"This particular recording was made over two nights in December of 2012 live at Chicago’s legendary Green Mill Cocktail Lounge as part of trombonist Jeb Bishop’s 50th birthday celebration, and it does a great job of showing these tactics at work. Although in this context – a packed weekend house at a more traditional “jazz” venue - the band opted to begin each improvisation with one of their tunes, you can hear them employ these arrangement tactics over and over once they make it through the first lap. So although you’ll hear a couple of the same compositions performed from one night to the next, that material is sandwiched in between the other pre-composed material in drastically different ways with no pre-conception or roadmap of what might come next. "
The Rempis Percussion Quartet
"Interestingly, as each member’s path diverges further, the quartet tours that take place once every year or so provide the backdrop by which to measure those tectonic shifts. The music on Cochonnerie demonstrates exactly that type of shift, without moving an inch. A band that hasn’t played a gig for over a year convenes in Chicago to get reacquainted over two nights at the start of a two-week North American tour in the fall of 2015. But the idea of having a warm up period flies out the window as these four dive in fearlessly as ever. Whatever the difference in the sonic output may be on this record compared to previous outings, their fundamental commitment towards reconciling individual ideas into a coherent and compelling sound is exactly what continues to fuel the laser-beam focus and relentless energy on display here. "
Cash and Carry
The Rempis Percussion Quartet
"On August 31st, 2014, The Rempis Percussion Quartet celebrated its tenth year in existence with an increasingly rare hometown concert at Chicago’s venerable Hungry Brain, a bar whose dark, relaxed, and frequently hard-drinking atmosphere helped to define more than a decade of the Chicago improvised music scene. The band had cut its teeth with regular performances at the Brain in the mid-aughts, but sadly, this would be the last time they hit the stage before the bar’s impending closure at the end of 2014. To up the stakes a bit further, that night also marked the end of the 2014 Chicago Jazz Festival. As usual, the multitudes of fans and world class musicians visiting for that event packed in with the Chicago regulars to hear what the local guys might deliver on their home turf. The band didn’t disappoint. The talking ceased immediately as they hit the stage, channeling the significant emotional energy of the evening directly into two sets of fiery music, once again taking the reins as one of the hardest-hitting bands to emerge from the Chicago scene in the past decade. On this document of the night’s festivities, you can hear the group dive in face first, working over every facet of the simple melodies and grooves that form the underlying basis of their extended improvisations, tearing them apart, and reconstructing them in a multitude of new ways."
The Rempis Percussion Quartet
"Phalanx, a two-cd set of live concert recordings from 2012, finds them in top form, barnstorming cities on two continents with their propulsive improvisations. This is the second recording of the band featuring its newest member, Norwegian phenom Ingebrigt Håker Flaten, and these two hard-charging sets show a band at the peak of its creative force. credits "
The Rempis/Daisy Duo
"Dave Rempis and Tim Daisy are two musicians whose work has helped to define an entire generation of Chicago improvisers. Having performed together since they both hit the Chicago scene in the fall of 1997, these two have joined forces on hundreds of performances and dozens of recordings with notable groups including Triage, The Engines, The Rempis Percussion Quartet, The Vandermark Five, and countless other ad hoc groupings. Their duo pairing has a similarly long history whose roots date back to the countless all-day/all-night workshop sessions that Daisy hosted in his garage practice space in the late 90’s, where these two rolled up their sleeves together for the first time, laying the foundation for a lengthy and fruitful set of collaborations. On this recording, a follow-up to their 2005 release “Back To The Circle” on the Okkadisk imprint, the two capitalize on these deep roots to produce an almost telepathic interaction in their improvisations. Never willing to settle into comfortable territory though, the two continue to push each other into new sonic realms, repeatedly pulling the carpet out from one another as the ground becomes too firm under foot."
The Rempis/Daisy Duo & Guests
"Dodecahedron, the third duo recording by saxophonist Dave Rempis and percussionist Tim Daisy, celebrates a special mile-marker in the musical history of these long-time partners, as 2018 marks the twentieth anniversary of their duo pairing. These two have formed the backbone of well-known working bands dating back to 1997, when they first met in Chicago, including Triage, The Vandermark Five, The Rempis Percussion Quartet, and The Engines. But that list only scratches the surface, accounting for just a portion of likely more than a thousand gigs they’ve played together over that time. On the first disc of this new two-disc set, recorded live at Elastic Arts in Chicago in October 2017, you can hear every nuance of that two decades of shared experience. Rempis and Daisy have logged far too many hours in the van together to suffer each other’s bullshit, and continue to undermine any whiff of cliché by pushing here, pulling there, and sometimes just outright kicking the chair out from underneath one another. There’s no hiding from family. To further celebrate this special milestone, the duo invited six guests to join them individually for two recording sessions in the summer of 2017, released here on the second disc in this set. Each of these musicians – Jason Adasiewicz, Jim Baker, Fred Lonberg-Holm, Steve Swell, Katie Young, and Aaron Zarzutzki – are friends and colleagues whose distinct personalities and long histories with Rempis and Daisy have helped to shape the duo’s approach as a unit, and as individual musicians. And each of the pieces presented here showcase yet another of the many facets contained within the duo’s complex lexicon. "
Boss Of The Plains
"Wheelhouse was formed in the summer of 2005, when bassist Nate McBride relocated to Chicago from Boston, and was looking for some similarly-minded musicians with whom to work. Having previously met Rempis during the saxophonist's visits home to Boston, he approached him with the idea of starting a band together. Rempis recommended up-and-coming vibraphonist Jason Adasiewicz, who has gone on to become one of the most noted voices in the Chicago improvised music scene. Originally, the band’s collaborative approach focused on playing each other’s compositions, but the trio moved away from that tack in 2008, pursuing a free-improvised approach instead. The slow simmer of their development over many years has allowed for an almost telepathic empathy between these players. All notable soloists and leaders on their own, in this context they pursue a more group-oriented sound where a leader emerges and retracts in unpredictable ways. Additionally, the lack of a drummer provides more sonic space and exposes many of the melodic and harmonic interactions that arise in the group, providing a setting that can move from passages that are remarkably austere, to ones that are highly energetic and dense. Boss of the Plains, their first studio recording, was recorded by the band itself in Adasiewicz's attic in October of 2010, with the same laid-back approach they've taken as a band for many years. This long overdue document showcases the slow-cooked development of an improvising chamber group that occupies a distinct niche within the Chicago music scene. credits "
From Wolves To Whales
"Having crossed paths around the world many times over the years, Nate Wooley and Dave Rempis finally realized their long-time intention of forming a band together in the winter of 2014, with a lineup that can only be described as stellar. Featuring some of the leading lights of both the New York and Chicago improvised music scenes, the four members of this quartet, all internationally acclaimed players in their own right, found a common language as a unit right from the start. This first document of their work was made in the studio following three concerts in Manhattan and Brooklyn in February of 2014, and the inventive and a-typical flow of their improvisations shows a band operating at a higher level of creativity from the get-go. Meanwhile, the broad stylistic range that they tackle, from microcosmic sound pallets to passages bounding with unbridled energy, shows a new group with a myriad of musical possibilities already under its belt. From Wolves To Whales, the debut recording by this quartet, sets the stage for a future of fruitful collaborations to come."