The Rempis Percussion Quartet
"Phalanx, which pairs 2012 performances from Milwaukee and Antwerp, is the sixth recording by the Percussion Quartet. The songs are epic-the first of two Antwerp offerings runs 48 minutes-but with its continual sense of rhythmic and thematic renewal and its sheer propulsive drive, the music never wears out its welcome. -Loyd Sachs, JazzTimes"
The Rempis/Daisy Duo
"Second Spring is a primal product of sixteen years playing together some of the most challenging music out there. -Victor Aaron, Something Else!"
The Rempis/Daisy Duo & Guests
"Dodecahedron is the pair's third duo recording, and it follows Second Spring (Aerophonic, 2014) and Back To The Circle (Okka, 2005). Both discs are taken from live performances. Disc one is made up of three duets between Rempis and Daisy, while disc two adds a third guest on each of its nine tracks. -Mark Corroto, All About Jazz"
Tim Daisy, Terrie Hessels & Dave Rempis
"Proceeds raised from sales of this recording will go toward a cause recommended by Dave, the "Keep Fendika Grooving" GoFundMe campaign, which is raising donations to help support the Fendika Cultural Center (fendika.org). "
Twenty Minute Cliff
"No triage needed here – as the group blows into the room with a sound that's boldly beautiful, and really demonstrates the improvising skills of all three members at their best – Dave Rempis on alto and tenor, Jason Ajemian on bass, and Tim Daisy on drums – all musicians who've really grown a lot in a short space of time! The sound is wonderful – with fuller moments balanced by great subtlety that really seems to be opened by Ajemian's bass, which also encourages some of the gentler, more personal sounds from Rempis – and nicely restrained sonic pulses from Daisy. -Dusty Groove"
Boss Of The Plains
"The ten pieces presented here float in ruminating glances. The drummer-less trio invites stillness as its fourth member. Rempis delivers with a stoicism, eschewing volume for eloquence. -Mark Corroto, All About Jazz"
From Wolves To Whales
"Trumpeter Nate Wooley leaves no part of his instrument’s territory unexplored, utilising extended techniques and feedback to transform the horn from its traditional role into a far more alchemical and unclassifiable tool... The fully improvisatory yet traditionally rooted feel of the music has a lot in common with the work of Other Dimensions In Music. There’s a path in for more conservative free jazz listeners, but plenty of wilderness to get lost in, too. -Phil Freeman, The Wire"