Featuring Christian Wallumrød on piano, Ingebrigt Håker Flaten on bass, and Per Oddvar Johansen on drums."
Daniel Levin / Ingebrigt Haker Flaten / Chris Corsano
""There may be only three players here but, like the titular contraption, the result belies reality - at times, you’d swear you were listening to a much larger group." -Derek Stone, Free Jazz Blog"
Stringers & Struts
Dave Rempis / Jeff Parker / Ingebrigt Håker Flaten / Jeremy Cunningham
"Each member brings out new facets of the others – Parker’s melodicism warms up Rempis’ tone and invites a new focus on contrapuntal motion in his playing, while Rempis draws some spiky shards of sound from Parker’s otherwise round-toned ax. Flaten’s drive propels Cunningham, and frees him up to play more impressionistically than he otherwise might. And Cunningham – who’s been known to fret that he’s a nail-biting novice to free improvisation – proves himself fully capable of taking on that new challenge using the same remarkable depth of musicality that he applies in more familiar contexts. Put these together and you end up with a record that draws lines between Grant Green’s Iron City, Ornette Coleman’s Body Meta, and Sonny Sharrock’s Ask the Ages."
"“Scandinavians have made an indelible mark on the progressive jazz front for the past several decades...Since 2007, Norwegian-based I.P.A. has been a major exponent of the fertile Euro jazz scene... this unit ups the ante by molding snippets of the past into a mode of attack, blotted by hyper-mode free bop and the frontline's sweltering solos and ricocheting horns arrangements. From start to finish, the quintet abides by an action-packed gait amid a hodgepodge of stylistic formats. Hence, it's a group of many colors as they navigate through these works with rebel-rousing but cohesive exchanges and surging through difficult time signatures with the greatest of ease.” – Glenn Astarita / All About Jazz"
"The opener begins with a mournful trombone laying out thematic concepts. McPhee joins in the mourning against Zerang's slow rumble. Then it all gives way, Bishop becoming increasingly percussive, as if trying to match the drummer's off-kilter rhythms before this in turn disintegrates and McPhee, his tone reminding me of Charles Tyler, comes storming in. And so it continues, each track revealing just why they are regarded as amongst the greatest improvisers currently performing. -Alfie Cook, Free Jazz Blog"
"Rich and explosive when it’s boiling, it’s still damn rich when it’s just wafting. – Byron Coley for The Wire"
"Listening at high volumes reveal Corsano playing every inch of his drum set, woody chops echo beneath splashy fills and inhuman snare hits while Haker-Flaten runs speed trials around Wooley’s in-the red-runs across a ruinous tonal field. A truly magnificent thing to behold. - Ryan Hall, Tome to The Weather Machine:"
Ingebrigt Haker Flaten
"The solo album, which is a bit of a rarity in Flaten’s decorated recording history, takes a wholesale improvisational approach while keeping Charlie Parker’s classic number “Confirmation” and a religious folk song from his home village Oppdal, contained on Ingebrigt’s album Village Songs "Den Signede Dag,” as subconscious points of attack."