Tim Daisy


Tim Daisy is an American drummer and composer working in the fields of improvised and composed music. Tim moved to Chicago in 1997 and since that time has performed, recorded, and toured with many national and international improvised musicians and ensembles. He was a member of the Vandermark 5 from 2002 to 2010. He has also performed with Dave Rempis, Jeb Bishop, Mars Williams, Steve Swell, Jaimie Branch, Katherine Young, Fred Lonberg-Holm, James Falzone, Russ Johnson, Katinka Kleijn, Elizabeth Harnik, Christof Kurzmann, Ikue Mori, Rafael Toral, Mikolaj Trzaska, Per Ake Holmlander, Darren Johnston, Havard Wiik, Jason Stein and Michael Zerang. In 2011 he received the New Music America Composers Assistance Award and in 2011, 2012 and 2017 the ASCAP Plus Award from the American Society of Composers, Authors and Publishers . He has recorded over one hundred and thirty albums as a sideman or leader for labels including Relay, (which he owns and operates), Not Two, Clean Feed, Astral Spirits, Aerophonic, Audiographic, Sonorus, Trost, Utech, New World, and Okka Disk. Tim co-curates the weekly OPTION series at Experimental Sound Studio in Chicago. The programming explores contemporary perspectives on improvisation and composition in a ‘salon’ format, enabling local, national, and international artists to publicly discuss their practice and ideas as well as perform

Trébuchet

Made to Break

2017

"The Made to Break template is, ironically enough, a very sturdy one. Take an assertive bassist who isn’t afraid to bring a bit of funk to the mix and a drummer who has been a continuous companion for about 20 years, and you’ve got a pretty perfect setting for the bar-walker grooving, Brötzman-esque barking and rippling, interval-leaping runs that constitute the more muscular side of Vandermark’s playing. But comfort isn’t part of the program here, and Vandermark isn’t satisfied with simply kicking some funky fire music ass. Made to Break is a statement of intent, not just a catchy name, and the fourth member of the band is there to make sure things don’t get too easy. http://dustedmagazine.tumblr.com/post/170799767125/made-to-breaktrebuchet-trost -Bill Meyer, Dusted Magazine February 12, 2018 ----- 5 Star Review Vandermark, Daisy and Stadhouders alternate constantly between solidifying and deepening the powerful rhythmic envelope and contrasting and challenging each other’s role. Kurzmann, in his turn, alternates between opposing all three with his imaginative stream of alien, noisy and abstract sounds that charge the immediate, tight interplay with a strong sense of surprise and risk taking and soloing along Vandermark like an otherworldly reed instrument. -Eyal Hareuveni, The Free Jazz Collective, December 29, 2017 ----- "There comes a time in every extended piece from Made To Break where the ground drops out from beneath the song, and what remains is a simultaneous state of floating and falling, where the song doesn’t really seem to be proceeding in any one particular direction, but there exists, nonetheless, a heavy gravitational pull. On the quartet’s newest, it happens at the halfway mark of opening track “Hydroplane (for Shellac).” The dancing groove instigated by saxophonist Ken Vandermark and amplified by the rhythm-duo of bassist Jasper Stadhouders and drummer Tim Daisy suddenly gives way to the drifting electronics and effects of Christof Kurzmann. That’s when forward locomotion and melodic focus transforms into chaos and unpredictability. It’s as compelling as it’s startling, and as blunt as the transition can feel, it’s no less satisfying when the transformation comes full circle back to where it began. The effect is no more subtle on the blues-inflected “Contact Sheet (for Susan Sontag)” or the relentless volatility of “Slipping Words Against Silence (for Kerry James Marshall),” and that the results can vary so wildly from piece to piece is a source of intrigue that nicely complements the thrills." -Dave Sumner, The Best Jazz on Bandcamp: November 2017, Bandcamp Daily, December 4, 2017 "