"A portion of sales will benefit Fendika Cultural Center and Catalytic Sound. At Fendika Cultural Center, we celebrate and renew Ethiopia’s rich cultural heritage. We welcome all creative souls; through exchange of music, dance, art, and poetry, we meditate on humanity’s one-ness, and pray for a peaceful world."
Catalytic Quarterly Issues 1-4 (2018)
"In a very limited quantity of 30 hand-numbered sets, we present the first four issues of the Catalytic Quarterly collected in an envelope designed by our own Federico Peñalva. From Ken Vandermark's first article on the challenges of 21st-century sustainability to Mat's Gustafsson's collected Discaholic's Corner notes and everything in between from Ig Henneman, Andy Moor, Terrie Hessels, Paal Nilssen-Love, Joe McPhee, Joe Morris, Nate Wooley, Ab Baars, Elisabeth Harnik and Tim Daisy all of our partner artists non-musical Catalytic activity is collected in this set. Get one while the stock lasts! "
Catalytic Sound Festival 2020: Day 2
"All proceeds raised will go to Assata's Daughters (www.assatasdaughters.org), "a Black woman-led, young person-directed organization rooted in the Black Radical Tradition which organizes young Black people in Chicago by providing them with political education, leadership development, mentorship, and revolutionary services. Through their programs they aim to Deepen, Escalate, and Sustain the Movement for Black Liberation.""
Catalytic Quarterly Issues 5-8 (2019)
"n a very limited quantity of 25 hand-numbered sets, we present the first four issues of the Catalytic Quarterly collected in an envelope designed by our own Federico Peñalva. Get one while the stock lasts!"
Catalytc Sound Festival 2021: Chicago
"Designed and screen printed in Chicago by Dan Grzeca"
Dave Rempis / Elisabeth Harnik / Michael Zerang
"This trio didn’t know how lucky they had it. They were certainly happy to perform again when this concert was recorded at the ArtActs Festival in St Johan Austria in early March 2020. "
Ways Of My Hands
"The fractured, rhythmical and melodic elements of this suite may flow in an erratic, eccentric ways but do gravitate into delicate, arresting structures with their own, inner logic and fascinating architecture, expressing a myriad of sounds, feelings and textures, from soft and gentle to the rough and dense ones. A true, masterful work of art." -Eyal Hareuveni, The Free Jazz Collective"
"Sensual reflection challenges us to transcend the usual patterns of experience and penetrate into new sound realms. With subtle humor, the borders of genre are evoked associatively and expanded. -Susanne Kogler "
irrt, irrt das ohr
"Harnik's 2005 solo debut on Extraplatte, featuring microtonal improvisations for piano."
Superstructure / Holding Up A Bridge
"Superstructure was written in 2006 and is the first composition in which Elisabeth Harnik, found a place for improvisatory activity in her work as a composer. It was recorded and produced live in concert by the Austrian Broadcasting Corporation ORF-Ö1. // Holding up a bridge was commissioned and performed by the up-and-coming Viennese ensemble STUDIO DAN in 2018."