"On this new record – their first in three years – we hear Rempis adding more space, breath, and humor to his firebreathing as he matures into his mid-career status. Nilssen-Love increasingly incorporates influences from his ongoing work in Ethiopia and Brazil, often trading his remarkable ability to generate rhythmic drive for newfound subtleties. And check out the sheer breadth of Lonberg-Holm’s musical experience on display here; someone whose discography spans every genre imaginable over the last four decades, and whose jaw-dropping abilities as a musical chameleon gives him a truly singular voice in the improvised music world."
"SLAG is a triumphant recording on many levels. It can exhaust you with its energy jazz or lull you into submission with its minutiae. Either way, there is something overwhelmingly satisfying about being beaten about the head by this trio. -Mark Corroto, All About Jazz"
Worse For The Wear
"After Effects must have keyframes selected from one layer in order to export them as text. -Victor Aaron, Something Else!"
Catalytic Quarterly Issues 1-4 (2018)
"In a very limited quantity of 30 hand-numbered sets, we present the first four issues of the Catalytic Quarterly collected in an envelope designed by our own Federico Peñalva. From Ken Vandermark's first article on the challenges of 21st-century sustainability to Mat's Gustafsson's collected Discaholic's Corner notes and everything in between from Ig Henneman, Andy Moor, Terrie Hessels, Paal Nilssen-Love, Joe McPhee, Joe Morris, Nate Wooley, Ab Baars, Elisabeth Harnik and Tim Daisy all of our partner artists non-musical Catalytic activity is collected in this set. Get one while the stock lasts! "
Dave Rempis & Lasse Marhaug
"The whole thing sounds ugly, hideous, dirty and evil – yet, there is a certain beauty under the surface because the music makes you feel alive as well, it makes you feel real if you commit yourself unconditionally ….. but it is not for the faint of heart! -Martin Schray, Free Jazz Blog "
Dave Rempis Solo
"Getting beyond the sublime Strayhorn opener, the recording opens up to some brilliant possibilities. "Linger Longer" is a Philip Glass-like workout of circular breathing. The bookend cover of Eric Dolphy's "Serene" allows Rempis to unpack his suitcase, one that travels from Coleman Hawkins to Ornette Coleman. -Mark Corroto, All About Jazz"
From Wolves to Whales
"The final track, "For Kenau," sums up the quartet's mission. It trawls a path of extended emotion through long solemn notes and solos, ending with all its fuel spent. - Mark Corroto, All About Jazz"
"Albert Wildeman is Gunwale's secret weapon. He propels the group with roly-poly stabs on his bass, all accents and rhythmic tumble, that bring unfailing allegiance from drummer Ryan Packard & inspiration to saxophonist Dave Rempis. -Tom Burris, Free Jazz Blog"
"The music on Hiljaisuus is a game of recurring structures. Harmonic islands consisting of staccato and repetitive patterns are used as springboards and fixed points for further improvisation. -Martin Schray, Free Jazz Blog"
Purple Dark Opal
"As Coltrane drew from jazz, gospel, and Eastern music, Kuzu do too, updating their approach with rock, metal and the tools of free jazz. We hear Rempis' patented rip, tear, crunch sound, but also there is a tranquility about this music not found in most free jazz. - Mark Corroto, All About Jazz"