"A portion of sales will benefit Fendika Cultural Center and Catalytic Sound. At Fendika Cultural Center, we celebrate and renew Ethiopia’s rich cultural heritage. We welcome all creative souls; through exchange of music, dance, art, and poetry, we meditate on humanity’s one-ness, and pray for a peaceful world."
Alex Coke Septet
"The record is a document of a fun afternoon with a small pile of musicians doing what they love to do. - Rock Tumbler Records"
"it's an invigorating performance and designed with great focus, as the musicians don't blow matters out of proportion or engage in long-winded soloing sprees. —Glenn Astarita"
Bradford / Gjerstad / Håker Flaten / Nilssen-Love
"Free jazz in the best tradition. And the audience is enthusiastic too. - The Free Jazz Collective"
Calle Neumann / Ketil Gutvik / Ingebrigt Håker Flaten / Paal Nilssen-Love
""In 2019 PNL Records released “Events 1998-1999” - a retrospective box-set of the short-lived but eventually legendary The Quintet from the late 90s. That box-set documented the meeting of two generation of Norwegian improvised free music – the older generation Calle Neumann and Bjørnar Andresen engaging with the new emerging talents of the time - Paal Nilssen-Love, Ketil Gutvik and Eivind Opsvik. Since that time Andresen had passed away, but for the release party of the box-set Neumann once again got together with Gutvik and Nilssen-Love. No longer the new blood, it was now a completely different meeting of musical minds, built on experience that didn’t exist 20 years ago. But it was also clearly a reunion of kindred spirits, people that share something special catching up through music. Of course this could not just be a one-off to promote a release, this had to become something more. And one year later the new line-up, now with Ingebrigt Håker Flaten on double bass (you don’t need two bass-players with Ingebrigt in the band), making the original quintet a quartet. The self-titled debut album documents their live debut at Victoria Jazz Club in Oslo, recorded in the midst of the covid-19 pandemic in July 2020. The band recorded before the gig with the intent of a studio album, but the gig itself was such a special event, that it became clear that the album needed to document that performance in full. Listening to the recording the identity of the musicians is clearly defined, but the music is full of surprises – going from extended full-on blasts to passages of subtle beauty, all delivered with a sense of adventure and humour that only musicians who are completely at ease with each other can deliver. New Dance is a new band for a new decade. It’s also worth noticing that this is Neumann’s first new recording in more than a decade, which is cause for celebration in itself." - PNL "
Cameron / Carter / Håker Flaten
"The young Astral Spirits label continues to punch above its weight with yet another outstanding release. - Mike, Avant Music News"
Catalytic Quarterly Issues 1-4 (2018)
"In a very limited quantity of 30 hand-numbered sets, we present the first four issues of the Catalytic Quarterly collected in an envelope designed by our own Federico Peñalva. From Ken Vandermark's first article on the challenges of 21st-century sustainability to Mat's Gustafsson's collected Discaholic's Corner notes and everything in between from Ig Henneman, Andy Moor, Terrie Hessels, Paal Nilssen-Love, Joe McPhee, Joe Morris, Nate Wooley, Ab Baars, Elisabeth Harnik and Tim Daisy all of our partner artists non-musical Catalytic activity is collected in this set. Get one while the stock lasts! "
Catalytic Sound Festival 2020: Day 2
"All proceeds raised will go to Assata's Daughters (www.assatasdaughters.org), "a Black woman-led, young person-directed organization rooted in the Black Radical Tradition which organizes young Black people in Chicago by providing them with political education, leadership development, mentorship, and revolutionary services. Through their programs they aim to Deepen, Escalate, and Sustain the Movement for Black Liberation.""
Catalytic Sound Festival 2020: Day 3
"All proceeds raised will go to the Fendika Cultural Center (fendika.org), which "celebrates and renews Ethiopia’s rich cultural heritage. We welcome all creative souls; through exchange of music, dance, art, and poetry, we meditate on humanity’s one-ness, and pray for a peaceful world. Our vision for Fendika is to continue to nurture the artistic community in Addis Ababa, and to grow into one of Africa’s most vibrant centers for artistic innovation and cultural exchange grounded in rich Ethiopian heritage. Funds raised from this campaign will help Fendika pay for basic survival salaries for 33 employees of Fendika, and Fendika Live concert production costs: artist fees for musicians and dancers who perform during Fendika Live concerts that are streamed online, payment for the camera crew for us to stream high-quality programs, transportation costs for artists and camera crew to travel to and from Fendika (They all need to travel by private, contracted cars, as public transit is becoming too risky), monthly wifi cost so we can keep streaming music and other programs.""
Sounds Like a Sandwich
Cato Salsa Experience And The Thing With Joe McPhee
"Metallic guitar chords and pounding drums pierce your ears with the answer as the octet open up with a cover P. J. Harvey's "Who The Fuck". You hear the wailing saxophones of The Thing's Mats Gustafsson, along with McPhee hovering over the screaming guitars, and you look for shelter."