Ingebrigt Håker Flaten New York Quartet
"Together, this drummer-less quartet floats differing pulses, favoring interactions such as the conversation between Morris and Flaten on "Pent," and Wooley's fluttering notes against bowed bass on "Knicks." The startling speed of "Giants" represents a heart-pounding four minutes of spontaneous felicity, while Wooley and Flaten open "As If" by setting the table for the quartet's harmonies. McPhee and Morris slide inside this and other pieces, working each track and maintaining the originator's framework. Each brief improvisation—the longest running 9:34 and the shortest a brief 2:13—is a well-woven tapestry of sound."
Black Magic Man
"Although this is completely different music than “Nation Time” because McPhee wanted to add some freer elements, the band is the same: Mike Kull (p), Tyrone Crabb (b), Bruce Thompson (perc) and Ernest Bostic (dr). The album starts with the title track, and before Kull and Crabb join in McPhee and Bostic fight a real battle, they keep attacking each other, and then the whole track goes totally mad – best classical free jazz at the height of its time. But the central piece is “Song for Lauren”, a hymn-like, highly spiritual composition somewhere between Coltrane, Sanders and Ayler – and one of McPhee’s most heartfelt ones. (Martin Schray, The Free Jazz Collective)"