"A portion of sales will benefit Fendika Cultural Center and Catalytic Sound. At Fendika Cultural Center, we celebrate and renew Ethiopia’s rich cultural heritage. We welcome all creative souls; through exchange of music, dance, art, and poetry, we meditate on humanity’s one-ness, and pray for a peaceful world."
Catalytic Quarterly Issues 1-4 (2018)
"In a very limited quantity of 30 hand-numbered sets, we present the first four issues of the Catalytic Quarterly collected in an envelope designed by our own Federico Peñalva. From Ken Vandermark's first article on the challenges of 21st-century sustainability to Mat's Gustafsson's collected Discaholic's Corner notes and everything in between from Ig Henneman, Andy Moor, Terrie Hessels, Paal Nilssen-Love, Joe McPhee, Joe Morris, Nate Wooley, Ab Baars, Elisabeth Harnik and Tim Daisy all of our partner artists non-musical Catalytic activity is collected in this set. Get one while the stock lasts! "
Catalytic Sound Festival 2020: Day 2
"All proceeds raised will go to Assata's Daughters (www.assatasdaughters.org), "a Black woman-led, young person-directed organization rooted in the Black Radical Tradition which organizes young Black people in Chicago by providing them with political education, leadership development, mentorship, and revolutionary services. Through their programs they aim to Deepen, Escalate, and Sustain the Movement for Black Liberation.""
Ways Of My Hands
"The fractured, rhythmical and melodic elements of this suite may flow in an erratic, eccentric ways but do gravitate into delicate, arresting structures with their own, inner logic and fascinating architecture, expressing a myriad of sounds, feelings and textures, from soft and gentle to the rough and dense ones. A true, masterful work of art." -Eyal Hareuveni, The Free Jazz Collective"
"Sensual reflection challenges us to transcend the usual patterns of experience and penetrate into new sound realms. With subtle humor, the borders of genre are evoked associatively and expanded. -Susanne Kogler "
irrt, irrt das ohr
"Harnik's 2005 solo debut on Extraplatte, featuring microtonal improvisations for piano."
Superstructure / Holding Up A Bridge
"Superstructure was written in 2006 and is the first composition in which Elisabeth Harnik, found a place for improvisatory activity in her work as a composer. It was recorded and produced live in concert by the Austrian Broadcasting Corporation ORF-Ö1. // Holding up a bridge was commissioned and performed by the up-and-coming Viennese ensemble STUDIO DAN in 2018."
Elisabeth Harnik & Andrea Centazzo
""The improvisations on this recording radiate with life and provide an expansive look into the deeper reaches of our minds. Each one completely engaged me, spurring my imagination in so many ways, taking me to new places that created landscapes with some vivid and unusual scenery. It was a fun listen by two master improvisers and the perfect antidote to another day in the confines of the Corona-Virus Blues. The power of improvisation. Its where it’s at my friends"- Steve Swell"
Elisabeth Harnik & Christoff Kurzmann
"All donations received from the sale of this album will go to the Flüchtlingsprojekt Ute Bock ("Refugee Project Ute Bock") "
Elisabeth Harnik & Michael Zerang
""Austrian pianist Elisabeth Harnik seems to thrive in duo settings. Michael Zerang, a Chicago-based drummer, is with her on Dream Disobedience, a live recording made at Ljubljana, Slovenia in 2019. The conversation, unabated for 35 minutes, is rather subdued, Harnik usually initiating each new topic, alternating traditional approaches with more unusual in-the-box techniques while Zerang eschews straight timekeeping for a more reactive role, adding the musical equivalents of ‘Hmm!’ or ‘Uh huh!’ and other encouragements to keep things flowing. The episodic narrative progresses through short lulls followed by bursts of energy, as if small squalls were blowing through, a grand tempest arriving near the end, one final cloudburst before irenic frog croaks and bird songs return, the pond at peace." - Tom Greenland and The New York City Jazz Record (March 2021)"