Dave Rempis


Saxophonist, improviser, and composer Dave Rempis has been an integral part of the thriving Chicago jazz and improvised music scene since 1997. With a background in ethnomusicology and African studies at Northwestern University, including a year spent at the University of Ghana, Rempis burst onto the creative music scene at the age of 22 when he was asked to join the now-legendary Chicago jazz outfit The Vandermark Five. This opportunity catapulted him to notoriety as he began to tour regularly throughout the US and Europe, an active schedule that he still maintains to the present day. At the same time, Rempis began to develop the many Chicago-based groups for which he’s currently known, including The Rempis Percussion Quartet, The Engines, Ballister, Rempis/Abrams/Ra, Wheelhouse, Triage, The Rempis/Rosaly Duo, and The Rempis/Daisy Duo. Other collaborations have included work with Paul Lytton, Fred Anderson, Peter Brötzmann, Hamid Drake, Tomeka Reid, Steve Swell, Elisabeth Harnik, John Tchicai, Roscoe Mitchell, Nate Wooley, Kevin Drumm, Paal Nilssen-Love, Nels Cline, and Joe McPhee. In 2013, he started his own record label, Aerophonic Records, to document this ongoing work. Rempis has been named regularly since 2006 in the annual Downbeat Critics’s Poll as a “rising star” on both alto and baritone saxophone, a category that he won in 2017. He was also the recipient of a Ragdale Fellowship from the Herb Alpert Foundation in 2017, as well as an Individual Artists Program grant from the City of Chicago for his solo project “Lattice.”

Hit The Ground Running

Rempis/Piet/Daisy

2017

"On the traumatic day after the election of Donald Trump as president of the United States on November 8th, 2016, a recording session had been scheduled at Elastic Arts in Chicago for a new trio. Two members of the trio – Dave Rempis and Tim Daisy, had been working together in various contexts in the Chicago improvised music scene for years. They were invited by up-and-coming piano wunderkind Matt Piet to be a part of an ongoing series of first meetings that he’d released on his Amalgam imprint. (This recording soon came out as Cure For The Quotidian) The feeling in the room, in the city of Chicago, and around much of the United States was dark in a way no one had ever before experienced. The music that came out that day was an honest and direct expression of that energy. Afterwards, Piet threw out the idea of a benefit concert to coincide with the new “president’s” inauguration. Daisy spearheaded the charge, and put together a stellar event at Elastic Arts on January 21st, 2017, the same day as the monumental Women’s March that took place around the world. The concert featured a solo set by Darin Gray, the debut of Ken Vandermark’s new quintet Marker, the duo of Ben Lamar Gay and Ayana Contreras, and this trio. The energy of that evening was indescribable – the packed room felt defiant yet loving, angry yet calm, fearful yet fully empowered to take on the new reality of the unimaginable political situation in our country. And the music from each group reflected those feelings in a different and powerful way. "